Gadfly, destroyer of music, & corrupter of youth.

waterbed (deluxe) vinyl & digital, remastered w/ 4 new bonus tracks ：
https://montaime.bandcamp.com/album/waterbed-deluxe

ｆｏｌｌｏｗ  ｏｎ  ｓｐｏｔｉｆｙ ：
smarturl.it/TENDENCIES-spotify

ｂｏｏｋｉｎｇ / ｅｍａｉｌ ：
info@kudatah.club

ｓｉｄｅ - ｐｒｏｊｅｃｔ:
@textchunk

１／３ ｏｆ：@kudatah

ｆｕｌｌ  ａｌｂｕｍ  ｓｔｒｅａｍｓ ：
'waterbed' | open.spotify.com/artist/3HDU9AvCEdAsDIOX6BtgqK
'pristine' | open.spotify.com/album/2ANSGSzYNg1G7Ft4bxobCj

ｆｅａｔｕｒｅｄㅤ ｏｎ:
@nts_live
@triple_j
@tiny-mix-tapes
@complexmag  
@orangemilk
@keats-collective
@thump
@somicomusic

ａｒｔｗｏｒｋ:
@alfred_english
@giantclaw
@iglooghost
@dj-swisha

Purchase/Streaming info : smarturl.it/DIANAFamTouch

Piège is the pseudonym for the skewed dance/ pop project of Nick Storring (Picastro, I Have Eaten The City, The Knot).  Storring's debut album under his own name "rife" was released on Entr'acte in 2011 and exhibits strong ties to the post-concrète vein of abstract electronic music while introducing elements of ambient, first wave industrial music (:zoviet*france:, Nurse With Wound et. al), and various other forms of textural electronic musics--much of which is sourced from live instrumentation.   This employment of live instruments as the primary tool is a bridge over to the Piège project which uses a lot of acoustic instruments amidst a highly textured an elaborate beat driven sound.  Here his love of disco, house, dubstep, various branches of R&B (including new jack swing) are in full evidence--and devoid of self-conscious irony.   Cello is Storring's primary ax but he also works with various vintage keyboards (everything from Casio CZ1000 to Realistic/ Moog MG-1, from Hohner Pianet to Yamaha DX7), guitars, bass, mandola, banjo, percussion, and various eastern winds and bowed strings for a rich and idiosyncratic sound-palette.



Piège is following