Très joli son de guitare et de voix et puis belle mélodie

I love the feel of this song. All the instrumentation works so well together. Great job!

Chanson agréable, voix belles et intenses, orchestration magistrale !

Very cool track and excellent lyrics! Love that synth!

The latest songs from the Fantastic Artist's/Bands on Soundcloud.

AB Playlist 113 Part 2

Pierre Bordetti productions (c) 12/2022.
Composed, arranged, performed, and produced by:
Pierre Bordetti
Thanks to Julie for this beautiful photo.

I wish you all a Merry Christmas.
A big thank you to everyone who supports me!

-------- Take the Light ---------

Always believe in yourself
never listen to others
always do what you think,
He's your friend, your best link,

follow your lucky star,
banish your nightmares,
cast out your demons,
take the light, take the sun,
your freedom to dream is not for sale,

Take the light

Take the Light

I wanted to exploit the sound of one of my favourite folk instruments. The hurdy-gurdy is not heard so very often in the UK. What could be better than to use a medieval instrument for a leading-edge space opera like my essay into "The Vanished Birds"?

Several SoundClouders have remarked on the hurdy-gurdy. My own passion for it started in the 1990s when I found myself in a Breton village on the day of their hurdy-gurdy festival. We marched up and down through that village behind a band of 30 or 40 hurdy-gurdy players, with the odd Breton bagpiper and bombarde-player chipping in, as the mood took them. Somewhere, I still have my field recordings of the day. The tunes were simple and very catchy.

Winters On The Way

A big thanks to Paul for producing this composition and agreeing for me to include the keyboard content .
- The bass, Drums and guitar are performed by Paul Paploviante
- The organ and Rhodes keyboards performed by me -zdcom
So thank you Paul for your awsome guitar solos ,drums and bass- and providing me with a platform  to go back to my last band days in the mid 60's.

HIGHWAY- FT Paul Paploviante

Thank you, Jonathan @jonathan_beckenstein for your encouragement, the beautiful guitars you contributed here, and for the thoughtful and satisfying mix job!

Upon This Sea 
Janine Levinson 2023
Guitar and Mix: Jonathan Beckenstein

I don’t get tired, but I get weary   
Feels like my faith abandons me
And from the storm I have no shelter    
I have no boat upon this sea

I don’t feel bad, but I can feel hopeless      
And I can walk, but I lose my feet
I am strong, but I cannot carry    
I have no boat upon this sea
 
Upon this sea   
Upon this sea   
I tread a lifetime 

I am the spring that you will drink from
I give you life and cool your brow
You will not drown, but you will perish
And next to me you will lie down 

Upon this sea  
Upon this sea 
I tread a lifetime

I don’t get tired, but I sure get weary
Feels like my faith abandons me
And from the storm I have no shelter
I have no boat upon this sea

Upon This Sea - with Jonathan Beckenstein

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

“Symphony for Chamber Orchestra - 4th Movt: Finale” was completed in January 2025 in Fairview, TX. Performance time is about 10.5 minutes. Printed and electronic copies of the score and parts will be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. Mastering was done by EMastered. For the best listening experience, high quality headphones are recommended. 

Instrumentation:
Flute. Oboe, Bb Clarinet, Bass Clarinet, Bassoon, Horn in F, Trumpet in C, and Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2025

Symphony for Chamber Orchestra - 4th Movt: Finale

https://youtu.be/YDODc1ZGCe4?si=aiM6RFnaABDnJ0-4

Wasting time, filling space, walking round (and round and round)
Just waiting for you to get home, so I can call you, so I can see you, so I can hold you.
World forever changing, wonder if my heart can take it...?
Earth forever quaking. Hope that I don't fall, seasons come and go, am I still the same?

Tonight in the busy streets, moving free without a plan, leaving footprints in the sand, is it possible, possible? Unafraid I'm escaping them, hoping nothing will break me, leave a mark in my own heart. Is it possible, possible? 

World forever changing. Wonder if my heart can take it?
Earth forever quaking, hope that I don't fall, 
seasons come and go, am I still the same?

dedicated to 💚

written and produced by: 3rd Sun Project & Deep Sky Musics

Tides (Dream of the Blue Dolphin)

Hey, I mastered one of our first collabs with my friend @specialececilia.
  Happy 🐣!!
Dx

DREAMAWAKE CECILIA & RICØ (Mastered)

🩸✝🤍⁂©All Rights Reserved 04-2025
©Lyricist, Mixer, Mastering, Songwriter, Pro License & Creator: Lady ElectroTrek
***

TITLE: CROWN OF THORNS
__________________________________________________
LYRICS:
(Verse 1)
The sky grew dark the earth did quake
A wooden cross His soul did take
Each step He bore with aching strain
A world of sin in every pain

(Chorus)
Oh crown of thorns upon His brow
The weight of love He carried now
With every lash with every cry
He bore the suffering so we'd not die

(Verse 2)
The crowd stood still the jeers did ring
A king of love with nails did cling
His hands outstretched His heart laid bare
A sacrifice beyond compare

(Bridge)
The heavens wept the temple tore
Mercy spilled forevermore
A silent lamb He bore the blame
The world forever changed His name

(Chorus)
Oh crown of thorns upon His brow
The weight of love He carried now
With every lash with every cry
He bore the suffering so we'd not die

(Verse 3)
The stone rolled back the tomb did wake
A risen life for all our sake
From death to life His glory shines
Eternal hope through endless times

King Of Eternal Love

Crown Of Thorns

Crown of Thorns

Call out for help, got a bit of a problem
Cracking up under my foot begun to leak
I see rust coming through, been here a while
Water is about to flood us out

Find a way to make this right
Find a way to make this right

A tension break, or run aground, getting worse
Keep getting worse since it was found
Pressure seem to continue building
Could be a major break at hand

Find a way to make this right
Find a way to make this right

All hands on deck
We’re taking an ocean of water

Find a way to make this right
Find a way to make this right

All hands on deck
We’re taking an ocean of water

No time for discussion
Let’s get this resolved
There’s always a solution 

Find a way to make this right
Find a way to make this right


Find A Way To Make This Right

Frog Walk

'LET YOU GO'
Written, Performed & Produced 
by Andrew Borderick, copyright 2017/2020
Mastered by Andrew Borderick 24/08/2020
(The World Tour video link)
https://youtu.be/0pd4btXoM_4?si=hRhSQH4HaALnJ5J6

I MADE UP THIS SONG, EVERYTHING COME'S FROM YOU
NOW THAT YOUR GONE, THERE'S NOTHING TO HOLD ON TO
AND ALL THE REASON'S, THEY ALL TURN TO ASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY

I MESSED UP OUR LOVE, MESSED UP MY WORLD WITH YOU
IT'S TAKEN SO LONG, TO HOLD ON TO SOMETHING NEW
THERE'S ALL THE FEELING'S, AND ALL THE BURNING CASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY
AND ALL THE REASON'S TO SAY, I HAD TO LET YOU GO

(BREAK)

I LOOK BACK ON LIFE, I HAD NO CONTROL OF YOU
NOW FEELING ALIVE AND NOTHING TO HOLD ON TO
AND ALL THE REASON'S, THEY ALL TURN TO ASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY

IF I HAD MY TIME AGAIN
I WOULD NOT SURLY BE CALLING YOU MY FRIEND,  NO

THERE'S ALL THE FEELING'S, AND ALL THE BURNING CASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY
AND ALL THE REASON'S TO SAY, I HAD TO LET YOU GO

Timeline

LET YOU GO

LET YOU GO (see info for 'The World Tour' video)

The Groover

Once settled in Artica Point, almost frozen, I watch the world happening fast, and I tell you about by singing five verses with different vocal styles, a main instrumental theme in progress all along, and some bits of the other songs in the album to keep it conceptual ;)

Letra  /  Translated Lyrics:

DESDE AQUÍ (HISTORIA CONTEMPORÁNEA)  /  FROM HERE (CONTEMPORARY HISTORY)

Ahora que estoy aquí congelado,  /  Now I’m frozen here,
observo el mundo por internet y radio.  /  I watch the world on internet and radio.
Todo sucede ahí abajo tan rápido,  /  Everything happens so fast down there,
que se aprecian claramente los cambios,  /  that changes are clearly appreciated,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Con mis constantes vitales al mínimo,  /  With my vital signs down to a minimum,
como viviendo una película,  /  like living in a movie,
soy capaz de comprender el mecanismo  /  I am able to understand the mechanism
de la evolución de nuestra civilización,  /  of the evolution of our civilization,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

El frío que congela mi cuerpo  /  The cold that freezes my body
… … no me permite llorar,  /  … … doesn’t allow me to cry,
pero mi corazón sigue caliente muy adentro, en algún lugar,  /  but my heart is still warm deep inside, somewhere,
y puedo al menos entristecerme por lo que veo al mirar  /  and I can at least feel sad about what I see when I look
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Ahora que lo comprendo todo  /  Now when I understand everything,
entiendo que todos somos iguales,  /  I realize we’re all the same,
que sentimos lo mismo aunque ninguno lo sabe.  /  and we feel the same although no one knows it.
Desde aquí me identifico con cada hombre,  /  From here I feel identified with every man,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Desde aquí me alegro de no estar ahí abajo.  /  From here I’m glad not being down there.
Esperaré a ver qué pasa dentro de cien años.  /  I’ll wait and see what happens a hundred years from now.
Mi cuerpo apenas será un poco más viejo,  /  My body will hardly be a little older,
pero sí cumpliré siglo y medio de sabiduría y tristeza,  /  but I will get a century and a half of wisdom and sadness,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

ER36 PA03 RUIZZO ©1996 ®2020

Desde aquí (Historia Contemporánea)

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

Take the Light

Pierre Bordetti

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