#351 - These Machines Could Be Trapped, Frozen In A Space Of Infinite Indecision

Noodling about with Graphics and Vibes!

more Grfx @ :   https://ello.co/thepiecan

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz

Experimental-Improvisation-Sonification-Data Bending-Probability-Computer-Science-Neuroplastic Aleatoric-Music

I love making my own music.

The expressive themes that interest me include alienation, psychological repression, the existential vacuum, obsession, rage, absurdity, mourning, regret, neurosis, depression, death, and the concept of self.  These themes may be bleak, yet all sounds are intended to be ultimately uplifting affirmations of human vitality and spirit.

Influences range from old-school industrial to musique concrète and contemporary classical, from kosmische musik to minimalism and dada, from power electronics to any form of genuinely experimental music.  While absorbing and acknowledging these influences, it is important to me to find and evolve my own sound.  

Contact: david.paganin@gmail.com

Compilation track, Dysgeusia, 2018: https://bit.ly/2SahLgf
Collab w/ anonymous waves, 2018b: http://bit.ly/2F5aeba
Collab w/ anonymous waves, 2018a: http://bit.ly/2FP6ewQ
Collab w/ anonymous waves, 2017: http://bit.ly/2AK7dhz
Compilation track, Dysgeusia, 2017: http://bit.ly/2iG35Fd
Compilation track, Cian Orbe, 2017: http://bit.ly/2BZgsJd
Compilation track, Petroglyph. 2017: http://bit.ly/2AM8g0D
Compilation track, Earsheltering, 2017: http://bit.ly/2BQj6QG

King Maxwell is a northern california musician, educator, DJ, and instigator.

Herding weird sounds to mix at a single moment in time. Sometimes successfully. 

Selection of Modular equipment with the odd traditional synth intermixed. Step Sequencers do get used. In most cases the work is mixed straight into 2.

#351 - These Machines Could Be Trapped, Frozen In A Space Of Infinite Indecision

phisynth