William Tyndale 1494 - 1536  Killed as a heretic for translating and printing the Bible into English.

Tyndale's March

This one is a bit of a glitter fest.  Inspired by the Cinderella story and my 7 year old daughter who loves to play dress up.  
I'm so grateful to Tatiana and her beautiful musicianship, helping again to class up my simple melodies with the warm tones of her bow and fiddle! @rosindust

Illustration by Harry Clarke (1889–1931)

The Glass Slipper (feat. Rosin Dust)

This is my composition for the "Bleeding Fingers Competition". I used trumpet, voice and percussion stems. My aim was to write an original track giving free rein to my creativity and to my inner world. I made this composition building a new harmonic building and mantaining my personality and my vision of music.

Window on a New World - Bleeding Fingers Contest

Music/Arrangement/Production/Vocals/Lyrics by Achazia

Emmelin (Instrumental)

It begins again. My rescore for this special is primarily comprised of three interchanging leitmotifs representing different parts of the story. This cue serves as an introduction to the first one, "Unforgiving & Unrelenting," which represents the story of Bowie Base One as a whole.

The Red Planet

In anticipation of the Wolf Moon on the 13th January, a composition which depicts the “vargtimmen”  or “Hour of the Wolf”, during which many of us insomniac creatives are awake and also, perhaps coincidentally, the majority of births and deaths transpire.

The Hour Of The Wolf

The slow movement of the Concerto for Accordio and Orchestra (2025).

Pawel Strzelecki: 2. "Waves of Silence" [Concerto for Accordion and Orchestra (2025)].

Hier nun das 2. Bild, dieses Mal für großes Orchester gesetzt. Ich bestieg einen Tag die näheren Berge dieses Allgäuer Landstrichs. In Höhe der Sigriz-Alm verweilte ich etwas und gab mich Stimmungen und Gedanken hin. Eine Almhütte. Nebel. Nacht und Dämmerung. Dann irgendwann ein Sonnenaufgang und ein neuer Tag. 
Wärme durchrieselte mich -  und ich wanderte weiter.

opus 159 - Orchestersuite Nr. 2 2. Bild f-moll

A fantasy piece in which the choir plays the leading role. I was mainly inspired by film and game music.

Instruments :

Flute --- VWinds Flutes
Clarinet --- VWinds Clarinets
Bassoons --- VWinds Double Reeds

Horns --- The French Horn by Samplemodeling
Tenor & Bass Trombones --- The Trombone by Samplemodeling
Tuba --- The Tuba by Samplemodeling

Percs --- CinePerc

Harps --- CineHarps

Choir --- Audio Imperia Chorus

Strings --- Cinematic Studio Strings & Cinematic Studio Solo Strings

Ambient pads

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

When the Spirits Rise

Recorded at Air Studios in London with a 50 piece orchestra.

Entelechy

Many Meetings - The Lord Of The Rings: The Followship Of The Ring

Hi, I'm a french composer from Nantes, I compose mostly with classical instruments. I like contemporary, modern classical, videogames and films music.
I work on several games :

- Pokémon Gemme
- The Depths
- Imperial Grace
- Other games made during a GameJams

Bonjour, je suis un compositeur de Nantes. Je compose principalement avec des instruments classiques. J'aime la musique classique moderne, contemporaine, les musiques de jeux vidéos et de films.
J'ai fait plusieurs compositions pour des jeux :

-  Pokémon Gemme
- The Depths
- Imperial Grace
- Des jeux faits lors de GameJams

When the Spirits Rise

Pierre Genaudeau

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