All ESA audio tracks licenced under (various) Creative Commons IGO licences.

Image credit: ESA

ESA Audio licenced under Creative Commons

An exploration of the sounds of space exploration - made here on Earth. ESA's ESTEC facility is where spacecraft are prepared for travel.

Here are sounds recorded of prototypes of ESA's upcoming ExoMars rover, made in the Planetary Robotics Lab. This includes sounds as we would actually hear them (albeit in Earth atmosphere), as the rover prototype tests its wheels and disembarks from the lander mock-up and traverses some simulated Martian gravel.

It also includes some electro-magnetic radiation, converted to audible sound. 

In addition, I've included sounds of the popping of nitrogen valves from the Materials & Electrical Components Laboratory, involved in a materials test.

The microphones used for this recording are specially made by Slovakia's Jonáš Gruska (LOM Label). Audible spectrum recordings are made with Uši; EMF recordings with Elektrosluch.

These were produced in November 2015 as part of a collaboration with the European Space Agency and TEDxESA. They're CC for a reason - we hope you'll remix and reuse them!

Sounds of the European Space Agency's ESTEC facility

ESA ESTEC Space Sounds recorded by Peter Kirn

Outer Space ✰☽

samples

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

Sensors in the feet of Rosetta’s lander Philae have recorded the sound of touchdown as it first came into contact with Comet 67P/Churyumov-Gerasimenko. The instrument, SESAME-CASSE, was turned on during the descent and clearly registered the first touchdown as Philae came into contact with the comet, in the form of vibrations detected in the soles of the lander’s feet. 

Technical note: This is the actual sound file; i.e. it is a recording of mechanical vibrations at acoustic frequencies. No modification was necessary except for some technical adjustments (e.g. the .wav format requires amplitude normalization). Actual frequency content and duration are unchanged.

Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Sr

CREDIT: ESA/Rosetta/Philae/SESAME/DLR (CC BY-SA IGO 3.0) 

This soundfile is licenced under the Creative Commons Attribution-ShareAlike 3.0 IGO (CC BY-SA 3.0 IGO) licence. The user is allowed to reproduce, distribute, adapt, translate and publicly perform this publication, without explicit permission, provided that the content is accompanied by an acknowledgement that the source is credited as 'ESA/Rosetta/Philae/SESAME/DLR', a direct link to the licence text is provided and that it is clearly indicated if changes were made to the original content. Adaptation/translation/derivatives must be distributed under the same licence terms as this publication. To view a copy of this license, please visit: creativecommons.org/licenses/by-sa/3.0/igo/

Thumbnail image credit: ESA/ATG medialab 
Audio file credit: ESA/Rosetta/Philae/SESAME/DLR





Philae touchdown makes a thud

Train sounds recorded with my DIY SASS fitted with Uši microphones on Sound Devices 702.

Vlaky, 2. 4. 2015

Study of various sounds produced by little creek at Železná studnička, Bratislava, Slovakia. 

Recorded with Uši microphones on Sound Devices 702

Železná studnička, 12. 4. 2015

Ever wonder how the International Space Station alarms sounds? This emergency alert is the last thing astronauts on the ISS ever want to hear as they work 400 km above Earth in the vacuum of space.   
 
This sound was sent to us by the Columbus Control Centre, near München, Germany, the operations centre for ESA astronauts and the Columbus laboratory, part of the orbiting weightless research centre.

The alarm is sounded on the International Space Station to alert astronauts to life-threatening emergencies such as loss of pressure or fire. The astronauts would immediately convene near their Soyuz spacecraft that serve as lifeboats, but these kind of emergencies are extremely rare and the alarm has sounded only a handful of times despite the Space Station having been inhabited since 2000. 

Most astronauts on a six-month space flight will only ever hear the sound during a practice session.

Regular 'fire-drills' are performed to make sure that even in a worst-case scenario everybody knows what to do. Mission controllers from the international partners that run the Space Station in Russia, USA, Europe and Japan re-enact scenarios with the astronauts in space. In critical situations the teams on ground need to communicate efficiently, act quickly and coordinate a solution between each other and the astronauts flying 400 km above them.

Image credit: ESA/NASA

Audio credit: ESA, CC BY-SA IGO 3.0 
http://www.esa.int/Services/Creative_Commons_Attribution-ShareAlike_3.0_IGO_CC_BY-SA_3.0_IGO_Licence

https://creativecommons.org/licenses/by-sa/3.0/igo/

International Space Station siren

Planetary Radio Live was the only public event at the just-completed Planetary Defense Conference in Italy. Listen to excerpts from an all-star celebration of worldwide efforts to find, track, characterize and eventually deflect killer Near-Earth Objects. Guests are William Ailor, Fabrizio Bernardi, Paul Chodas, Lindley Johnson, Detlef Koschny and Amy Mainzer. Bruce Betts was on hand for an on stage What’s Up segment and award of the latest round of Shoemaker NEO grants. 

(C) 2015 Planetary Society USA. Used by permission. Original show via http://bit.ly/planrad-pdc2015

Saving the Planet at the Planetary Defense Conference

Another gem from the ESA archives: 

Tracks left behind by the November 2000 Leonids shower, as detected by ESA scientists.

Each time a meteor crosses the atmosphere, it leaves behind a short trail of ionised particles. This trail reflects high-frequency radio signals from stations around the world for just a few seconds. The motion of the meteor trail due to the upper atmosphere winds changes the frequency of the reflected signal (Doppler effect). You 'hear' the trail as it is blown around by the winds before it is eventually dispersed.

You are invited to use, re-use or remix this sonification. When doing so, please credit 'ESA - European Space Agency, CC BY-SA 3.0 IGO' and stick to the licence:

This work is licenced under the Creative Commons Attribution-ShareAlike 3.0 IGO (CC BY-SA 3.0 IGO) licence. The user is allowed to reproduce, distribute, adapt, translate and publicly perform this publication, without explicit permission, provided that the content is accompanied by an acknowledgement that the source is credited as 'ESA - European Space Agency’, a direct link to the licence text is provided and that it is clearly indicated if changes were made to the original content. Adaptation/translation/derivatives must be distributed under the same licence terms as this publication. The user must not give any suggestion that ESA necessarily endorses the modifications that you have made.

No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

Any of the above conditions can be waived if you get permission from ESA. To view a copy of this license, please visit http://creativecommons.org/licenses/by-sa/3.0/igo/

Source: http://www.esa.int/Our_Activities/Space_Science/Sounds_from_space 

Wailing Leonids

The MSG-4 GO/NOGO roll call in the Main Control Room at ESOC, ESA's European Space Operations Centre, Darmstadt, Germany. The roll call was conducted by Flight Director Nigel Head approximately 2 hours before lift off at 21:42 UTC (23:42 CEST), 15 July 2015.

MSG satellites, dubbed Meteosat once operating, provide full-disc images over Europe and Africa every 15 minutes and ‘rapid scan’ imagery over Europe every five minutes. They are operated in the routine phase by Eumetsat – the European Organisation for the Exploitation of Meteorological Satellites – and ESA is responsible for their design, development and in-orbit delivery.

Ariane flight VA224 is set for liftoff in a 37-minute window starting at 21:42 GMT (23:42 CEST) on Wednesday, 15 July. MSG-4 will separate from Ariane’s upper stage about 40 minutes after launch, a few minutes after its co-passenger, Embratel’s Star One C4 satellite.

The MSG satellites are 3.2 m in diameter and 2.4 m high and spin anti-clockwise at 100 RPM at an altitude of 36,000 km. They are operated as a two-satellite system continually returning detailed imagery of Europe, Africa and parts of the Atlantic and Indian Ocean every 15 minutes, for operational use by meteorologists.

More information: www.esa.int/msg

Audio credit: ESA - CC BY-SA IGO 3.0
Image credit: ESA - CC BY-SA IGO 3.0


MSG-4 launch - GO/NOGO Roll Call

An exploration of the sounds of space exploration - made here on Earth. ESA's ESTEC facility is where spacecraft are prepared for travel.

Here are sounds recorded of prototypes of ESA's upcoming ExoMars rover, made in the Planetary Robotics Lab. This includes sounds as we would actually hear them (albeit in Earth atmosphere), as the rover prototype tests its wheels and disembarks from the lander mock-up and traverses some simulated Martian gravel.

It also includes some electro-magnetic radiation, converted to audible sound. 

In addition, I've included sounds of the popping of nitrogen valves from the Materials & Electrical Components Laboratory, involved in a materials test.

The microphones used for this recording are specially made by Slovakia's Jonáš Gruska (LOM Label). Audible spectrum recordings are made with Uši; EMF recordings with Elektrosluch.

These were produced in November 2016 as part of a collaboration with the European Space Agency and TEDxESA. They're CC for a reason - we hope you'll remix and reuse them!

Credit: Peter Kirn/CDM/ESA CC BY-SA

ESTEC - Nitrogen Valves

An exploration of the sounds of space exploration - made here on Earth. ESA's ESTEC facility is where spacecraft are prepared for travel.

Here are sounds recorded of prototypes of ESA's upcoming ExoMars rover, made in the Planetary Robotics Lab. This includes sounds as we would actually hear them (albeit in Earth atmosphere), as the rover prototype tests its wheels and disembarks from the lander mock-up and traverses some simulated Martian gravel.

It also includes some electro-magnetic radiation, converted to audible sound. 

In addition, I've included sounds of the popping of nitrogen valves from the Materials & Electrical Components Laboratory, involved in a materials test.

The microphones used for this recording are specially made by Slovakia's Jonáš Gruska (LOM Label). Audible spectrum recordings are made with Uši; EMF recordings with Elektrosluch.

These were produced in November 2016 as part of a collaboration with the European Space Agency and TEDxESA. They're CC for a reason - we hope you'll remix and reuse them!

ESTEC - EMF Recording Of Mars Rover Camera

ESTEC - Mars Rover Disembarking From Lander

ESTEC - EMF Recording Of Mars Rover

ESTEC - Mars Rover Traversing Gravel

ESTEC - Test Of Prototype Mars Rover Wheels

Here is my second pack of crazy FX samples...

Free download here:
http://finecutbodies.com/?p=sound#S003

You can find more packs here:
http://finecutbodies.com/?p=sound

Feel free to use the samples and share the link! :)

ESTEC - Mars Rover Traversing Gravel

PETER KIRN