There’s something unique and nostalgic about True Underground flavor. This flavor is one known not only to the veterans of the electronic music scene, but also to those keen on details and craftsmanship, splashed with a little touch of the unknown.

This is where Night Movers come in.

Night Movers is a collaborative, forward thinking project between (George Loukas & Waxci) two long time friends based out of Toronto, Canada and New York City, USA. This project is brought to life by their mutual love for the true grit and grime of real Underground music as it resonates through everything they do.

Be it through their sets or productions, Night Movers proliferate sounds of yesteryear met with the freshness of today’s modern techno, mixed in with their own dark groove and style.

With a multitude of upcoming releases on a variety of well-known labels, even if their name is new in today’s scene, this duo certainly is not.

Music for the after hours at the end of the world.

Mixtapes, specials, and live sessions since 2009. The MIDNIGHT ROCKERS EXPRESS is recorded in New York City. 

US&THEM, DJ GETLIVE!, JOAKIM JANSSON

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All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours. 

— JAMES BALDWIN, SONNY'S BLUES, 1957

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There are sounds I miss, but I don’t need them back, their quality and their value relies on them missing and being missed; they populate the void with howls and fugitives, and fuel my adrenaline. What’s endangered is the will to invent and release unapproved noises, and to force language to bend to that will rather than force tone to tend to the broken nervous system of late capitalism where everyone is always offended by unvetted sounds and waits to be told what to like and what to loathe. Long live the thought crimes and crypt dictions and haunted notions that turn into lawless music that everybody protests because they love it so much they long for the experience of yearning for it. While we’re so concerned about what the environmental disturbances tell us about potential human extinction, I think it’s plateaus in music and language and sound that tell us it’s over unless we stop outlawing cries for help that come in words and sounds that we are only allowed to explore in secret, underground, where everyone real went to be unseen.

— HARMONY HOLIDAY, from "ENDANGERED MUSICS", 2021

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The End of the World was a nightclub.
Drag queens with machetes and rhinestoned

machine guns guarded the red and impassable
door on Friday nights. Just a look at the crowd,

all dressed up and swaying outside, made people
want to yell the truth about themselves to anyone

who’d listen, but no one heard. The End of the World was loud. The End of the World leaked music

like radiation, and we loved the neon echo, even
though it taunted us or maybe because it taunted us:

kids leaning out of windows hours after bedtime,
cabdrivers debating fares at the curb just for an excuse

to linger, pastors who’d pause at the corner 
and vow that if they ever got inside, they’d burn it all down.

— SAEED JONES, "ALIVE AT THE END OF THE WORLD", 2022

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And this, this is the Core. This is where we broadcast our pirate signal and hack into the Matrix.

— MORPHEUS, THE MATRIX, 1999

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@DJGETLIVE
INSTAGRAM.COM/MIDNIGHTROCKERSEXPRESS

UK & World Bookings
Arcade Talent 
Ed Fernandez 
ed@arcade-talent.com

@pakate label head
@cuttinheadz affiliate

If there’s one word that defines Jean Pierre (Pakate Records, Cuttin' Headz), it’s passion.
Born and raised in the concrete jungle of Queens, New York, Jean Pierre has spent over twenty years living, breathing, and evolving within the electronic music scene. His story is one of relentless hustle—from crate-digging at Brooklyn’s legendary Halcyon record shop to gracing the decks at the world’s top venues.
2024 marked a major breakthrough: performances at Space Miami, Music On Festival, Sunwaves, Unum, and Ibiza hotspots like Hï, Pacha, Amnesia, Eden, and Tantra showcased his powerful blend of house grooves, percussive minimalism, and raw techno energy, shaped by his NYC upbringing and Colombian roots.
Now based in Barcelona, Jean continues to refine his signature sound—one that’s earned releases on labels like Cuttin' Headz, Hot Creations, Mindshake, Rawthentic, Boogeyman, and his own Pakate Records.
A true artist at heart, Jean Pierre’s mission is clear: create timeless dance floor experiences, connect through music, and push boundaries with every set and every track.

Pfessional is following