Available everywhere:
Spotify - https://spoti.fi/2u9ZxQT 
Apple - https://apple.co/2L2KLTd
Amazon - https://amzn.to/2L2vuoE
Cover licensed through CD Baby.

Delicate

Delicate - Taylor Swift cover by Phil Larson

Hello good people of the Earth. So glad to meet you. Thank you so much for the follows and the likes. Your support is so greatly appreciated. As we start this year I wish you peace and prosperity. 
I Hope you are having a fabulous 2025!

soundcloud.com/ronulaki_7 is my repost page were you can listen to some of the greatest Sound Cloud artist on the web. Live long and be FREE!
https://www.facebook.com/ron.kelley.752/

If there was only two traits that came through in my music, I would hope that it would seem to be effortless and inevitable.
The Kind Place Studio

Artists let's unite and help one another!
Repost 4 Repost!!!Gimme your tunes
Partners:
https://soundcloud.com/free-edm-support
https://soundcloud.com/quantumdistortion
https://soundcloud.com/pvrprepost2
https://soundcloud.com/pvrprepost3
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https://soundcloud.com/hiphopplaylistreposts
https://soundcloud.com/ordinarymusicpromotion
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https://soundcloud.com/timepassion
https://soundcloud.com/its-orgasmic
https://soundcloud.com/theavalon
https://soundcloud.com/EDMemperors
https://soundcloud.com/b_repost
https://soundcloud.com/repostroopers

18 August 2025
https://sharonelainechen.com/so/11PYyZ4__?languageTag=en

Thanks for subbing to my YouTube for piano and violin performances/lives! https://www.youtube.com/c/SharonChenMusic

~~~
Classically-trained, award-nominated composer. What Was I Made For? won Steve Sheppard’s Award for Best Single in April 2024, One World Music Radio, UK. Blissful and Beyond Album won third place Best Album (Sept ’24) Harvard College graduate with honors in Music and East Asian Languages and Civilizations.. I am a poet, dreamer; see my poems on Twitter. 

My songs tell stories of darkness evolving into light. I play piano lives on many medias - classical, jazz, neoclassical and somewhere in-between. My YouTube has over 640k views in classical, originals, jazz. Each of my feel-good orchestral works from Blissful and Beyond album has a story of gratitude.

New EP’s in progress in different genres. Disney/jazz (Once Upon a Time, Long,Long Ago);  Album, The Five Elements - wood, water, metal, earth, fire - elements intrinsic to ancient Chinese philosophy, poetry, landscape art.. works either sounds Chinese or western with Chinese philosophy behind it. Chopin EP with new and classic takes. 10 million+ Spotify streams.
https://www.sharonelainechen.com/ 

Watch for originals and covers on both instruments on YouTube and Spotify. Thanks for subbing to my YouTube and following me on Spotify. Find different works on my Bandcamp, One World Music Radio too.
~~~

Dawn of the morning lightly caresses
The moon touch of our hearts reveals 
In the blackest of nights..
In the breathlessness of circumstances 
The embracing hearts slowly heals..

~SEC

HERE ARE FREEDOWNLOAD ACAPPELLAS 
for WHO WANT USE PARTS & REMIX IT...
READ TRACK's INFOS  FOR DETAILS...

MORE VOCALS WILL COME AGAIN...

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

A mix of instrumentals & songs:   folk, jazz & theatre music.
Originally from Shrewsbury UK,  I have been living in Canada since 1989.
Thanks for listening to my tracks :o)

http://francoispierremorin.com  Home of storytelling , 
 I do play Music for the love of it, playing guitar,  percussionist  ,composing  on a computer and Guitar, Piano, creator of mood and sound design

Delicate - Taylor Swift cover by Phil Larson

Phil Larson | Composer