Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

When we talk about Luca Noize we must say that now is considered a pioneer of the futuristic suond

Always in search of perfection, thanks to his natural musical talent and artistic and techniques capabilities that he possesses,

In a short time Luca refines his search leads him to reach in his Djsets. a sophisticated sound and at the same time enveloping

During many seasons he has played at Pacha (Ibiza) in different parties realizing performances of high success from the beginning of his career 

as a producer he reached the best way, cause his two first EP "In My Heart" and "Ping Pong" was immediately required by

Apwood and Substimulanz Music.

His tracks are also desirable from Asia (Japan) for House Studio-R and He does a fantastic job creating "Another Time EP"

which includes: "Another Time", "The Box Crying" "The Box Crying Vocal" and "The Power of Green"

Meanwhile he has published numerous EP for HiFi Stories, NB Records., Gastspiel Records, The Hole Music, Cubek and many other labels

During his career he has shared the stage with some of the biggest DJs, performing in many clubs of the most important and famous of the world,

from Warsaw to Koln and from Ibiza to Strasbourg, passing from Mallorca, Seville, Valencia and Barcelona. during the last Sonar.


Black Asteroid is Bryan Black. Black worked for Prince before launching haloblack, Motor and Black Asteroid, collaborating with Depeche Mode and Rick Owens.
Bookings: antonia@altaragency.com

TEKLA_ SYSTEM ERROR_ LEGUNG_

_______________________________
BOOKINGS + PROMOS TO EX@KTOR.EMAIL _

from rainbows to basements

to be continued ...

ILINX
https://soundcloud.com/user-251647369-567393715

Booking :
jonathan@jackmode.com

Contact :
sc@infactmusic.com

Sasha Carassi, hailing from Napoli, is a DJ, producer and composer whose style spans eclectically across the electronic landscape.
Sasha began his musical journey during the first years of the 90's, working as resident DJ at Dinamik, the most famous club in the area, when he was only 15. Influenced by House Music and Breakbeat, he has ventured into the production world, releasing his first album in 2002, after which followed a slew of well-received singles that cemented his reputation as producer. But 2010 was a massive year for Sasha production-wise, with releases on a host of big labels including the mighty Drumcode and Bedrock. This saw him make his presence known in the darker, big-room oriented side of the genre. Sasha loves the studio and his output is always visceral and atmospheric with trademark touches that makes his tunes instantly recognizable, perfectly proved in his “Picture” on Solomun’s Diynamic, where he shows his change of musical direction. Nowadays, in fact, he doesn't love defining himself with a proper genre because for him it is really limiting, but he loves feeling free to express his emotions, trying to mix and balance the different influences.
In 2009 he founded one of the most respected Techno labels “Phobiq”, releasing killer cuts discovering many talents as well as his own, but he broke away from it to launch his new label “ILINX”, which fully reflects his views on music. 
Avid vinyl collector since the late 80’s, now he can boast a wide range of records, from the classic to the most contaminated electronic music. Known as a “seasoned veteran”, Sasha is revered within the electronic music scene for his skills and work ethic.

Founded in 2005, what began as a college studio project evolved into a forever mutating band of sonic chaos. Under the reigns of Jack Sinisterr (formerly of The Chaos Legion, Alice's Wonder, Revolution), the purpose of Phork has always been to be a genre bending cluster of audio intercourse. In 2005 the first single, "Destroy it Yourself" was released to the internet as an industrial/metal crossover originally recorded as a final project for a college sound engineering class. In 2008, upon departing from Alice's Wonder, Jack reformed Phork and released the "Get Phorked Up" EP. This EP was an Industrial based product featuring tracks influenced by Metal, Hip Hop, EDM, and even the Spanish culture staple known as Reggaeton. A few very intimate shows were performed until Jack stopped the project to form The Chaos Legion. After a few years bouncing within the metal and electronic music genres, Phork was reformed in 2013 and signed to Miami based label, Fauxpilot Entertainment. Although a few band members were promised to be hired by the label to fill the ranks of Phork, it was ultimately decided that Jack Sinisterr would have to be the main writer and performer within Phork until the debut album, "Beer and Loathing", was complete. What you hear is the culmination of a person's frustrations with being signed to a label that doesn't know what a bass player does.

Phork. is following