Tracklist 9pm - 11pm

1.   Makebo - Envoy
2.   Mike Rish - Platform
3.   Sintix - Hypnotica
4.   Fraters - Dream of Life
5.   Nicolas Viana - Blaze
6.   Albuquerque, Anonimat - Like First Time Flight
7.   Fran Garay - Palomar
8.   Abaze - Luicd Dreams (Nicolas Viana Remix)
9.   Dino Lenny - House of Magic
10. Kamilo Sanclemente - Whale Voices (Nicolas Viana Remix)
11. TULIO (AR) - Ascension
12. Mike Harkins - Stato
13. Emi Galvan - Third Eye
14. D-Nox, Elan Myles - Love It
15. The Superjesus, The Journey - Something Good
16. Nicko MZ - Teleporter
17. Jaap Lighart - Hugging Clouds
18. Matt Oliver - Water Cut
19. Four Candles - Elusive (Nick Muir Remix)
20. Redspace, Kvint - A Change of Scenery
21. Kiz Pattison - It’s Got Me (Lemon8 Inner Sanctuary Remix)

This was my 4th time to Dj'ing in the countryside of NL, a place called Elp.  My 3rd Hartstocht Festival Festival which has grown into a magical yearly ritual.

I never presumed I was going to play there this year as there's such a wealth of talent in the Netherlands right now.  So back in March when I was invited back again, I asked if it was ok if my mate Tim Ashwel AKA Syncronicity could join me for a B2B set and spice it up a little.  Yes was the answer.  Tim has travelled with me for the last 3 times now with a growing number of friends. So he's more than earned his stripes.  We play B2B quite often so it seemed a natural thing for us to play together at this magical festival.

Our room is called the Living Room because it really feels like you are in a big living industrial room.  Carpets, sofas, paintings on the walls. 

The music built steadily over the day.  Lemon 8 played before us, a very deep underground chugging set that built perfectly.  Until the end where he played a track as a tribute to his very recently passed partner.   Harry has a big following in his own country and many people were there dancing in support for his loss.  Emotions were high.  We were playing after Harry.  He said to me as I was standing next to him for most of his set "I'm going to play something special for his partner last so please let it play out"  I had presumed we would so had already planned to give him some space after his set. He played last "What a wonderful world by Louis Amstrong".  It brought most of us to tears with pictures of her on the screens behind us.    In all my 30 + years of Dj'ing i've never had to wipe the tears from my eyes as i did at the start of our set.  We let the music stop and the cheers and tears flowed. I could barely see where to put the USB stick.

Then we got stuck in and played a rocking set alongside my mate Tim.  We smashed it out.  Nick Muir was beside us most of the set.  Torn between us and Danny Howells on the main stage.  Our mates who had travelled from the Isle of White and up north were there at the front loving it.

Thank You So much to Hilbrand AKA DepGlobe & Barbara, Bob, Renee and their amazing crew of volunteers who took all year preparing for this.  

Without these unique loveable beings this event would not exist at all. 
I truly am so blessed and thankful to be invited back once again. 
WOW >>> 
I think that's all I needed to say. 💥💥💥💥💥💥💥

MOONFACE B2B SYNCRONICITY - Hartstocht 2025

Together we're placing our DJ-set's. They are diverse with Melodic Techno, Hard Tech, Progressive and even some Tech House (by Runkle Only)

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

From early childhood car rides soundtracked by Jean-Michel Jarre to headlining underground club nights across the UK, Erik’s journey through electronic music has always been one of deep connection and evolution. Based on the South Coast of England, his love affair with sound began in the most organic of ways — through the speakers of his family’s car, where electronic music first captured his imagination.

“Music was always playing at home, but it was those long holiday drives with Jarre that really imprinted something on me. That’s where it all started.”

By the early ’90s, Erik had taken to the decks, diving headfirst into the UK’s vibrant club culture. What followed was a decades-spanning path through residencies, raves, and underground venues — including standout stints at Bournemouth’s flagship progressive and techno night Terminal, as well as the Twisted Global parties that defined a generation of South Coast dance music lovers.

Erik’s sound is fluid yet unmistakably his own. His DJ sets move seamlessly between deep house, progressive trance, atmospheric breaks, and driving techno — built on a foundation of lush textures, haunting melodies, and tightly wound grooves. Whether warming up a room or closing it down, Erik’s sets are more than just selections — they’re sonic narratives crafted for the dancefloor.

As a producer, Erik brings the same storytelling sensibility into the studio. His productions have caught the ears of a diverse group of global tastemakers, earning support from legends such as Nick Warren, Umek, Cristian Varela, and Meat Katie. With releases on respected imprints like Lowering the Tone, Prognosis, Krafted Records, AH Digital, Gibbon Records, and Wight Label Records, Erik has built a discography that balances depth, energy, and emotional resonance.

Now serving as the President DJ for Bournemouth-based Revibe Emotions, Erik continues to contribute to the scene — not just as a performer or producer, but as a curator, mentor, and ambassador for the underground. Whether on stage or in the studio, his mission remains the same: to create meaningful musical experiences that move bodies, stir emotions, and stay with listeners long after the final beat..

Updated August 2024

Deeply entrenched with more than 30 years in the music industry, Phil MOONFACE Thompson is transcendent with hope and positivity. Phil’s online catalogue is growing with a stack of MOONFACE releases, not forgetting remixes and DJ compilations and endless online mixes. 

His early exposure to the superstars saw Sasha choosing “U Get So Give” for his legendary Essential Mix 2000 and then Bedrock's John Digweed signing “Futurized Fears” and “Overactive” as a double A side for his then brand new Bedrock label. Following the first 12” came a mini album called "BETWEEN WORLDS" on all formats selling out globally way before the digital age just before the Internet. 

Many top DJs from Lee Burridge, Athony Pappa, Danny Howells to Danny Tenaglia, Hernan Cattaneo to Carl Cox supported the MOONFACE sound back in the golden age of dance music.

Phil then became the new Bedrock resident covering about 5 years warming up monthly in London and Brighton taking over from Howells. As well as touring the globe on the best DJ agency at the time playing at many festivals and events flying the MOONFACE flag. Playing hot spots in Bali, Japan, Russia, Eastern Europe, Georgia, Greece, Malta, South America. Holding up a long-term residency at the legendary Decadance club Thessaloniki, Greece.  

Then came his single "Across the Gulf of Space" released on Bedrock 18 -Signals compilation.  Also current releases and remixes for Future Avenue on remix duties for up and coming Bristol star Tojogo.  Along with releases on Critical Elements, Krafted, If You Wait, ASTIR, Gibbon and Mirabilis, Wolf Trap & Mindwarp, Stripped Digital. 

Back in December 2020 Phil self released for the first time a new double album exclusively on Bandcamp called "PUSHOVER MANKIND".   A collection of 8 weird abstract chill out styled tracks, along with 8 dance floor underground styled tracks. Limited signed & numbered double CD albums are still available. 

2021 John Digweed played a MOONFACE track called U HAVE TO CHANGE in his Miami set playing B2B with Sasha.  This is a unique typical MOONFACE styled uplifting melodic summer time journey.  This track also features on Phil's BBC Radio 1 late night Wind Down set you can now find on YouTube.  Also in 2021 Phil got to work on a remix for the legendary Jan Johnston called One Step Beyond.  This was an original track by Paul Sawyer who had the chance to work with Jan on a number of original vocal tracks.
June 2023 Phil released a fresh new concept album on Sounds of Krafted called FAKE PLANET.  Featuring 14 MOONFACE original unique tracks taking you on a deep hypnotic journey.  You can hear the continuous mix on his Phil MOONFACE Thompson Soundcloud page.

2024 sees Phil continue hosting his FUTURIZED monthly show on Frisky Radio plus presenting his LIVE STREAM shows where he invites DJ mates to play sets via Mixcloud whenever the timing works out with his mates.   Also a brand new original track on a brand a new UK label called Critical Elements.  A remix for Rate & Flow called Deal With It. On top of that Phil has made a brand new remix of his own original track released on Bedrock back in 2001 called Naan Madol. Soon to be available on Bandcamp.
With all the music Phil creates and the DJ mixes he consistently records,  he still loves to Dj but is very selective in where he plays these days.   Playing in the Netherlands for DepGlobe and his now massive Dutch Dj Progressive collective is an honour to say the least..

Promos | Bookings | Remix Inquires:- djtojogo@gmail.com

UK Based DJ & Producer

https://soundcloud.com/3rdavenue
https://soundcloud.com/stellar-fountain-records
https://soundcloud.com/forsensesrecords
https://soundcloud.com/nordicvoyage
https://soundcloud.com/polyptychmusic
https://soundcloud.com/soundteller-records
https://soundcloud.com/cigarettemusic
https://soundcloud.com/anotherlifemusic_ch

Do you feel the love of the All-mother, too?

∞ Namaste! Welcome to the House of Bepis (home of multi-award winning DJ/Producer Paper Samurai aka OG Turtle अकूपार) - One of the original creative minds, Meme Shogun, Arma Unc's, minion of Inch, Futurist, Jedi and one of the main driving forces/Test Lead of DayZ Arma 2 Mod + Standalone Alpha/Beta and One of the Main developers of Survive DayZ and DayZ Plus = Creators of the DayZ crafting System), we are rich in Breakbeat, original Innovative Ideas, moisture, Social Cancer Cured, No Limits.... makes you go Woooooooo like Mr Flair! 

Polymath and underground tastemaker Adam Akecheta Musgrave is more than just a series of credits; he is a breed of music honey badger that lives and breathes the breaks, beats and bass lines like some people recall football stats.

The seven commonly-accepted tenets or virtues of Bushido are: Benevolence 仁, Courage 勇, Honesty 誠, Honour 名誉, Loyalty 忠実, Respect 礼(禮), and Rectitude 義.

Promo submissions &amp; Remix Requests, Demos, Licensing & Bookings: : xone464[at]gmail[.]com or message me here on Soundcloud.

Add bollox music bio &gt;Here&lt;

Drum and Bass side project N3w C0n13n1 with Mr Pressure: https://soundcloud.com/user-571904335

2nd soundcloud page (this can be trusted as me);
https://soundcloud.com/user-457957382

Art by: https://www.instagram.com/aditimagicart/

#Shoguninahalfshell 3rd time's the charm!

センスがいいね。

All voice-overs by Yoji Nakagawa &lt;3
https://soundcloud.com/yoji

444

A'ho

MOONFACE B2B SYNCRONICITY - Hartstocht 2025

Phil Moonface Thompson