I’ll take you on a journey through my favorite sounds. From hip hop—the genre where my musical journey began - to techno, soul, reggaeton, dubstep, dance…

https://www.instagram.com/sofiakourtesis
https://soundcloud.com/sofia-kourtesis



Sofia Kourtesis - Music that travels with me @ The Lot Radio 06-28-2025

www.openlab.fm | 106.4FM in Ibiza & Formentera

For the second episode of the Yoyaku series we have Salar Ansari, a multifaceted artist — a DJ, producer, instrumentalist, sound‑engineer, and cultural bridge‑builder. From Tehran’s underground to major festivals and studio projects in Detroit, he channels Persian musical roots into forward‑thinking electronic and collaborative projects, while giving back through teaching and community initiatives.

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OpenLab Radio x Yoyaku 02 - Salar Ansari

Sam Shepherd a.k.a Floating Points barely needs introduction. Cataloguing depths uncharted to expose some of the best jazz, soul, rare groove and disco around.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/floating-points/episodes/floating-points-28th-july-2025

Floating Points - Opening Set @ Sunflower Sound System, Glastonbury 2025 280725

Justin Carter from the moment he starts to coax the first dancers onto the floor until he brings it to boil. Live from the Mister Sunday booth in the back yard of Nowadays on Sunday, July 20, 2025, from around 4pm until 6pm.

How I Build A Floor / Justin Carter at Mister Sunday, July 20, 2025

Rhythm Section Radio was founded in 2009 and moved to NTS in 2012, and has since pulled out the stops breaking new music, promoting independent labels and paying homage to the greatest music from the past, through a perhaps unhealthy obsession with record digging. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/rhythmsection/episodes/rhythmsection-6th-july-2025

Bradley Zero Presents: Rhythm Section w/ X & Ivy 060825

@petermarks on the main stage of @canyonvibration opening for @djdissolve and @aguycalledgerald.

Feel free to comment for a track id!

Peter Marks @ Canyon Vibration 2025

Expansive dub vibrations from the On-U Sound maestro.

Adrian Sherwood has spent nearly five decades reshaping how dub is heard and felt. From absorbing reggae and funk as a teenager at the Newlands Club in High Wycombe to cofounding On-U Sound in 1979, he’s been a restless force in British sound system culture. His debut production, Dub From Creation, signalled his instinct to twist the Jamaican form into bold, experimental directions.

That spirit defined On-U Sound, where reggae collided with post-punk, industrial and synth pop to forge a catalogue still unlike anything else. Sherwood became a crucial bridge, producing for legends like Prince Far I, Bim Sherman and Lee “Scratch” Perry, while also working with Depeche Mode, Nine Inch Nails and Sinéad O’Connor.

His  RA Mix (yes, you read that right) arrives at a moment of renewal—RA.1001 is the first in a new era for the series. (After 1,000 editions of the RA Podcast, we're updating the name to better reflect what it's become.) 

Recorded at his Ramsgate studio, the 76-minute mix folds in cuts from <i>The Collapse Of Everything<i> alongside material from across the On-U Sound universe, plus collaborations with Panda Bear, Sonic Boom, Coldcut and Spoon. It's Sherwood doing what he's always done: stretching dub into endless new shapes.

Find the interview and tracklist at ra.co/podcast/1019

RA.1001 Adrian Sherwood

Full tracklist & Video Mix: bleep.com/bleep-mix-309-dj-food

To celebrate the release of the Telepathic Fish compilation, we have a special ‘O Is For Orange 2025’ Bleep Mix from DJ Food.

"A version of this mix first appeared in 2013 at a night to celebrate the release of Boards of Canada’s ‘Tomorrow’s Harvest’ LP release. It then morphed into an Audio Video DJ set that I toured around the UK in 2019, playing the Bluedot festival to a packed tent that year. The idea was to thread Boards of Canada’s music with original sample sources, tracks they’d remixed, fan remixes or songs that fitted their sonic blueprint.

I recently resurrected and refined the mix for a gig booking, updating it into a new version. This happened to be a week before I was due to deliver my guest mix to Bleep and it seemed to be too good an opportunity to pass up. I abandoned the mix I was going to deliver and put down the first hour of the ‘Orange’ set including a video mix to go with it. I used stem splitting apps to deconstruct some of the tracks into unique versions before video mixing it all on turntables using Serato then editing the footage in Premiere." - @strictly