Name: Sport Acid VCO-2RM MMF-1 by Phasebash in Cwejman Filters
Duration: 9 min 46 s
Description: Sport Modulator and MATHS generating the gates and CV, VCO-2RM and MMF-1 on the bass.

i've compiled a list of demos and tracks involving Cwejman filters, for convenience of coming back back and re-listen to all in one place.  this happened while i was deciding for which filters should i get onboard their waiting lists.  

edit update: in past two years, i have managed to get a new RES-4 from Maho,  and find DMF-2 and MMF-6 used.

Cwejman Filters

Just a small demo soundscape/texture. Instruments: eurorack modular synth (Cwejman, MakeNoise, MOTM, Malekko/Wiard modules), Kurzweil KSP8 effects processor. Production: Ableton Live 8. Main modules used : MMF-6 (as a SINE osc), E350 (as an LFO), ModDemix (for sideband), RES-4 (for vocal effects), Sport Modularor (as ... a semi random modulator).
Enjoy !


Voices inside

Playing around with my new Juno 106, all notes and melodies (except for the 2 chords) are coming from Metroposeq, a Max For Live device i created recently.

Metro Juno

This is a 4-voice polyphonic patch showcasing the Cwejman QMMF-4 and Modcan Quad LFO (a love made in heaven!)

The chords are played live through a MIDI keyboard going into a MI Yarns. CV is routed to 4 Cwejman VCO-6 oscillators. Their SAW outputs are going through 4 SuperSawtors and are then inserted in the individual audio inputs of the QMMF-4.

Envelopes are handled by two Modcan Quad envelopes, one going into the MX-4S and one connected to the CM2 inputs of the QMMF-4. A PH-4 modulates the panning of the MX-4S.

The Modcan Quad LFO is set to "Quad mode" and inserted in the CM1 inputs of the QMMF-4. 

All patches in the first two tracks are done with this set-up. Changes in timbre are happening by the different LFO settings and rates of the Modcan Quad LFO.  Some excerpts are done with the QMMF-4 in RES mode, some in OSC/SAT mode. I use BP and LF.

There's a RG-6 connected to the main audio input of the QMMF-4. It's positive saw output creates the random clicks in some of the excerpts.  

The third track has the MI Yarns set to 4 stacked mono voices. You hear audio rate modulation of the Modcan LFO being lowered to LFO duties. 

Sorry for the lack of musical content and my clumsy keyboard playing, this is merely a showcase for some of the timbre options of the QMMF-4.
 

QMMF-4 4M

So, here is that Detroit-esque techno track I promised. Built entirely from the TR-707 and my Blofeld. I've got a video going up sometime soon as well on how I did it, nothing too fancy. Did this all while I was away at the cabin. I quite like this one to be honest. Lots of bass.

The whole thing was also done without sequencing the drums in DAW, which was a nice step up for me. Most times it's easier to just MIDI control the machine, but this makes it way less of a hassle to sync the drums to the bass in FL Studio. Good shit.

Equipment Used:
Roland TR-707 - Drums
Waldorf Blofeld - Lead/Bass/Chords/Strikes/etc.
M-Audio Fast Track Ultra - Interface
FL Studio 11 - Bass Sequencing/Track Recording

It Came From Detroit

Live Take August 3rd 2015
1 patch, 1 take...
Cwejman QMMF-4
Make Noise René, 
Pressure Points, 
Brains,
Function, 
and Maths

Cwejman QMMF-4 + Make Noise René, Pressure Points, Brains, Function and Maths

www.darkerthanwax.com

IN 30 #4

Fourth one in the series! Kicked it off with a few bass numbers that I have been into lately, before slowing down to some good ol head noddin' biz towards the end. Hope you all enjoy the frequencies.
Also, we will be heading to EU for our DTW tour in March with the 1st show in London on the 10th, so keep an eye out for that. 

#wemove

FUNK B

IN 30 #4

peak&hold - res4

Music for Space Cowboys

self playing modular patch / loop featuring the following modules : Cwejman RES-4 and RG-6, Snazzy Ardcore, Harvestman Tyme Sefari II.

291012 - self playing euro modular loop

Demonstration of V/Oct CV into Spacing CV of the Cwejman MMF1 (in dual BP mode)

MC202 and Acidlab Bassline 2 are used for sequencing

A142-4 is used to gate the uVCA

A175 is used for voltage inversion

Acidlab CV goes to A175, inverted CV to MMF1 Spacing; Acidlab gate to A142-4

MC202 CV goes to MMF1 freq CV

Simple delay in ableton has been used to be able to better hear occasional dissonances

MMF1 Scaling of Spacing Cv - Demo

Sport Modulator and MATHS generating the gates and CV, VCO-2RM and MMF-1 on the bass.

Sport Acid VCO-2RM MMF-1

freelance composer - music for film,tv & theatre.

this account mostly contains electronic improvisation pieces and few synthesizer demos.   for theatre scores and contemporary music visit www.babic.com

Sport Acid VCO-2RM MMF-1

Phasebash

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