Journey so far

Spacemaze Apollo I

My Ambient work

Kopia Take U

Signature Sounds is a personal selection of my tracks – a curated journey through my own favorite works. Blending ambient landscapes with synthwave elements, this playlist captures the essence of my unique sound. Crafted with emotion, detail, and a distinct sonic identity, it's made for quiet moments, deep focus, or simply drifting away.

Signature Sounds

Flashback

Ground Effect by Kook Ellington. (c) Albemarle Records 2024

Ground Effect

This is a tribute to Edgar Frose and Chris Franke aka Tangerine Dream they made me experiance music in totally new perspective when I was young and they truly got me mesmerised with their music.

Mesmerised

I made this song to channel out all my bad feelings I had after hitting the wall and landning on the concreat. 

Goodbye

Morning sun

The New Journey

When me and my friend P cured ourselfs on Sundays after a long weekends parties did we have a long jamsession. We made random patterns in our Atari ST program (Hybrid arts). P did mix them in and I jammed along with improvised melodies. One time we decided to start our DAT tape recorder and recorded the jamsession. We named it Spacemaze. We used this concept when we played on the new ambient club Anemon in Stockholm all of our work like that was namned Spacemaze.

I got in hibernation but have recently started to make music again ...It has taken sometime to get used to the new stuff compared to back then. But slowly learning everything.

This is the first part of Spacemaze Apollo I the 2nd part will be made by P aka Pax https://on.soundcloud.com/MH3f3HvSY5wZ4B3L8 .

Once we have enough material to make Spacemace Apollo I complete will we release it under our original Artist name and post the final result on Sound Cloud. This is our sound when we where in our prime together.

/Johan

Spacemaze Apollo I _ part 1

Spacemaze Apollo I part 3

Way back when, my friend J and I used to jam our Sundays away on our Atari. Me mixing our own pre-recorded loops and unique, melodic arpeggios and J improvising melodies over that mix, often resulting in hourlong opuses. I have fond memories of long sessions that almost felt like they were beyond time and space; just creative capsules of music and intuitive collaboration. Not many words were uttered; we spoke with each other through the music.

Now, many years and other priorities later, we have rekindled our musical co-creativity and breathed new life into our old format from those jam sessions: Spacemaze, but with a different take on the collab because of geographical reasons. J has made Spacemaze Apollo I part 1 and 3 and this is my continuation of the project, part 2. We aim to continue this project together and post our finished mixes on SC under our old band name, @PekPax.
https://soundcloud.com/pekpax/sets/spacemaze-apollo-i

Spacemaze Apollo I Part 2

Had to catch todays feeling in a track! Springtime driving and watching the nice nature in northern Sweden slowly getting ready for the summer. 

In addtion to this have I been watching the Swedish live show " Den stora älgvandringen" and had that fresh in my mind in addition.

Enjoy.

Vårflod

Nebula

Particals

This track was originally released under the Pantheon Escape moniker before Mark Antares. There was an original version and this one has an overall better vibe. Sonically, I tried to create a feeling like motorcycling on water as fast as possible without all the safety issues. Soaring through the mist near the Lakeside City yearning to find what is possible. 

Free Download

Lakeside City

This is the brand new single "Look up" from Tropicxx. It's her first single with her own vocals. We hope you like this fresh summerhit. 

Look up

Take U

Deep underneath

Don't forget to check out the music video i made for this track:
https://www.youtube.com/watch?v=0WRuWlw3qO8

I had an idea in April. I wanted to create a chord progression where some notes of the chord were only present in the background synths, and some notes were only played in my usual delayed arpeggio patterns. I had no idea how it would sound. Well, it instantly blasted me away. This time, I loved my main theme so much that every other melody and riff felt lame right next to it. I had this 30-second loop of synthwave awesomeness, and I had no idea how to continue it. So it took me a while to finish and polish it into a whole piece. Fortunately, I got some help from my friend and great, great guitar virtuoso, @jonas_tamas.

I guess sooner or later I have to create a new musical project to separate my ambient and my more aggressive ideas. We’ll see.

Drifting Through

Vacuum emerges as a natural continuation of its predecessor "Hydrosphere", carrying forward the immersive atmosphere but with a more defined pulse. Built around more noticable Phuse arpeggios and a steady, rhythmic analog bassline, the track pulsates with a hypnotic energy. A distant voice drifts through the void, echoing in the vast emptiness, as layers of sound evolve organically, drawing deeper into the unknown. A journey through space, time, and the weightlessness of thought.

Vacuum

Dreamline had its foundation laid before disaster struck. I had already shaped the core of the track when my computer crashed, forcing me to do a full system reinstall. With everything still in disarray and not yet fully restored, I had to keep working with it this morning without my usual setup—but I couldn’t let this track and idea slip away.

My sound was shaped the moment I first heard Tangerine Dream. Love on a Real Train remains still one of my all-time favorite tracks, not just for its hypnotic atmosphere but also for its iconic place in film history. Featured in the unforgettable scene from Risky Business, where Tom Cruise and Rebecca De Mornay share an intimate moment on a train, the music elevates the scene into something dreamlike and timeless. Everything in that track is built on what I call random plonk, what you call arpeggios—and that very essence was what I wanted to capture.

Dreamline is a journey through light and shadow, a tribute to the past, and a reminder of why I create music.

Dreamline

Vincent's Dawn
A gentle tone of dawn, born from one of life’s most fragile and magnificent moments – becoming a grandfather for the first time. The track carries the pride and warmth of witnessing a new generation take its first breath, while quietly reflecting on the passage of time and one’s own journey through life.

With soft arpeggios, atmospheric textures, and a careful pulse, the light begins to grow – like a new day, a new life. Vincent's Dawn captures the quiet joy, the deep tenderness, and the inner peace that arrives when you realize your story now continues in someone else’s eyes.

To little Vincent – Grandpa will teach you everything he knows about synthpop and how to make good "random plonks"!

Vincent's Dawn

Mirage Sequence
A pulse from the unknown. A quiet opening into something greater – like slowly lifting the lid of a forgotten world. Mirage Sequence moves in the shadows between reality and illusion, where every tone is an echo of something that may never have existed… or has just been set free.

Driven by the signature Phuse sound and sprinkled with "random plonks" that whisper rather than shout, the sequences unfold in a landscape of soft electronics. The pace is unhurried yet steady – a slow drift through reflections, memories, and dreams.

This is a track for those who listen with their heart as much as their ears. Let go. Follow the pulse. Witness the mirage.

Mirage Sequence

Mycelium
Some tracks are planned. Others just happen.

I woke up around 4 AM this morning and couldn’t fall back asleep. My mind was racing — restless, thoughtful, but also curious. The only remedy I know for that state is to open FL Studio, put on my headphones, and start playing with my favorite sounds.

It all started as pure play. No plan, no structure — just a feeling that needed a way out. I began layering some of my most beloved textures, those organic sounds that always help me lose track of time. And then something started growing. Just like mycelium beneath the surface, it began to spread in different directions.

Mycelium became more than just a track — it was a reminder of why I make music in the first place. Not to perform. Not to control. But to get lost for a while, follow a spark, and let something living take shape.

Mycelium

I don’t just make music—I shape sound into emotions and journeys. Ambient is my calling, but I never let boundaries define me. I experiment, push limits, and trust my instincts to create something that feels real.

I don’t chase trends, fame, or numbers. Music flows through me naturally, and I follow where it leads—sometimes into the unexpected. If my sounds resonate with others, that’s a bonus. But in the end, I create because I love it.

Peace 🫶