Bookings or Requests: info@psychemagik.com

From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

SORRY NO CASH FOR PAY PRO ACOUNT>
Please suport if you want to listen again my mixes. 





16/8/2024.    Festes de Gracia 
past gigs 2020:
16/12/2021.    HQ Club
12/11/2021    GLOVE at Upload
31/10/2021   LUV BAR Halloween
28/8/2021   Maumau 
20/8/2021.   Festes de Gracia
17/7/2021.        Luv  Bar
1/7/2021.         HQ Club 
23/6/2021.     Sant Joan LUV bar
12/6/2021       2-20 Beergarden (Badalona)
12/4/2021.          Club Marylin
31/1/2020          Freedonia (6h set)
25/1/2020         VIII Fira de Cervesa Artesana Sant Antoni




Imperator is a vinyl collector from the earth.
Enjoy my mixes

In the mid 90's, when the underground techno virus infected Barcelona, Imperator  was injected with poison.
He started partying at clubs, afters and free parties and once he bought his first records, he didn't stop.
He couldn't. Till now.

Linked to some of the most memorable (and crazy) tribes and collectives of that time, he was everywhere, becoming a kind of "enfant terrible" of the scene whatever was mixing, dancing or just listening.
After two decades, his eclectic collection of vinyls remains as effective as ever, shooting hits and rare anthems of cosmic, wave, electro, acid dreams or italo-disco. His sets are like an unpredictable jukebox, always energetic, bizarre and physical. If you let him spin the first record, you're lost.

Something is gonna happen.
Take a beer and enjoy the trip.....

New Album Out Now - This Is What We Do

Leftfield have been at the cutting edge of dance music since the 1990s, releasing albums that have become some of the most influential electronic records of all time around the world with their debut LP Leftism being widely regarded as one of the most boundary-pushing electronic LPs ever released.

Originally comprised of Neil Barnes and Paul Daley, in 2010 Barnes reignited the Leftfield name, and went on to release an acclaimed new album (Alternative Light Source) touring the world with the full live band, with a string of sold out shows.

Neil has also been cementing his reputation as a top-tier DJ and record collector unleashing modern dance floor weapons, selling out clubs / venues, headlining festivals and creating some amazing nights with his sets. Leftfield is a name synonymous with quality and Leftfield DJ Sets are exactly that, allowing Neil the chance to show the depth of his musical knowledge and select the best tracks to take you on a journey.

The world's foremost vinyl enterprise. Magazine, record label, pressing plant, limited editions and audio-visual shows.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

PROMOS 
info.thegameboyz@gmail.com


BOOKING CONTACT:
Sanse
@modernphase
https://dskonnect.com/es/roster/gameboyz-dj-set-live/

Eclectics, heterodox, energetics bus most of all Iberians. They are Gameboyz - the Spanish duet formed by Charlie (Carlos Franco) and Kali (Luis Vallespín) - two producers like two volcanos erupting. They are recognized because they are always looking to the future searching inspiration into the past. As a result they have published “Carne de Puerca”, “El Calor del Foco” or “Mucho Danger”. 

Their Live Acts are full of synths, vocals and effects and their adaptability is well known by their audience. Gameboyz was born in 2012 along with Da Well (Manuel Maidero) and they have played in several clubs as Apolo, Lanna Club, Razzmatazz, Siroco or La3.

They have also founded @melomana-records, their private sanctuary where they have published Alejandro Paz, Damon Jee, Stockholm Syndrome, Tronik Youth among others.

Phonosynthesis Visuals is following