Listen to "Don't Make Me" (Instrumental) produced by Phucka Yu. To hear more music click the link and select your preferred streaming service.

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Don't Make Me (Instrumental)

Instrumental

Don't Make Me (Instrumental) produced by Phucka Yu

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Hi, I'm Alexander and EALE productions is my musical project. With the piano as a main instrument, I create music in various genres and styles ranging from classical, cinematic and lo-fi to electronic, ambient and pop. The name EALE is first of all an acronym formed from my name, but it can also be referred to a mythical beast found int he European mythology. A name with different meaning one could say. 

My music is mostly instrumental with the piano as a central piece. I aim to produce music that is easygoing, relaxing and wakes the emotions of the listener.

Music Producer 
From: Queens,Ny
Location: DMV

All original music from producer Phucka Yu.  For more beats/instrumentals click any of the music store links below or just search Phucka Yu on any music streaming service. 

Music Available on: Spotify, YouTube, Tidal, Google Music, Napster, Deezer, Facebook, Instagram, TikTok, Apple Music, Amazon Music, Pandora, etc.

Contact info:
Click any social media link below or email at phuckayuent@gmail.com

Fans of: Hip-Hop, Rap, Trap, R&B, EDM, IDM, Electronic, Lofi, Instrumental, Beats, Freestyle Rap, New Music, Music Producers, Beat Makers.

#Instrumentals #Beats #Producer

Jamey Myers ( aka J-Blac or B.L.A.C ) born1983 in Panama City, Fl on my indie musical journey since the age of 23 empowering myself with the knowledge of life and its many experiences. Growing up being Influenced by great minds of wisdom, and those that inspired truth... Here at Ryda Style Entertainment, LLC. I am the owner, songwriter, producer and artist at the label.

Thank you for listening to my music. I'm a composer and musician out of passion living in Munich. Interested in various genres, trained on classical piano. Grew up in a musical family under the influence of melodic pop, RnB/soul (Stevie Wonder, Billy Joel, Supertramp) and jazz/fusion (various artists).

Also check out Leeg's profile

https://soundcloud.com/prodbyleeg

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

This is the official music page for artist Bayou Boss K9.
For Official Merch and Extra check my website listed.

Business/Inquiries: k9gntmusic@gmail.com

Official Website: https://bayoubossk9.org/home
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Instagram: @bayoubossk9 
TikTok: @bayoubossk9 
Youtube: @bayoubossk9
Bluesky: @bayoubossk9

Experimental music that ranges feral beyond constraints. 

The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker, Godspeed You Black Emperor. Dystopian Inspirational for noble outlaws.

Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...

Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.

My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.

Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.

Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.

Music brings people together. Why not us!

Im a producer, arranger, editor, guitar player and I love to create music. Im focused on a mix of smooth jazz, triphop, soul, chillout and deep house.