Name: Nocturne Op. 9 No. 1 - Chopin by Phil Best in Me
Duration: 5 min 28 s
Description: You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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Franz Liszt Consolation no. 3 in D flat Major, S. 172

A recording of J.S. Bach's 'Preludie in C' played by Neil Balfour.

When J.S. Bach began working on his epic Well-Tempered Clavier in 1722, chances are he wasn't thinking that it would become one of the defining musical texts in keyboard history. But, somehow, it has - and the Prelude No. 1 in C Major is where it all starts.

The Well-Tempered Clavier (there are two volumes of it, each containing a prelude and a fugue in each musical key) kicks off in C Major, the most 'natural' musical key, so he obviously made sure that the first entry is a good one. Few pieces of keyboard music sound so delicate and fragile, but there's a very Bach-ian stability to it as well. 

It's a strikingly simple piece to begin with, gently phasing through different chords and registers, but it's one of those pieces that demands to be tinkered with. Consequently, you'll hear plenty of different interpretations of this much-loved work.

Prelude No. 1 In C Major | Bach

My take on Chopin's saddest little prelude.  Two and a half minutes of ache.


Chopin Prelude No. 4 In E Minor, Op. 28

This track is from Seunghee Lee's most popular album "Hidden Treasures"! 
"CD of the Week" at KDFC, San Francisco Classical Radio
"CD of the Week" at Fine Music Radio, Cape Town, South Africa
"Album of the Week" at WSCL, Maryland 
#2 on Top 10 Classical Charts/Hong Kong Records!

NOW AVAILABLE~ Sheet Music plus CD included for purchase: www.amazon.com/dp/9881373808

PDF Download: https://www.seungheeclarinet.com/product-page/brahms-poco-allegretto-from-symphony-no-3-arr-lee

Seunghee Lee, Clarinet
Evan Solomon, Piano

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© 2020 Seunghee Lee-Musica Solis

Hidden Treasures

Symphony No. 3 in F, Op. 90: III. Poco Allegretto

Sheet Music

Brahms: Poco Allegretto (arr. Lee) from Symphony No. 3 in F, Op.90

improvisation on Bach´s cantata Jesu, Joy Of Man's Desiring, check download button for wav format

Steinway & Sons Model D 274 Concert Grand Piano. Live Piano Recording. Orchestral String from Garritan Instant Orchestra. I hope you love the melancholy theme of this song.

Frédéric Chopin - Waltz In B Minor, Op.69 No.2 (No.10) (Orchestrated Version)

How many times you think about the good old days, smiling at the silly thigs you've done, thinking about friends you lost touch because life goes on... All those experiences made the person you are now: be happy where you are and keep working to be the best you can.

Nostalgia ( Chamber Version)

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Nocturne Op. 9 No. 1 - Chopin

Bach - G Minor (Luo Ni)

Spirited Away

Joe Hisaishi - Carrying You (Castle in the Sky)

Yiruma - Love Me (Piano cover)

Piano Solo - Minna Liu

Recorded May, 2011

Piano Sonata No. 17 in D minor, Op. 31 No. 2 III. Allegretto — Ludwig van Beethoven

Yiruma - do you

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Fantaisie-Impromtu in C Sharp Minor, Op. 66

Chopin - Fantaisie-Impromptu in C-sharp minor op. 66

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Nocturne Op. 9 No. 1 - Chopin

Phil Best

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