Name: The Places We Knew by Phil Best
Duration: 2 min 37 s
Description: You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

What a beautiful music and excellent performance, congratulations!

The places we knew are etched in time,
In cobblestone streets and bells that chime.
Fields of gold where the sun once set,
Whispers of dreams we can’t forget.

The laughter lingers in shaded groves,
Echoing softly where memory roves.
The walls, though aged, still hum the tune,
Of summers gone beneath the moon.🍂

noooo where the original version of it went why is it changed. BRUTAL

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

The Places We Knew

At that time I met a stranger, her story was sad and her voice gentle.. She saw and heard what no one should.. She suffered a lot. I recorded lullaby for her to make our world quieter, less scary, cold nights warmer. Many times my music was written by empathy, maybe this one is an illusion of fear that we pass through. It seems to weep over the idea of utopia, happiness. Everything needs a little bit of silence .. Even music..

Music Video:
https://www.youtube.com/watch?v=nFbOqxTr5A0

YouTube (Audio Only):
https://www.youtube.com/watch?v=3sdUBxnJkb4

Sheet Notes
http://bit.ly/2o8cIil

Stranger

Solo Kurzweil Piano.  Created in Real-Time in my home studio.

Photo by Darren Lovecchio, DarrensImages5157@yahoo.com.

Year of Music: June 27, 2025

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Stream on Spotify

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Composed by : Guy Farley
Piano Version : http://www.youtube.com/watch?v=cuCE5KMLYpg

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Agnes Of God (Original Motion Picture Soundtrack)

Symphonic Suite For Chorus And Orchestra - Georges Delerue

Peyman Yazdanian - Friday's Soldiers II

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

The Places We Knew

Phil Best

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