The Tender Threads is a Canadian music group founded in 2013 and has since spent time living and working on their music in Europe, Asia and North America. In this project, the members of The Tender Threads engage in a collaboration between disparate musical worlds like psychedelic soft-rock, experimental, contemporary classical, traditional folk, among others.  Tender Threads is an examination of human perspectives, social climate, seeking to contribute to illuminating environments by encouraging conversation between people.

Dr. Patrick Boyle is a fearless sonic explorer driven by discovery. Curiosity is his compass. His frontiers are in performance (trumpet and guitar), improvisation, composition and education. Patrick is Associate Professor of Jazz Studies at the University of Victoria 

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Originally from Newfoundland, Canada, he appears on over 50 commercial releases and 3 acclaimed solo albums. CBC Radio has called him a “trumpet personality” and “one of Canada’s top jazz musicians.” He has cultivated the rare ability to synthesize a range of influence – including jazz, rock, trad, Balkan, and South Indian music – which all come together into a rhythmically compelling musical voice. In 2009, Patrick performed at Carnegie Hall with tabla virtuoso Zakir Hussain. 
 
A provocative and prolific composer, Patrick writes for theatre, film and the concert stage. Among his many commissions is the score for the theatrical adaptation of the Wayne Johnston novel Colony of Unrequited Dreams which premiered at the National Arts Centre in January 2017. Patrick’s music is central to two films for the National Film Board: 54 Hours (2014) and Song for Cuba (2014). The CBC commissioned Patrick to compose and record Well Enough Alone (2010), a multi-movement suite acknowledging the 60th anniversary of Newfoundland's confederation with Canada. 

Career highlights include performances every major jazz festival across Canada, the Newport Folk Festival, Rochester International Jazz Festival, Mariposa Folk Festival, Sound Symposium, SXSW, Folk Alliance International, and an Australian tour with guitarist/composer Duane Andrews. Patrick concerts and compositions have been performed on numerous CBC radio broadcasts, including The Signal, Canada Live, The Performance Hour, Deep Roots, and a feature episode of Sessions in the Old Town for CBC-TV with host Tom Power. His latest release, After Forgetting (2017), is a new vinyl release with Bill Brennan (piano), Mike Downes (bass), and Mike Billard (drums) and produced by Glen Tilley. Previous solo albums include Rock Music with Curtis Andrews (2010); Still No Word (2008 ECMA Nominee); Hold Out (2005 ECMA Nominee).

Patrick balances a life in performance with dedicated scholarship and active community engagement. He holds a Doctorate of Musical Arts (2012) from the University of Toronto, a Masters Degree in Ethnomusicology (2002) from York University and a Bachelors Degree in Performance from Memorial University (2000). His innovative research investigates how improvisation, particularly collective improvisation in organizations, can help negotiate situations of tension and anxiety. Patrick has been awarded grants to study, record, and tour from the NL Arts Council, FACTOR, and Canada Council including work at the Banff Jazz Workshop and Hrvatska Matica Iseljenika (Croatian Folkloric Academy of Music) in Brac, Croatia. Patrick writes for Canadian Musician magazine. He is also a sought after clinician/adjudicator throughout North America.

Current projects include intensive work performing live music for silent film under the banner of Active-Vision; a intimate trio with pianist George McFetridge and bassist James Young; Deep in the Groove with organist Dr. Tony Genge; Carnatic explorations with Curtis Andrews; a book and online project documenting the history of jazz music in Newfoundland; an album of trad music for trumpet; and ever-evolving collaborations with Neil Conway, The Discounts, and Mark Bragg. 

An in-demand sideman, his versatility is integral to several collaborations. Select performance and recording credits include Great Big Sea, Mickey Dolenz, Mike Murley, Hey! Rosetta, Fred Penner, and many more. Twice, MusicNL recognized Patrick as Side Musician of the Year. Patrick led the rap and roll group Trimmed Naval Beef and in his heart, he still does.

Piège is the pseudonym for the skewed dance/ pop project of Nick Storring (Picastro, I Have Eaten The City, The Knot).  Storring's debut album under his own name "rife" was released on Entr'acte in 2011 and exhibits strong ties to the post-concrète vein of abstract electronic music while introducing elements of ambient, first wave industrial music (:zoviet*france:, Nurse With Wound et. al), and various other forms of textural electronic musics--much of which is sourced from live instrumentation.   This employment of live instruments as the primary tool is a bridge over to the Piège project which uses a lot of acoustic instruments amidst a highly textured an elaborate beat driven sound.  Here his love of disco, house, dubstep, various branches of R&B (including new jack swing) are in full evidence--and devoid of self-conscious irony.   Cello is Storring's primary ax but he also works with various vintage keyboards (everything from Casio CZ1000 to Realistic/ Moog MG-1, from Hohner Pianet to Yamaha DX7), guitars, bass, mandola, banjo, percussion, and various eastern winds and bowed strings for a rich and idiosyncratic sound-palette.



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