Féminines et mystiques, ces trois artistes nous transportent dans un voyage métaphysique au cœur du rite de passage.
Cyber Utopianism et Marion Versatile, sorcières méditerranéennes transdisciplinaires aux nombreux royaumes, sont accompagnées des nappes sonores enivrantes de Js Donny guitariste de N0os.

STREAM RADIO FLOUKA

Morgane presents Poems for Flouka EP2  - 01/04/2021

instagram.com/stvgisnotreal
twitter.com/stvgisnotreal
www.patreon.com/STVG

STREAM/DL

CuddleMyCarcass

Jigsaw-dette

dont want ur bitch she a hoe
stay in the woods calm my soul
i get the knife n i cut u like dope
talked to the devil he blazin my indo
the journal's almost done i can finally rest
catch me at the lake ghosted all my friends
i cant even cry all my feelings left
i got all these reasons to use all this lead

4:44culminated form4:44

Charlie Morrow - "Toot! Too" LP (R41)
http://www.recitalprogram.com/toot-too/
http://www.recitalprogram.com/purchase/

R41 Charlie Morrow - "Wave Music II – 100 Musicians with Lights (1978)" from Toot! Too LP

Ifs = Krzysztof Freeze Ostrowski & Fischerle

Source: https://fasrat.bandcamp.com/album/fasrat-compilation-3

Ifs - Candyflipper

Yearling - Resortplex Guide

"Customer’s Copy" is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.

Preferring the stark contrast of analog/digital, acoustic/electric, and natural/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s "Sing Me a Song of Songmy," and Muhal Richard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.

A visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.

Exotic Sin - Canis Minor

played & recorded @ temp. RBW Studio, Rote Fabrik, Zürich - CH
#rfsc.ch
https://soundcloud.com/beliawinnewisser
@zweikommasieben

RBW Summer Residency 2020, Zürich - CH

 played & recorded @ temp. RBW Studio, Rote Fabrik, Zürich - CH #rfsc.ch   RBW Summer Residency 2020, Zürich - CH 

Belia Winnewisser | Präsens Editionen - zweikommasieben | RBW Summer Residency 2020 - 09.07.2020

AAmotion ParallaX

https://hkcr.live/shows/dead-inside-podcasts-presents-sounds-of-a-post-apocalyptic-landscape-by-george-chua-29-01-2021

Dead Inside Podcasts Presents: Sounds of a Post Apocalyptic Landscape by George Chua - 29/01/2021

Danish record label run by @severin_p80 // @lyravalenza
Graphic design by Laurits Hanak
Hosts radio show 'Bad Habits' on @lyl_radio
PR: @fomo-pr

contact: 80petrola80 (at) gmail.com

Yearling - Resortplex Guide

Petrola 80