His unique sound expression is going to reach again the techno scene for some pure damages. 
Emmanuel Top belongs to the hall of fame of legendary techno producer. He sold millions of records on vinyl, CD and streams with aliases such as B.B.E., Plexus, Karlos Mendez, Age of love,..
On TOP of that he made many classics under his own name such as Acid Phase, Turkish Bazar, Radio, La Pipe a Eau, Tone, Krankenhaus, Ecsta-Deal, Stress, etc ..
through his own imprint Attack Records.

Played by almost every dj s all over the world, his name is a trademark of quality music and characterful music.

Emmanuel Top became France's first techno superstar, even if his popularity was greater in countries like Germany and England than his own country.
 His avant-guardist album Asteroid on Novamute was a key album which influenced many techno producers of today.


Emmanuel Top 
(Black plague performance, Attack Records, ]FºKªLM[)

DJ: bookings@darkroomdubs.com
Label: hq@darkroomdubs.com
Press: dina@eclectica.berlin

Gustavo Calaf nació el 19 de Febrero de 1968 en Buenos Aires, Argentina. Desde muy chico desarollo su pasión por la música y fue influenciado por bandas como Depeche Mode, New order, Kraftwerk, Camouflage, entre otras, comenzó a vincularse a la música electrónica desde sus comienzos y se caracterizó por inclinación hacia la música House y sus variantes (Deep, Tech y Progressive House).
A partir del año 1987 hasta 1989, momento en que en la Argentina comienza a generarse el movimiento dance, Gustavo Calaf musicalizaba clubs como 'New York City' y 'Laurence' los sábado en el horario de la matiné junto su colega Quique Carrasco. Estas discotecas han sido pioneras en lo que respecta a la música electrónica, por lo que, Gustavo no sólo ha visto nacer el movimiento dance en Buenos Aires, sino también que ha sido parte de su surgimiento.

En la década de los ´90, Gustavo se posicionó como un reconocido DJ en la zona oeste del Gran Buenos Aires, trabajando en los mejores clubs de dicha zona como: 'Juan de los Palotes','Moon”, 'Crash' y 'Stuttgart', junto a otros DJ's del momento, comenzaron a llevar la música electrónica a éstas discotecas y de a poco, los habitúes de estas discos fueron conociendo y siguiendo a ese sonido nuevo. También durante esta decada, la música dance ya estaba consolidada en Europa y USA, en Argentina recién comenzaba a conocerse de su existencia. Gustavo Calaf, con un gran desarrollo de la intuición, supo desde el principio que la música electrónica era la música del futuro, que en un corto plazo esa música sonaría en los mejores clubsy que el movimiento dance en Argentina recién se estaba comenzando a desarrollar, durante esta década, Gustavo no sólo ratifica su gusto musical sino que se destaca con un estilo propio.

En el año 1999, Gustavo es convocado como DJ residente de 'Club House', un espacio exclusivo de música electrónica dentro de una mega disco en Capital Federal, Buenos Aires. Allí, tocó junto a colegas como: Hernán Cattaneo, Diego Ro-K, Hugo Díaz, Aldo Haydar, Luke Santos, Gustavo López, Jr. López, Luis Nievas, entre otros, por lo que su experiencia como DJ, su dedicación a la música y su buen desempeño fortaleció carrera.
En los años siguientes, Gustavo fue convocado en distintos clubs, ya sea como DJ invitado o como DJ Resident, en loss mejores clubs como: 'Buenos Aires News', 'Divino Buenos Aires', 'Sobremonte', entre otros, al mismo siendo resident de 'Divino Beach”, una importante club en las playas de Mar Del Plata. En este período, también comienzan a aparecer los primeros 'After Hours' en Buenos Aires me los cuales Gustavo es convocado para musicalizar dichos eventos.
Hacia finales de la primera década del 2000, es convocado a tocar en clubs de la provincia de Córdoba, donde comienza a ser conocido por la escena dance de dicha provincia, formando parte de la agencia 'Mean-Dream' y participando de eventos con DJ's y productores internacionales como: Marcos Carnaval y Jorge Jaramillo de Who Da Funk entre otros. 
Durante los últimos años ha tocado en reconocidos clubs tanto de Capital Federal, Gran Buenos Aires e interior del país, como: 'State', 'Bahrein Buenos Aires, 'Pinar de Rocha', 'Cromo', 'Privilege', 'Roca Rosa', entre otros.

Siempre adaptandose a los nuevos sonidos, Gustavo es reconocido por su versatilidad musical, tanto para sets de warm up como en horario main, es un precursor del movimiento dance en Argentina, manteneniendose fiel a su gusto musical y estilo propio en su profesión.

soundcloud.com/wearetheundergroundlabel

In the last decade Berlin became a magnetic force of culture. With an enormous appeal to artists from all areas of expertise including music, design, architecture, theatre, dance and everything that helps the evolution of imagination and creativity. This is why it should come to no surprise that it is the birth place of both Iono Music and its founder - Matthias Sperlich.

Like many other labels, Iono Music was born in order to give its founder, Cubixx aka Matthias Sperlich, the freedom he needed to release his first creation as Koaxkaos – "Evolutyon". After he met Murus in 2003 at a Psytrance festival, they started working together for several years, and so Iono Music was established in 2005. Unlike many other labels, which are affected by fashion, hype and commercial factors, Iono Music has been motivated by the radiation that the music transmits and the way the body reacts to it. If the music changes the molecules and atoms into ion then it means it has been ionized*. The Ionization process can only be fully successful if your music is high quality Electronic music. Iono Music's main emphasis is on Progressive Psytrance and yet any Electronic style is accepted as long as it stands out of the others – after all it has to reach the top atmosphere to be an Iono…

Matthias Sperlich was born in 1977 in Berlin, Germany. He has over 15 years of experience behind the decks and has a long time love affair with electronic music. He works as a professional VFX artist for cinema and TV, which allows him to pursue his passion and vision of extraordinary music, while being guided by his perfectionist's standards. Since the beginning Cubixx knew that Iono Music could succeed only if he chooses each artist with extra care, examining every aspect to see if they belong in the Iono family. Thus all the artists and dj's you see in our website were picked one by one, after proving to be not only excellent artists but also great people.

Iono Music never stops to evolve, always being one step ahead with technology and new initiatives it had grown to be an exciting international label. Always on the move, Iono Music promises to give you the top notch music this atmosphere can offer.

*"The Ionosphere is a shell of electrons and electrically charged atoms and molecules that surrounds the Earth, stretching from a height of about 50 km to more than 1000 km. It owes its existence primarily to ultraviolet radiation from the Sun." (Taken from Wikipedia.org)

I started to feel the passion for music since i was a child, as my family had a Winco turntable where they played all the vinyl classics from the 70's era.
As i grew up, my musical taste began to get bigger as i started to listen to international bands:
Sex Pistols, The Ramones, The Clash, The Police, U2, Pet Shop Boys, Madness, Carlos Santana, Duran Duran, A-HA and local bands like: Soda Stereo, Los Pericos, Los Fabulosos Cadillacs, Los Abuelos De La Nada among others.
At the end of the 90' was my first contact with Buenos Aires nightlife, as my musical interest began to grow hearing DJ's like: Hernan Cattaneo, Sasha, Frankie Knuckles, Jimmy Van M, Paul Oakenfold, Lee Burridge, Dave Seaman, Deep Dish, John Graham 'Quivver', Yunus Guvenen, Timo Maas, Satoshi Tomiie, Danny Tenaglia, The Chemical Brothers, etc.Near 2005 i met my DJ friend Gustavo Calaf and we started playing together as i brought my vinyls to his house where another DJ's like Peter C where playing too.
Later in 2007 there some private parties going on where i started to DJ at them, where my friends motivated me to keep on playing, that was an inflection point in my career as i got gigs with local colleagues at different clubs.
Currently, i'm active at my studio trying to develop musical productions being part of 'We Are The Underground' record label, where my first record with Facundo Caldiero (DJ/Producer/FM Blue 105.3) will be released.

facebook.com/wearetheundergroundlabel

Rainboot (label) is a small, independent record label from the UK. We distribute online only and work with a small number of artists.
We're currently working with:
Trev Gibb
Lena's Baedream
I Am Oak
Gentle Wiliam

Error Etica 
(Psychoskunk Recs - Warm Up Recordings - Dark Forest - Inducted Waves - Granulart records - Red Sonja - Subsist - Tsunami records  -Concerns Music - Pole Group -Sonntag Morgen - Reclaim Your City - Sect London - Nachtstrom Schallplatten)....
Victor  Martinez is also behind this aliases, Producer, DJ and sound engineer as well as having stablished a reputation as a major reference in Northern Spain for Techno music. Which has spawned an aclaimed rmx and releases on numerous labels
For bookings:
Isabel Guindal
booking@stelarbooking.com
http://stelarbooking.com/

My name is Jannick Andersen, and I'm a DJ from Denmark, also known under the alias DJ pr0fane and producing under the name Multiphase.

I have been a DJ since 2002, and an Iboga Records label DJ since 2007, but electronic music already caught my interest back in the 80's, and I fell in love with psychedelic trance in 1997. I am a very dedicated and passionate at what I do, and I consider DJ'ing both an art form and a serious technical craft. That is why I try to constantly test my boundaries and always try to explore new sounds, without of course loosing the feel for the nostalgic and emotional - good music never gets out of style.

As a DJ for Iboga Records, my musical repertoire of course includes the latest and freshest progressive psychedelic trance, but I also have a love for more house and techno-influenced sounds: from emotional and trance-influenced melodic progressive to phat, pounding techno as well as deep, hypnotic minimal, techno and tech house. At the right time and setting, I also like to play full on morning and daytime sounds, and I also very much enjoy chillout and downbeat-sets, as I see them as both very challenging and independent of the boundaries of the dancefloor.

I take an honour in never limiting myself to one particular sub-sub-sub-genre of music: to me, a good DJ-set should not only be about playing 20 similar-sounding dancefloor "killers" in a row between two liveacts - it should be a journey: evolving, progressing and influencing the listener and moving through different emotions and soundscapes, dependant on the setting, time and crowd. That is my main motivation to keep on playing - to be a part of those magic moments on the dancefloor where you just go with the music, and let it lead the way.

Over the years I have played at some of the best clubs and venues all over Denmark, plus in countries like England, Turkey and Germany. This for instance includes these festivals:

• Fusion Festival (Germany, 2008 and 2011)
• Antaris Festival (Germany, 2011)
• Full Moon Festival (Germany, 2008)
• Soulclipse Total Solar Eclipse Festival (Turkey, 2006)
• Liquid Time Festival (Germany, 2008)
• Copenhagen Electronic Carnival (Denmark, 2008)
• :in:deep:an:dance: Festival (Germany, 2006)
• Naked Festival (Germany, 2006)
• Middle Earth Festival (Denmark, 2005 & 2007)
• Fragmental Festival (Denmark, 2008)
• Scandinavian Electronic Music Festival (Denmark, 2004)

Apart from DJ'ing, I have also written many articles and reviews for different offline and online-media on the scene, such as Chaishop.com, Trancers Guide To The Galaxy and Progressivetunes.com Magazine.

In 2007 I joined the Danish label Iboga Records as an official label DJ. As you probably know, Iboga Records is one of the leading forces in the progressive psychedelic scene over the last decade, with over 90 releases, including albums by artists like FREq, Ace Ventura, Antix, Liquid Soul, Beat Bizarre, Reefer Decree, Perfect Stranger, Quantize, Phony Orphants and many more.

DJ Rogger, born Rogger Antonio Sánchez in Barcelona, Venezuela, is a renowned DJ, music producer, and systems developer based in Aruba. His signature sound blends house, tech house, disco, deep house, and vocal house into immersive performances characterized by emotion, groove, and uplifting energy.

With over a decade of experience, Rogger has become one of the leading figures in Aruba’s electronic music scene, curating GG Sessions and performing regularly at top venues such as The Vue Rooftop, Pelican Pier, Moomba Beach, Holiday Inn Aruba, On The Rocks, and Caya House, among others.

His international career includes performances in Colombia, Panama, Venezuela, Bonaire, and Curaçao, including high-profile events such as the Miss Universe 2024 After Party in Barranquilla. Rogger has shared stages with acclaimed artists like David Tort and Dave Lambert from Tomorrowland.

Rogger has also performed at major beach festivals including Bright Summer Sessions, where his versatile style seamlessly adapts from sunset performances to high-energy club nights, maintaining a refined musical identity.

Beyond his DJ career, Rogger founded BestVibe Aruba and BestVibe Systems, innovative companies merging music, technology, and entertainment. He also launched Onsite Records, a label dedicated to promoting fresh talent within the house music scene across the Caribbean and internationally.

In 2025, Rogger is releasing the official house music remix of George McCrae’s “Rock Your Baby”, a project personally approved by the legendary artist himself. This new version bridges disco heritage with modern house energy and is set to mark a milestone in Rogger’s career and the Caribbean house music scene.

Looking ahead, Rogger is preparing an ambitious wave of projects through Onsite Records, including collaborative EPs, remixes, and releases with international artists such as Taylor Dayne and other prominent figures in the house and electronic music scene. These initiatives will expand the label’s influence and set the stage for a new era of music production and global collaborations, establishing Rogger as a key figure in the Caribbean’s contribution to worldwide house music.

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