What a masterpiece!!👏🏻👏🏻👏🏻 Love it!! It's like each note is a step, a memory, on that long road, and the momentum change is so great!! It's exciting!! Theres no place like home. It's all worth it in the end🙏🏻 A truly captivating composition Fran! You're such an amazing pianist! 😊👏🏻👏🏻👏🏻

An inspiring song for that road back. I love that "major" ending!

So much emotion!  Really like the way you make the melody sing above it all, but the support you give to the melody underneath it all is what makes it truly shine.  Awesome!

beautiful melodies, nicely played, warm piano sounds

Such emotion in every note—the melody sings, and it hits right under the skin. Incredibly moving piece. 🎶❤️🎶

From the Hearts

Travelling with Ghosts

Yesterday you told me that you‘ll leave our home today 
I think it’s okay cause you’re eighteen now anyway

It seems to me like someone pushed fast-forward on my tape
Keep holding back the memories in my head so they won't escape

Farewell my son, be safe when travelling with ghosts
They like to whisper in your ear, the things you fear the most

And when you‘re old and grey like your father is by now
Most likely you will think of me and drop a line somehow

Farewell my son, be safe when travelling with ghosts
They like to whisper in your ear, the things you fear the most

And when the time has come for you to meet your dad again
We‘ll be sitting on our cloud together, smiling now and then 

Happy birthday David!



Thanks a million for pre-listening: Michele, Gary, Judith and Brenda!

Travelling With Ghosts (David’s 18th birthday)

"One day blooms, the next day blusters—spring keeps us guessing and growing."
this quote would perfectly describe my Lovely Niece 🪴😊
Happy birthday to my dear 'Iren'. ❤️

mix & mastering by @bahram-dashtii

Buy/Stream

Iren, the Spring Girl

This song is actually more of a poem. But I only realized that when I tried to set the text to music after I had written it. 
"I count on you" is a song written as a heartfelt thank-you to the quiet companions in our lives — those who stand by us when times get tough. 
Sometimes, these are the people who understand us without needing many words. Sometimes, they are the loyal, four-legged friends who remain by our side through the years. And sometimes, it’s a spiritual presence that carries us through our darkest moments.

This song is about that steady, silent presence — the comforting feeling of not being alone. It reminds us how much strength can be found simply in being there for one another. Some call it friendship, others call it love — some believe it is God. Ultimately, it’s about connection, trust, and the quiet certainty: I can count on you.

A heartfelt thank-you to Andreas and Colter, who deeply inspired me in the creation of this song.

It would mean a lot to me if this song finds a place in your heart and uplifts you when you listen.



I count on you

When everything inside goes quiet,
and I don't know what to do,
when every step feels heavy,
somehow – there’s you.
You never asked for answers,
you just stood there by my side.
In a time that felt so broken,
you were my piece of light.

I count on you 
when the fire’s burning low.
When I feel like fading,
you’re the one who still knows.
I count on you –
not 'cause you're loud or strong,
but 'cause you stay,
when everything feels wrong.

You held my silence gently,
carried every flaw I had.
You saw the parts I couldn’t show,
and never said it’s bad.
You never needed big ideas,
you just showed up as you are.
And in the middle of the night,
you were my northern star.

I count on you 
when hope has gone to hide.
When the world gets smaller,
you still stay by my side.
I count on you 
no questions, no disguise.
You’re the quiet truth
in a world of little lies.

And if the day should ever come
when you can’t hold it all alone –
I’ll be the one who holds you back,
like you have always done.

I count on you 
And you can lean on me
We carry what the other can´t
And set each other free
I count on you 
and hope you feel it too.
Through every broken piece,
I’ve found a friend in you.


Lyrics/Vocals/Music: Axel Menningen

I Count On You

Kintsugi is an art form that embodies the philosophy of wabi-sabi which values the beauty of imperfection and transience. Kintsugi also serves as a metaphor for embracing our flaws and imperfections in life seeing them as a source of strength and beauty and finding resilience in the face of adversity. 

Kintsugi

"Erlkönig", Op. 1, D 328, is a Kunstlied composed by Franz Schubert in 1815, which sets Johann Wolfgang von Goethe's poem of the same name.

piano by Helen Roberts

We hope you'll enjoy our rendition.

Lyrics

Wer reitet so spät durch Nacht und Wind?
Es ist der Vater mit seinem Kind;
Er hat den Knaben wohl in dem Arm,
Er fasst ihn sicher, er hält ihn warm.

Mein Sohn, was birgst du so bang dein Gesicht?"
"Siehst, Vater, du den Erlkönig nicht?
Den Erlenkönig mit Kron' und Schweif?"
"Mein Sohn, es ist ein Nebelstreif."

"Du liebes Kind, komm, geh mit mir!
Gar schöne Spiele spiel' ich mit dir;
Manch' bunte Blumen sind an dem Strand,
Meine Mutter hat manch gülden Gewand."

Mein Vater, mein Vater, und hörest du nicht,
Was Erlenkönig mir leise verspricht?"
"Sei ruhig, bleibe ruhig, mein Kind;
In dürren Blättern säuselt der Wind."
 
Willst, feiner Knabe, du mit mir gehn?
Meine Töchter sollen dich warten schön;
Meine Töchter führen den nächtlichen Reihn,
Und wiegen und tanzen und singen dich ein,
Sie wiegen und tanzen und singen dich ein."

"Mein Vater, mein Vater, und siehst du nicht dort
Erlkönigs Töchter am düstern Ort?"
"Mein Sohn, mein Sohn, ich seh' es genau:
Es scheinen die alten Weiden so grau."
 
"Ich liebe dich, mich reizt deine schöne Gestalt;
Und bist du nicht willig, so brauch' ich Gewalt."
"Mein Vater, mein Vater, jetzt fasst er mich an!
Erlkönig hat mir ein Leids getan!"

Dem Vater grauset's, er reitet geschwind,
Er hält in Armen das ächzende Kind,
Erreicht den Hof mit Müh' und Not;
In seinen Armen das Kind war tot.

English

Who rides, so late, through night and wind?
It is a father with his child.
He has the boy well in his arm
He holds him safely, he keeps him warm.

"My son, why do you hide your face in fear?"
"Father, do you not see the Erlking?
The Erlking with crown and tail?"
"My son, it is a streak of fog."

"You dear child, come, go with me!
Very lovely games I'll play with you;
Some colorful flowers are on the beach,
My mother has some golden robes."

"My father, my father, and do you not hear
What Erlking quietly promises me?"
"Be calm, stay calm, my child;
The wind is rustling through dry leaves."

"Do you, fine boy, want to go with me?
My daughters shall wait on you finely;
My daughters lead the nightly dance,
And rock and dance and sing you to sleep,
They rock and dance and sing you to sleep."

"My father, my father, and don't you see there
Erlking's daughters in the gloomy place?"
"My son, my son, I see it clearly:
There shimmer the old willows so grey."

"I love you, your beautiful form excites me;
And if you're not willing, then I will use force."
"My father, my father, he's touching me now!
Erlking has done me harm!"

It horrifies the father, he swiftly rides on,
He holds the groaning child in his arms,
Reaches the farm with great difficulty;
In his arms, the child was dead.


artwork by Julius Nisle

Erlkönig (Franz Schubert - with Helen Roberts)

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

An improv composition in celebration of the perfect, simple days that bring us moments of happiness and wonderful memories. Wishing more of these days to everyone listening.

The Perfect Day

Recorded in Modesto, Ca.   Featuring Vibraphone solo. Selmer Tenor Saxophone solo. Gibson 335 Electric Guitar solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Drums Acoustic Full drum kit set. Percussion Timbales, Cow Bell, Tree Chimes.

Ipanema

El Bonalita

listen in it's proper order at https://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharingoper order at

The album coming soon to Bandcamp

stall instruments and voices: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said

you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 3, tensor yields  -- featuring Jo Richter

Flowers.

Written in January 2024.

Published in July 2025.


During the first few months of last year, I was ill with my recurring kidney stone problems.

Fortunately, that passed.

I left some of the compositions I started unfinished, and some sketches were barely started.

This is one of them.

My mother lives in a typical Andalusian house in Seville.

One of the characteristics of these houses is that they usually have a courtyard where there are all kinds of flowering and non-flowering plants.

Obviously, they need to be cared for, watered, fertilized, etc.
My mother loves doing it, and in spring she reaps the rewards of her labor.

I always give my flower icons to the women I follow (I hope I'm not annoying them by doing that), so I thought it was interesting to draw inspiration from all of that to put this together.

17 Tracks native instruments MS2 & Old Xewton forum.
3 XPad 
2 iMini Arturia
1 iProphet Arturia
2 korg IM
1 Ob-xd 
1 flowtones 


Mix: my hear 
Software. Music Studio 2
Hardware.ipad

Cover. A part of the courtyard of my mother's house

Thank you for your comments

Next…. Crossroad

Flowers

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

"There is always a road back, if we have the courage to look for it, and take it." - Louise Penny

"The road back is always longer than you think, but generally never as long as you fear. " (Usually attributed to F. Scott Fitzgerald)

This composition draws inspiration from those who've traveled "the long road back"—whether to find their way home, reclaim their health, or revive a cherished dream. The composition begins slowly and tentatively, mirroring the first steps of such a journey. Around the 2:20 mark, the music gains momentum, signaling that the end of the long road is near. The piece ultimately resolves on a major chord, symbolizing a successful and hopeful return.

The Long Road Back

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation acoustic guitar, lead vocals, lyrics, and compostion
Scratch Kelly -- @scratchkelly — Sarah —  backing vocals
one man verity show – @one-man-verity-show – Scotty – Epiphone Casino melodic  electric guitar, backing vocals, artwork
Joe Stroffolino-- @joseph-stroffolino --  backing vocals, art 'polishing'
Mistermark-- @user-432503709 -- Mark – triangle and backing vocal arrangement 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Llanpsych -- @llanpsych -- Tez – Tom Anderson Custom T electric guitrar, mix, and production
TexMex Shaman– @texmex-shaman –Stephen — Fender Stratocaster electric guitar, production, mix, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

Mr Bringer-er Together-er is Josh. You may also know him as artist Entheogenic Psychnought, or the spine of Eclectic Collective. We all came across Josh in our own lucky ways, but he really sets a high bar for spreading constructive musical love and encouragement on SoundCloud. This song started out as a comment. I (Carl/TBD) went to call Josh Mr Bringer-er Together-er and my phone auto corrected it. the next morning K2 swooped in and said what I wanted so I used that as a trigger for the song.
So, I had a rough arrangement. We then invited a few artists, except Josh, to paint it for him. Then Scotty (One Man Verity Show) chimed in with some amazing guitar, trippy backing vocals, and the super artwork you get to enjoy. Mark brushed in a triangle and started things off with a 5-part harmony backing vocal arrangement. Then Scratch Kelly, aka Sarah, beamed through some amazing backing vocals, and not long behind Joe Stroffolino painted in some brilliant backing vox as well. Then Ken added those trusty drums. Tez then strutted in and added some super lead guitar, and not far behind him was Stephen with some epic rhythm guitar that showed the way for the song from that point of view showing a much better space to all the other instruments than the original demo guitar. That was a lovely lesson on less is more...

The song was now ready to give to the main man for him to paint, and he chose his trusty bass to put some strawberries on his own musical cake.

I now stared at 37 tracks and went... Hmmm Stephen, Help! Stephen mixed and mastered it to its crisp current form, and it was a very difficult mix. He basically had to merge 3 projects to one and really aced the challenging mix and master like the true shaman he is. We hope you enjoy the song that brought us together again. May it give us more togetherness like Josh so wonderfully demonstrates everyday.
You da brother man Josh 🤘🏽

Art by One Man Verity Show

(Lyrics)
Magnet of human
Moulded by melody mind
Just jester Josh delivers this kind
Collective of creed worth all our belief
Friendship
Togetherness through skill and relief

Sharing, Caring
Composer of purr
Human vibrations of the highest occur
Let's celebrate this human some more
It's Mr Bringer-er together-er

Mr Bringer-er together-er
Mr Bringer-er together-er

Loving, Not shoving
Honing, Not moaning
Positive to give
In music he live
Loving his kids
Like he loves us
The luckiest kids who take this EC bus
Josh is the driver
Mr Music Jeez
More Mr Bringer-ers together-ers please

Mr Bringer-er together-er
Mr Bringer-er together-er

The Joshua Tree collecting collective
Physical dreams
Metaphysical pleasures
Skills. New.
Unconditional prime time
The only thing we tow is how we making new time line

Mr Bringer-er together-er

You are the rod
You cast your spinners
You reel us back in from lake bitter winter
It's Spring all the time in your World and Page
Our Mr Bringer-er together-er sage

We all love ya mate

Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo
Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo

Mr Bringer-er Together-er (Eclectic Collective, with The Beautiful Dark & friends)

Beauty and The Beast

Legacy Broken is a cinematic orchestral concept album that explores the psychological weight of legacy, family, and emotional silence. Blending restrained elegance with hypnotic minimalism, each track unfolds like a room in a haunted memory palace—echoes of conversations, legal inheritances, betrayals, and unresolved grief.

Muted strings, fractured piano motifs, trembling horns, and emotionally conflicted harmonic structures form a sonic language of unspoken tension and decaying tradition. The arrangements resist resolution, allowing silence, repetition, and space to carry as much meaning as melody.

This album is not just a score — it’s a portrait of inheritance, power, and the long shadows of memory. The finale song "Inheritance of Silence" concludes with a vocalized song about empty love, wealth and social responsibility. 

13. Time Gut Punches

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Welcome to my SoundCloud page.  It serves as a jar of sorts, to catch the musical ideas flying around in my head!  My hope is that you find something to listen to that offers encouragement and refreshes your soul.

All music is original with a few exceptions (such as new arrangements of old Christmas songs, etc.).  All music has been composed and performed with absolutely no AI-assistance.  I primarily perform and record on the Yamaha MODX8, with an occasional recording on my older Yamaha Clavinova.  You will also find collaborative works on my page, featuring some other amazing musicians on SoundCloud.

It is a joy to share my music with you, and I hope you enjoy listening!

The Long Road Back

PianoFran

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