Our moderators listened to every track we were sent this week and have picked their favourites for your listening pleasure this weekend:

Listening Post: Batch 563

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Vibrant soul pop music. Blend of blues/rock

More Than Ever

Design Flaws

What I Wanna Hear

Ghosts

New Single by Fauna Twin 
Video coming soon

Mother

Something to play (noire pure)



Composed in December of  2021 ✨🌿

Connecting with yourself. Finding everything that can be found. 



In my company

Once again, a melancholic composition featuring harmonies typical of anime and J-pop music, such as secondary dominants and other colorful progressions.

Art by :
https://www.artstation.com/sicuvn

Instruments :

Piano --- CinePiano

Horns --- Cinematic Studio Brass

Strings --- Cinematic Studio Strings & Cinematic Studio Solo Strings

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

Rainy Days

Diamond is Unbreakable 
JOJO part 4 / Fairy Godmother

야마기시 유카코는 신데렐라를 동경한다

Escapism

Small album containing my four nocturnes which I wrote long time ago.

Nocturne No.4

Angels and Demons” is an immersive orchestral journey that transports you into an epic cinematic world—where light and shadow collide in a sweeping tapestry of sound. From the very first string tremolo, you’ll feel the tension of divine conflict unfold: soaring brass fanfares beckon the celestial host, while brooding low strings and ominous percussion signal the rise of darker forces. Each track is crafted like its own mini-film sequence, with lush woodwind melodies interwoven alongside thunderous timpani and choral whispers that evoke both awe and dread.

Imagine cathedral-sized halls where choirs chant in Latin, only to be interrupted by demonic growls of brass and swirling tremolos that seem to echo from the abyss. Moments of fragile serenity—harp arpeggios, solo violin laments—remind us of hope, even as the undercurrents of bassoons and contrabass pulse like a heartbeat in the void. Throughout the album, dynamic crescendos build toward transcendent climaxes, then collapse into intimate, shadowed interludes that leave you suspended between worlds.

Whether you close your eyes and see angels locked in battle or feel the demons lurking just beyond the score, “Angels and Demons” delivers a cinematic experience that’s as grand as it is haunting. Press play, let the full orchestra wash over you, and journey through the eternal struggle of light and darkness.

Angels and Demons

Guardian of Hope

Mystic Bard - Bauern Walzer

Key Signature: E major/ C♯ minor
Time Signature: 4/4
Tempo: Andante, tempo di bolero (tempo of a bolero, a slow, romantic musical style that originated in Cuba in the late 19th century, a latin ballad )
Difficulty: Advanced

Rodrigo Amarante de Castro Neves (born 6 September 1976) is a Brazilian singer-songwriter, multi-instrumentalist, composer and arranger. He is part of the bands Los Hermanos, Orquestra Imperial, and Little Joy, and released his first solo record, Cavalo, in Brazil in late 2013 and worldwide in May 2014. He also wrote and performed the (bolero style) narcocorrido "Tuyo", the theme song for the Netflix Original Series Narcos (2015) and Narcos: Mexico (2018), and wrote the score for the film Entebbe (2018). (wiki)

Check my profile description for more info about this piece or any other piece.

Tuyo - Piano solo

NOVELETA - simulación virtual para referencia solamente

Fresh On The Net is a music blog hosted by Tom Robinson and Team Freshnet, offering independent artists an open door and a level playing field for their music. Our inbox is open at http://freshonthenet.co.uk every Monday to Thursday morning - if you share a track with us there it will be heard by every member of our moderation team.

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Home-made tunes, rhythms and pulses of a digital palette. Whistle along.

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Peter McDonnell

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