A mysterious short movie excerpt highlighting a melodic yet dramatic ethnic flavored soundtrack score with powerful hybrid orchestral / choral parts and added electronic elements (with a sonic homage to the great Vangelis) ... a new Teaser Single by Peter Heckmann (featuring members of Ethnic World Orchestra / Filip Kutev Choir & Ensemble).

Spotify Playlist: https://open.spotify.com/playlist/4dDkR4KY1DZl3kCNF0dijp

Written, arranged and produced by Peter Heckmann for Rose Records and Publishing in 2024.

Musicians:
Keyboards, Drum Programming, Synthesizer – Peter Heckmann
Lead and Backing Vocals – Ethnic World Orchestra
Additional orchestration – Peter Heckmann

Engineered, mixed and mastered by Peter Heckmann
All Graphic Design and Artwork provided by Peter Heckmann

Prophecies

Ancient Voices

Buy at Bandcamp

Janani Madhan is a versatile Indian vocalist with many mainstream movie songs to her credit, which she performs in various Indian languages. 

Over the last fifteen years, Janani worked with a plethora of Indian music producers and performed in over 500 shows across the world in various music and theatrical productions.

https://buymeacoffee.com/peterheckmann 

BIO: Independent Music / Film / Theater Producer, Musician, Mixing / Mastering Engineer and Multimedia Production Specialist with over forty years of experience in the entertainment and multimedia design industries. 

I worked with a broad spectrum of clients in both the entertainment industry and corporate sectors. 

My expertise has been achieved through nearly five decades of professional involvement in documentary video, feature film and music production, audio recording and engineering, stage design and theatrical production, multimedia and graphic design, investigative journalism and project management.

Architect turned coder, turned singer and songwriter, turned her whole life upside down. It's never too late to surprise yourself.

Welcome to my page.

I appreciate all the comments, likes and repost that you leave me in my compositions.

I make music for fun and to get away. I have multiple styles, although my biggest influence is in electronic music.

I am self taught and learned with Music Studio 2 on a first generation ipad 11 years ago. I have never composed before. Perform more than 80 songs a year for the first 6-7 years to learn about the program and develop creativity to compose. I have listened to different types of music throughout my life and maybe that has helped me.

I still compose only with an ipad (last generation), but I no longer work only with native MS2 instruments since I have expanded my instrument library with programs such as Audiokit, Digital D1, kv331, Sunrizer, etc ...

My music can be downloaded, but not used for commercial purposes (my authorization is required).

During the last two years I have encouraged myself to collaborate with professional or self-taught musicians like me. Are these:

Annie Smart

Dan DT

Loue ghazi

Lukowig

Mirjam Keijnemans

Nathalie B20

Subzero

Vicent

Winkanwoo

Wypernet

Thanks to them for their generous timeshare and patience.

You can contact me by sending me a message through SC.

Thanks for visiting.

Music Lover and self thought DAW Producer/Composer = One Happy Guy :-)
I create my own music with some sampling and original creation.  I enjoy creating original cinematic orchestral music and would love to have my music score in your movies, video projects or games.  I also enjoy creating original techno and tech house dance music.
If you like what you hear, make sure to follow me to be notified of new releases - Aiming 3k followers - Help me out reaching my goal.
I am not a musician - I see my self as a Puzzle builder, building large puzzles with lots of tiny pieces called notes 😜

You like my music and I love coffee 👍 paypal.me/DJMartyMart

Now selling most of my creations on commercial platforms such as :
Amazon, Apple Music, Beatport, Deezer, GooglePlay, Bandcamp, iTunes, Spotify, Tidal, Napster, Shazam and more 😃

German Music Production company founded by the vocalist and composer / lyricist Dagmar Klimperle (aka Yel - Ysabell - Tara Mai). Her original track "Sun Is Coming Out" (Ayla featuring Yel Remix) became an international dance hit in the early 2000's.

She worked with Infraroth (Stefan Roth), Perky Park, Zeitgeist and Ayla.

Composer and vocalist from Depok, Indonesia presenting Ethnic and Spiritual World Music.

...born 1980 in Hamburg, Germany. in 1996 i discovered the world of hard electronic music...
 and immediately fell in love with it... i never heard music with that extreme energy and passion behind it before...
 in 1997 i decided to create music myself... my style back then was mostly experimental hardcore, breakcore and speedcore...
 in 2000 i had my first release then, my 12" on Blut recordings.
 later that year, Betty Bombshell and me started a show on the terrestrial radio station "FSK" in Hamburg.
 the idea of the show was to broadcast music from the experimental and hard music scenes to an audience that might have not much contact with that kind of sound before. Betty left the show in 2001. 

 there was still a need for that kind of thing in Hamburg; Sampler19 and me teamed up, and we created the "Hamburg Hardcore Radio" show.
 apart from playing old and new records and tracks from the hard scenes on air, we also did many all-night shows, featuring a lot of guest DJs. later, The Man Unknown and DJ Escada joined us, and we started a crew that did the radio shows together.

 in 2002 a 12" by me was released on Praxis, i was very happy about this release, but i do not want to hype myself here, so i won't say too much.
 later that year my 12" on Black Monolith came out, which was again a bit different than my earlier releases, because it was an Hardacid/Acidcore EP.
 2002 was also the year when me and Sampler19 started the "All-Out Demolition!" parties in Hamburg. later, DJ Escada and The Man Unknown joined our crew there, too.
 the idea of All-Out Demolition! was to create a party series for the extreme, interesting and experimental types of Hardcore and Breakcore - parties for that type of sound only happened very rarely in Hamburg back then.
 in 2003, an album by me was released on Widerstand records. but again, i do not want to hype myself too much. the sound was in the various "styles" i produced in so far... breakcore, noize, ambient...

today the styles of the music i produce include breakcore, acidcore, doomcore and dark ambient.


influences on my work include: william gibson, stanislaw lem, bruce sterling, franz kafka, max stirner

musical influences include krautrock, postpunk, new wave, detroit, rave, acid house, classical avantgarde, dark ambient, industrial, chiptunes, gabber, hardcore techno

Mitglieder: 
Marline Kilp (Gesang, Akkordeon, Slapstick)
Patrick Pubben (Gitarre, 2. Stimme, Trompete)
Federico Rojas (Bass)
Thiago Oliveira (Perkussion)

Kannkind ist eine unkonventionelle Band aus Trier. Sie bewegt sich durch verschiedenste Stilrichtungen, aber immer mit der Absicht, ihre Essenz zu bewahren: chamäleonhafte Musik. Wie seine Mitglieder ist auch der Musikstil von Kannkind sehr variiert. Manchmal klingt er nach Tango, manchmal nach Indie Rock, man hört Bossa, dann wieder Bop oder Pop. 

Manche würden die Klänge unter World Music einteilen, wegen der verschiedenen Rhythmen und Sprachen, die in der Musik zusammenfließen (Deutsch, Englisch, Spanisch). Aber dafür ist die Band wiederum zu sehr gehaftet in der westlichen Welt und Tradition. 

Anfangs, wegen des melodiösen Klanges der Stimme der Sängerin, in der sich viel Melancholie und „saudade“ verstecken, spielten die Bandmitglieder gerne mit der Idee, ihre Musik wäre eine Art „deutscher Fado“. Dieser etwas ironische Begriff war gedacht, um eine Musik zu beschreiben, die trotz der emotionalen Schwere auch immer mit einem Hauch Humor aufwartet.  

Kannkind hat angefangen als eine instrumentale Zwei-Mann-Band. Aber nach einem ersten vergessenswürdigen Auftritt vor einem verwirrten Publikum wurde klar, dass etwas fehlte, und zwar eine extra Dimension, um auch die Liebe fürs Geschichten Erzählen und den Wunsch, existentielle Probleme anzuschneiden, mit einzubeziehen. 

Beispiele dieser Erzählfreude finden sich in den Texten des ersten Albums „La Conjura“ aus 2019, wo es um verschiedene Themen wie die absurde Abhängigkeit von Liebe und Macht, die Hölle der Monotonie oder die virtuelle Sexualität in der modernen Welt geht, aber wo auch alltägliche Unannehmlichkeiten wie der Mundgeruchs eines Wookies nicht unbesprochen bleiben. 

Momentan arbeitet Kannkind an einem neuen Album mit mehr Beat, gefüllt mit Liedern, die bereits Teil des Live-Repertoires bilden, und mit neuen Überraschungen.