Always Crashing in the Same Car

Electronic dance music DJ and producer. Too many aliases. Too many releases. Releasing music since 1992.

Just your enthusiastic music lover who loves making instrumental pieces of music for a hobby with his guitar and other handy instruments....Peace and Love!

Christiane Hommelsheim sings and plays on sound objects, Ralf Haarmann electronics and mandoline. With a central interest in loops, they create intertwined acoustic layers. Through the looper all sounds loose their corporality, they resolve within themselves, they appear and
disappear, they become soundfields, and soundshadows. Ocassionally a sentences might appear out of nowhere, and lingers unfinished in the space, like a piece of thought-furniture, that might develop within the ear of the listener before it retreats back out of focus. HAARMANNHOMMELSHEIM create poetics of absence, poetics of nothing.

A versatile composer mastering neo-classic, classic, soundtracks, ambient, and synthwave. XyXa's music transcends boundaries, blending timeless elegance with modern innovation. Dive into a world where every note tells a story.
Join me https://linktr.ee/XyXa?subscribe

Je vous présente : "CRIME SCENE DO NOT …"
qui comme son nom l'indique ( ou pas ) est un album de chansons françaises " érotico-socio-balnéaires " .
à consommer sans modération !
à écouter et ou télécharger sur :
deezer : http://www.deezer.com/album/6744592
amazon :http://www.amazon.fr/dp/B00DRUOCCC
iTunes: https://itunes.apple.com/fr/album/crime-scene-do-not/id669696175 
spotify: https://open.spotify.com/intl-fr/album/0u5ei9w4NeCNPDYGNKzRfY?si=p_8b-63TRZOPly63hqAiAA


et toutes les plateformes de téléchargement légal ...

Bonne écoute, avec toute mon amitié .

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

My name marco ciccotti aka rex "i glad for contac" thanks for support 👍             https://linkfly.to/30319HIjRbr                

Welcome to the Neon Motel. Based in New York City, I invite you to check in and chill to some Lo-Fi beats in the Electron Lounge. Bounce to house grooves in the Neon Ballroom. Take a dip in the heated Sexy Synthetic pool. 
Mixing old skool beats with lo-fi sounds, deep house cuts, synthwave and chillwave grooves, you'll never know what you'll hear in each room of the Neon Motel.

Experimental music that ranges feral beyond constraints. 

The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker, Godspeed You Black Emperor. Dystopian Inspirational for noble outlaws.

Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...

Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.

My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.

Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.

Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.

Always Crashing in the Same Car

Little Fire Maker