Name: Off The Record Mix Series 23: Suzanne Kraft by Phonica Records in 26.5
Duration: 57 min 4 s
Description: Full feature, interview and tracklist coming soon!

This is a stunning mix and this composition is gorgeous; is it available to buy?

26.5

Full feature, interview and tracklist coming soon!

Off The Record Mix Series 23: Suzanne Kraft

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

As summer finally rears its beautiful face, without the shroud of covid to mask its beauty, our limbs start to thaw out and our minds can finally start to unwind. My god, it has been a year; full of ups and downs and smiles and frowns. It’s safe to presume that we all can’t wait to see the other side of it. In this weird musical bubble, however, lockdowns have been fruitful. A silver lining of the silver lining, this offering to the sun god’s is a fitting way to kiss this year goodbye. Said special offering comes from Naarm local Sam Howard aka Ham.

Sam, a fellow wordsmith, and brethren of the beat. She knows her way around the decks, as well as the keyboard. An expert on reporting on, and to the dance floor. A musical journo with a sense of all sides of the dice, bias maybe, but never wrong. A lethal entity when put behind the decks, it’s easy to hear how she exploits her natural sense of rhythm for the powers of good. 

The mix itself is a perfect accompaniment to a backyard soiree to celebrate the coming of the warmth and the return of the outdoor dance. As chill as it is moving, this mix gently coaxes you through the motions to get your body moving again. It is dappled with transcendence and sprinkled with a familiar four by four to bait the mind back to those euphoric moments in the dust listening to loud music. A polite travel guide to convey you from the couch to the dance floor with plenty of stops to rest and replenish. Truly a joy to listen to, this is the soundtrack to begin a weekend away with your dear friends, or kick ons with your step-parents.

sleep in. x

her sounds >>>>> https://soundcloud.com/hamsalad

FHUO # 64 // Ham (aka Sam Howard)

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

We’re still here, I hope you are too. Whether it be mind or body, hopefully both. We return with another holistic resonance, this time it’s from Spin Lord, all the way from Munich. 
As we slowly approach the end of the long sunny days, it’s now more important than ever to savour that feeling of the sun on your skin, and this sublime love letter from Spin Lord is just the thing. A contagious bundle of joy that one can bask in over and over again, harnessing the true essence of elation through sound on a worldwide scale. 

Enjoì. xo 

his sounds >>> https://soundcloud.com/spin_lord

FHUO # 93 // Spin Lord

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Well, it’s been a little while (350,400 minutes to be exact) since we last caught up. Life has its way of throwing curveballs, but here we are. And today, we’re diving into the musical world of Marli—Melbourne-born, Paris-based, feet-stomper, head-bopper, and all-around magical force who’s perfected the art of the irresistible thump.

Over the past few years, Marli’s star has undoubtedly risen, and it’s been an absolute joy to witness. Her journey is nothing short of inspiring, earned through sheer hard work and dedication.

Now, let’s talk about this mix. Marli has absolutely crushed it. She’s given us a glimpse into the creative depths of her mind, stepping away from the typical dancefloor energy and exploring the broader spectrum of sound. The mix is a quixotic, romantic fever dream, woven together with off-kilter rhythms, ethereal alt-R’n’B, mind-bending ambience, and world-spanning soundscapes. Every twist and turn is soft and inviting, wrapping you in a warm embrace you won’t want to escape from.

Enjoy.

Much love,

her sounds >>>>> https://soundcloud.com/marlimusicau
              
                   >>>>> https://marlimusicau.bandcamp.com/

FHUO # 95 // Marli

Nosedrip at Garage, Horst Arts & Music 2025

Low, slow and sleazy sounds with babyschön, in the studio for the early afternoon shift...  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-babyschon/episodes/soup-to-nuts-babyschon-16th-july-2025

Soup To Nuts w/ babyschön 170725

You & I Are Earth - Live At The Storeroom (ft. Lury Amagawa)

hydra

R E L A X E R goes leather 2005

Beautiful, complex ambient, performed live at our fundraiser for Salon Des Amateurs. Recorded on May 20th, just before the release of Passive Aggressive, his collaborative album with Suzanne Kraft. Check out the RA Review here: https://www.residentadvisor.net/reviews/20642

RA Live: 20.05.17 - Jonny Nash, Salon Des Amateurs, Dusseldorf

@andrasfox recorded live on the uno rooftop, march 11 2017.

up for a limited time only. 

www.unodanceclub.com

www.unodanceclub.com

András Live @ UNO Rooftop Garden, March 2017

Montreal's Phoebé Guillemot plays records as DJ FATi and is an album specialist as RAMZi. Just this month her fifth full length, Pèze-Piton, dropped and was another beautifully unusual mix of tropical house, dub, future jazz and experimental grooves that are impossibly loose and inescapably infectious. Releasing on cult labels like Mood Hut, 1080p and Rvng Into., her leftfield sounds feel at once completely alien yet also wholly organic and earthy. They are jumbled collages of trippy vocal sounds, squelchy synths and tumbling drums that real new details with each listen. 

Playing live but also DJing under the DJ Fati alias, when in selector mode her sound is just as fresh. This mix is a worldly hour of laid-back beats, jungle house and new age grooves that ooze exotic flavours and tropical vibes. It goes through blissed out and baeachy passages of instrumentals, jumbled drums and shimmering synths that paint a perfect picture of a some imaginary paradise where all there is to do is soak up the sun and dance.

Dekmantel Podcast

Dekmantel Podcast 155 - DJ FATi (aka RAMZi)

Video here > https://www.youtube.com/watch?v=G3FHEv4n5Rs :)

Jamie Tiller @ HÖR (Berlin) 15.10.2020

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

As usual in good tradition now here at Trushmix. Cato Canari is back  with another new years mix! Deep, tech, trance, emotional, techno and the harder sounds, surprising like we always get from the Tokyo based Norwegian underground man. Always on point!
A more subtle and darker leaning party oriented mix. Somehow a reflection of this past weird and off year. But there is light in the tunnel! We keep it rolling and we keep it positive!

Again as last years reminder for this year to come as well.
Hope it will be a way better year for everybody. And as always let's keep peace and unity in mind, respect each other and let the good vibes take over for 2021! 100% and more!

Enjoy!

Trushmix.com

Trushmix 169: Cato Canari

Montreal-based DJ, producer and label owner Francis Latrielle, better known as Priori, joins us for the 79th edition of the Phonica Mix Series.

Priori has become a firm favourite of ours here at Phonica over the past couple of years. His releases, which crossover through many electronic genres, from house and techno to IDM and ambient, have been picked up by such labels as Echovolt and Dust E-1’s Dust World in recent years, although much of his musical output, including his phenomenal 2019 album, ‘On A Nimbus’, comes via his own label, NAFF, which he co-runs with fellow Montrealer Ex-Terrestrial.

Head on over to Off The Record to check out the full feature, including an interview, where we talked about his past, present, and future plans, life in lockdown, Montreal’s music scene, and more. Enjoy!

Phonica Mix Series 79: Priori

London's leading independent record shop. Also home to labels Phonica Records, Phonica White, Phonica Records Special Editions and @KarakulRecords.

Full features, including interviews and tracklists, for our Phonica Podcast and Phonica Mix Series on our editorial platform Off The Record ⬇

http://offtherecord.net/

Off The Record Mix Series 23: Suzanne Kraft

Phonica Records

Recent comments

Eros F

B.Pepperoni

LocoMotivo

Ricky Nord

Related tracks