Name: The Places We Knew by Phil Best
Duration: 2 min 35 s
Description: You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

oh my heart this song is  so sad i see painful memories in this song🍂

واني اكتفيت بلحظة سلام بقيت ذكريات ♠️

What a beautiful music and excellent performance, congratulations!

A tune composed from Mikis Theodorakis, a great Greek composer, that accompanied me, in life.

Music: Mikis Theodorakis
Lyrics: Giannis Theodorakis

If you want to listen the original song you can find it here: http://www.youtube.com/watch?v=YxWv-2QuBik
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Μενεξεδένια ήταν τα βουνά
μενεξεδένια τα φιλιά
μενεξεδένια ήταν τα μάτια σου
κατάμαυρη είναι η μοναξιά.

Το τρένο αυτό που σε ξερίζωσε
μου σκίζει πάντα την καρδιά
το σφύριγμά του είναι για μέ λυγμός
το πέρασμά του είναι καημός.

Ήμουν για σένα ο διαβάτης που περνά
ήσουν για μένα το νερό και η φωτιά.

Σε κράτησα μέσα στα χέρια μου
σα νά ‘σουνα μικρό πουλί
με την αυγή γλυκοκελάηδησες
το δειλινό είχες χαθεί.

Κι εγώ στα δάση τώρα τριγυρνώ
μετρώ τα κίτρινα κλαδιά
μετρώ τα φύλλα που ξεράθηκαν
την άμετρη μετρώ ερημιά.

-
Violet were the mountains
violet the kisses
violet your eyes
deep black the loneliness

This train that uprooted you
endlessly tears at my heart
its whistle a sob
its departure sorrow

For you I was a passing stranger
for me you were water and fire

I held you in my arms
as if you were a small bird
with the dawn you sang sweetly
by dusk you were gone

And now I wander the forests
counting the yellow boughs
counting the dried leaves
counting the endless desert

-
Violett waren die Berge
violett die Küsse
violett waren deine Augen
ganz weiß ist die Einsamkeit.

Dieser Zug, der dich entwurzelt hat
zerreißt mir total das Herz
sein Pfiff ist für mich ein Schluchzer
seine Abfahrt bedeutet Kummer.

Ich war für dich der Passant, der vorüberging
du warst für mich Wasser und Feuer.

Ich hielt dich in meinen Händen
als wärst du ein kleiner Vogel
in der Morgendämmerung hast du ganz süß gesungen
in der Abenddämerung warst du weg.

Und ich treibe mich jetzt in den Wäldern herum
zähle die gelben Zweige
zähle die vertrockneten Blätter
ermesse die unendliche Wüste.
-
Fioletowe były góry,
fioletowe pocałunki.
Fioletowe były twoje oczy.
Całkiem czarna jest samotność.

Ten pociąg, który wyrwał cię,
rozrywa mi zawsze Serce.
Jego gwizd jest dla mnie szlochem.
Jego odejście jest smutkiem.

Byłam dla ciebie przechodniem, który mija.
Byłeś dla mnie wodą i ogniem.

Trzymałam cię w moich rękach,
jak byłbyś małym ptakiem.
O świcie słodko zaśpiewałeś,
o zmierzchu zniknąłeś.

A ja włóczę się teraz po lasach.
Zliczam żółte gałęzie.
Zliczam uschnięte liście.
Odmierzam niezmierzoną pustkę.

FreeDownload

Μενεξεδένια ήταν τα βουνά (Violet were the mountains) - Piano Solo

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

The Places We Knew

Andre Gagnon - La Valse Oubliee

Rise again

Hermosa Beach - Music inspired by Terminal Rage

Listen Imperfect||Monologs (EP 2022) here: https://soundcloud.com/to_mi_nor/sets/imperfect-monologs-ep-february


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Few Words for my Composition :
Inspired by Chopin-Hisaishi-Ludovico Einaudi

Alice in(Sad)Wonderland

Free Download

Alice in(Sad)Wonderland [ Cover Art by Xenia Razollova ]

Guy Farley - The Hat First

Leaves of Light

After two years of work here is my new album: I Just Want to Walk.
Pianos, soft guitars, delicate synths,...
https://open.spotify.com/album/6zXnFRUKspoBAXKaCxk9U1
https://itunes.apple.com/es/album/i-just-want-to-walk/1460322332
https://music.amazon.es/albums/B07QMLK2KJ

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'Hurt' is a theme inspired in Ólafur Arnalds' 'Loftið verður skyndilega kalt' ( https://www.youtube.com/watch?v=A4ubQZ6HCIY  ) . I have tried to developed a new sound based in piano, strings, electric guitars and big reverbs that I want to convert in the base for my next songs.
This is my third theme that is a 'variation', and I think it is the last.
I hope you like it.

Photo by Aleksey Yepanchintcev.
Regards!

Hurt (Ólafur Arnalds inspired) (New album 2019!)

Hi all,

Here is a live recording of Devotion recorded at St James Church, Sussex Gardens on 02 April 2016.

Watch the video here... https://youtu.be/TK5OCHSFvQM

Thanks to Josh Neil-Boss (violin), Elisa Bergersen (viola), Sarah Etherington (cello), Luke Mathews (sound recording), Nick Carter and Ian Arnold (photography) and all at St James Church!

I hope you enjoy this piece :)

Please visit my Spotify page for more of my music...
https://open.spotify.com/artist/4sK4skR73Cfk2EAveO6Pqf

https://www.instagram.com/edhaydon/
https://www.facebook.com/EdHaydonMusic

Thanks, Ed :)

Devotion (Recorded live at St James Church, Sussex Gardens)

Marble King

Her eyes filled with tears

Follow me on Spotify at https://spoti.fi/2N29ify.

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

The Places We Knew

Phil Best

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