@edv3ctor @joe-gilmore

a guest mix by another founder member of the v3ctor collective, joe gilmore. known for his record sleeve & book designs, joe is an audio artist in his own right too. here he graces us w/ a two hour mix of computer music, electronica & algorithmic abstractions

www.altoradio.live

radio broadcast

social schemata w/ joe gilmore - 05.03.21

Relief By Seclusion

Ybalferran - Learning To Understand

A1 Mukqs - 「蕩れ」[Mirror]

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

Alpha

Opening track from the upcoming Grøn album "Aldrig mere vinter"

Pre-oder the album here: http://infinitewaves.net/products/678178-grn-aldrig-mere-vinter

Digital pre-order here: https://groen.bandcamp.com/album/aldrig-mere-vinter

Grøn "Blegt forår"

New Wave

Track list
1 Galen Tipton & Nmesh / Fossil Blood
2 Maria W Horn & Mats Erlandsson / Atypi
3 Yann Leguay / IRQL_NOT_LESS_OR_EQUAL
4 Hanna Hartman / Nightlock
5 Sam Haar / Gold Coast
6 Carlos Casas / Avesta
7 Shackleton & Wacław Zimpel / Primal Drones
8 Jake Meginsky / Seven Psychotropic Sinewave Palindromes
9 Joe Fujinoki / Collapse
10 Carlos Nino & Miguel Atwood-Ferguson / Part VIII
11 Valance Drakes / The Hardest Battles Are Fought in the Mind (Interlude) [feat. Richard Devine]
12 Mads Emil Nielsen / 2
13 Kara-Lis Coverdale / X 4Ewi
14 Yellow Swans / Foiled
15 Merzbow / Looping Jane
16 Yair Elazar Glotman & Mats Erlandsson / From Procession to Refraction
17 OL / Cicadaskit
18 Stephan Mathieu / Variation Eins
19 Couture / Paris
20 recfeel / 201115_0787
21 Philip Corner / Ogive III
22 R Beny / Burl

KST w/ Yolabmi - 29th November 2020
https://m.mixcloud.com/internetpublicradio/kst-w-yolabmi-29th-november-2020/

KST's Shows
https://internetpublicradio.live/residents/kst

29th November 2020 - Internet Public Radio - yolabmi mix

New connections for the new romantics - Old fragrances leading our future

Hviledag - Blød Mod Huden

Xïola Yin is the opposite yet not contradicting side of Aloïs Yang. This project focuses on deconstruction of existing works and recordings, random access and blending memories. Exploring the unstable and unpredictable outcomes of digital environment, through bespoke software instrument and live improvisation.

https://www.dinzuartefacts.com/
https://dinzuartefacts.bandcamp.com/album/self-contained-illusion-the-peak
https://toneglow.substack.com/p/051-suzanne-ciani
https://aloisyang.com/Xiola-Yin

Duplicated Madness from "Xïola Yin - Self-Contained Illusion (The Peak)" (Dinzu Artefact, 2021)

"Beatriz Ferreyra came to play les ateliers claus 25th September 2018. She presented 3 compostions on the acousmonium

Beatriz worked as a member of the Group of Musical Researches (G.R.M), under the leadership of Pierre Schaeffer, contributed to Pierre Schaeffer’s book « Traité des Objets Musicaux » participated to the records realisation from « Solfège de l’Objet Sonore » by Pierre Schaeffer. Since 1970 she is a free composer

1. Siesta Blanca (White Siesta) - 1972 - In Memoriam Astor Piazzolla
For Siesta Blanca I chose excerpts from Astor Piazzolla’s tangos and recorded sounds of an electronic organ. After transformation, these sounds could materialize the extreme sensation of cold and heat.

2. L'Autre ... ou le chant des marécages - 1987
I was deeply impressed with Blaise Cendrars’s paradoxical personality, his terrifying « Double » which strips itself with an naked extreme and sadistic cruelty in his book « Moravagine, It was impossible for me not to record the depth of my feelings in a brutal and wild vocal composition

3. L’autre rive – 2007
Inspired by the Bardo Todol (The tibetan book of death) this piece have been composed with percussions and some electroacoustic sounds."

---

all compositions by Beatriz Ferreyra.
recorded and mastered by Christophe Albertijn at les ateliers claus

LAC014 - Beatriz Ferreyra "Les larmes de l'inconnu"

' .. son-ambient sculptures or creeping gas leaks, seeping out of speakers and into the atmosphere. '

A1 Mukqs - 「蕩れ」[Mirror]

Phinery

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