Percussionist, DJ and producer, contributor of Acid Arab since 2013 and has just released the album KING GHAZI with Gilb'r on Versatile Records, which they played together the first DJ/ Live set at Festival Nuits Sonores 2017.
Since 2016 he is also a Dj resident of Station Endlos crew in Germany 

Inspired by the atmosphere of Jordanian desert, his DJ set - Arabic Techno Sound - is a hypnotic mix of traditional Middle Eastern music and electronic tones. He has founded the 

Sa7ra-oui electro party in October 2016 (2nd edition in oct 2017) in collaboration with the Bedouins and prepares also a big event there for spring 2019, the Wadi Rum Electro Festival.

spreading boundless creativity since 2020.
𝗰𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗴𝗯𝗼𝗶
𝖗𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

Musician/artist based in Vancouver British Columbia

ame / frank wiedemann / schwarzmann
/ bigamo record label

hi everyone.
Just to let you know: 
I DON'T ANSWER EMAILS HERE!! Too many social networks are not good for my health ;-)
Cheers.
Frank.

https://www.youtube.com/@CeskoLab 
Starting 2026,  all mixtapes and modular synth creations will drop on my YouTube channel. Subscribe for DJ sets, studio sessions & more.

Ambient,  minimal techno, and electronic soundscapes through deep listening videos.

Born in Berlin & Paris, this project is built on DJ residencies & event curation at Rex Club across multiple seasons, alongside music making.

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Pierre Oms is following