Music lover! Especially if they have beats

Enjoy it =)

Bookings:
Worldwide > Eliran@fm-booking.com
Brazil > booking@fernandapistelli.com

www.fernandapistelli.com

Send promos to DJStareyes@gmail
10/13: Aeffect Radio with Dan Dara
10/16: @warp_mode_ LA with Madam X
10/17: Pranks LA B2B with Wheez-ie
10/18: Chase & Status w/G Jones, Flowdan @ City Market, LA
10/25: Incognito LA B2B with Reid Speed 
12/18: Zebulon with Baseck, White Boy Scream

Star Eyes is synonymous with raw underground bass music. A founding member of the world-renowned Trouble & Bass crew, currently a part of Warp Mode, this bat girl causes mayhem with DJ sets and tracks that swiftly connect the dots between regional American bass sounds and the hardcore continuum. Though her style moves across breakbeat, grime, bassline, electro and beyond, her aesthetic is continually inspired by jungle, old-skool hardcore, and the warehouse parties in which she was raised. 

Star Eyes is originally from Los Angeles, where she began DJing at age 15 – her name soon became synonymous with California jungle scene, and she was a longtime resident at the pioneering female-led drum 'n' bass night Eklectic in San Francisco. Eventually she founded America's first UK garage duo Syrup Girls (with DJ Siren) and moved to NYC, where she became a part of the Trouble & Bass crew & record label, who were the first to bring Skream & Benga, Night Slugs, Rusko, Elijah & Skilliam, Flava D and more to NYC; in 2009, she began releasing her first original productions and remixes. 

Since 2015, she has run her own digital label and party series called Chaos Clan – now residing back in L.A., she is currently a part of renegade rave crew Warp Mode (with Bianca Oblivion & AK Sports) as well as holding down a monthly radio show on Dublab. Over the course of her career, she has played at Outlook Festival, Sonár Festival, Fabric, EDC, Burning Man, Stealth, Bossa Nova, Elsewhere and beyond, and headlined parties in Cape Town, Singapore, Paris, and Krakow, to name a few. She has been written about in the New Yorker, the NY Times, Resident Advisor, DJ Mag, Mixmag, XLR8R, Urb, and the list goes on. 

Star Eyes is also an alumni of Red Bull Music Academy, a former radio host on RBMA/Red Bull Radio and a noted music journalist, with bylines in Pitchfork, NPR, the Dallas Morning News, and beyond. She currently hosts a monthly show on Dublab.com and a podcast called Rave to the Grave. With world-class skills, irreverent attitude, and longtime devotion to the culture of electronic music and the temple of low-end frequencies, Star Eyes has definitely earned the title "Queen of Heavy Bass.”

Contact >> djstareyes at gmail dot com
Listen to Star Eyes' Rave to the Grave podcast >> https://open.spotify.com/show/2N9Y5nvZrBtu1AMPz5zze2?si=l6XU-ivsQ0iVSRjoL0dSNA&dl_branch=1

Trippy Ass Technologies is a record label established by Christian Martin in 2017. TAT specializes in joyful electronic music tailored for large scale soundsystems. TAT will thrive at the sonic intersection of organic natural tones & wild alien sounds that only technology can create, all the while focusing on what keeps a dancefloor heaving.

Demo submissions: http://www.trippyasstechno.com/contact

Codes continues to bring his own twist on house music. This man's DJ sets are just as funky as his tracks, both heavily influenced by jungle, hip hop, and the art of DJing. His releases on Holy Molé, Dirtybird, Night Bass, and Night Service Only are just a peek at what lies ahead for Codes. Recently taken on the role as record label owner/curator of Holy Molé Music. Feeling out each track for quality dopeness before peeling it back to feed the masses. The deliberate intention behind each drop on stage or in the studio, along with the masterful curation of his label are the perfect recipe for another record breaking year for Codes.

booking agent:  melissa@armige.com
contact Jess direct:  jphlip@gmail.com

After 25 years behind the decks, J.Phlip still hasn't figured out how to crush the art of pretending she's doing something when she's not-so she just keeps busy actually mixing. She has built her rep on fearless, genre-melting sets packed with bass, acid, punk-electro, bootytech-whatever she damn well pleases. She flips the script-and sometimes the bird-as easily as she flips from 4/4 kicks to breakbeats, taking you on a sonic joyride with zero regard for speed limits. A founding Dirtybird original since 2006, J.Phlip didn't just help shape the label's sound-she nurtured its ride-or-die community, fiercely protecting its scrappy, open-hearted ethos. From the legendary SF Golden Gate BBQs to building Dirtybird Campout from the dirt up, she's been central to one of dance music's boldest and most beloved collectives. She's lit up everything from Movement Detroit to EDC, Fabric London to Space Ibiza, Coachella to your grandma's basement.

But screw the industry name game - sometimes Jess just wants to jump rope like it's middle school. She'll show up with ropes at festivals and kick off a Double Dutch session open to anyone. Her favorite spot is the Friendship cruise where shes backed by her East Bay ride-or-dies, the Twerkaholicz. Their booty-powered madness nearly broke Dirtybird Campout as they rolled in on a gold-plated "Twerkulator" bus, after J.
Phlip herself brought them into the flock in 2019. At Outside Lands, they co-created a show so far outside the box of today's "Dance Music / DJ culture" it shoved it off the rails - colliding fast-BPM beats, ass-jiggling acrobatics, and pure absurdity into a crowd-screaming blowout. Treefort in Boise got it! - the dancefloor snapped into two hours of unfiltered mosh-raving. Jess isn't here for your sunny-day vibes or safe dance moves. After far too many lost years-dragging herself through pandemic fallout-she's back to start some shit.

For General Bookings Contact:
bookjfb@gmail.com
3 x DMC World Champion

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

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