#NJS
- Leatherface
- Candyman
- Raoul Juke
- Kidgagball
- Lecter
- Prime Slime
- Slumber Party Massacre

C'est autour d'une bouteille de Mescal frelaté, dans une cantina des bas fonds de Tijuana, que les problèmes ont commencé pour Marvy Da Pimp & Bootyben ... pour finir dans le sang et la poussière, formant ainsi le duo Streets Of Rage. 
Une fois de retour en France, Streets Of Rage lutte contre les forces du mal et les démons du clubbing avec pour seules armes basslines rugissantes, kicks frontaux, et gimmicks meurtriers, afin de rétablir l'harmonie musicale. SOR debarque dans ton club et prend les choses en main, brandissant bien haut l'étendard de la bagarre music. 
La moiteur ghetto de leur booty et juke, clubs musics par excellence, fait fumer les caissons de basse, exploser les enceintes, réduit les loges en miettes et ruine le dancefloor 


It's around a bottle of Mescal in a cantina of Tijuana, that troubles began for Marvy Da Pimp & Bootyben ... It's in blood, sweat and tears, the duet Streets Of Rage took form. 
Back in france, SOR struggle against evil forces and clubbing demons with howling basslines, front kicks,and murderous gimmicks as weapons, to restore the musical order of things. Streets Of Rage lands in the club and takes the control, waving the flag high with bagarre music!!! 
The ghetto hotness of their booty and juke, club music by excellence, makes subwoofers smoke, blows the speakers away, destroys the backstage and ruins dancefloors. 

Paul Johnson is a British singer-songwriter and veteran of the UK music scene, with over 40 years’ experience across gospel, soul, and club music. Born in the UK but raised partly in 1970s New York, Johnson began his musical journey singing in school and church. A formative moment came in 1979, performing Andraé Crouch’s The Blood in his local church — never imagining it would lead to a career spanning international tours, major label releases, and collaborations with musical legends. He was heavily inspired by the soulful, contemporary gospel of Andraé Crouch & the Disciples and the Hawkins Family.

He first gained recognition singing with Paradise, one of the UK’s pioneering contemporary Black gospel bands. Influenced by artists like the Crusaders, Earth, Wind & Fire, and Herbie Hancock, Paradise fused jazz, funk, reggae and faith to groundbreaking effect. Their hit One Mind Two Hearts introduced Johnson’s smooth, expressive voice to a wider audience. He later sang with the London Community Gospel Choir (LCGC) and toured as a guest of Junior Giscombe on the influential Red Wedge tour, where he shared stages with Billy Bragg, Paul Weller, The Smiths, and The Communards.

Johnson’s talent as a vocalist and songwriter led to a deal with CBS Records in the late '80s, signed by Julian Palmer and Muff Winwood. His debut self-titled album, produced by Junior Giscombe, featured the single When Love Comes Calling. The follow-up, Personal, included Half a World Away, a favourite in Jamaica, his parents’ homeland.

Over the years, Johnson worked with Bryan Ferry, Stevie Wonder, Soul II Soul, Mica Paris, Juliet Roberts and many more. He toured extensively across the UK and Europe, performing at venues including Ronnie Scott’s and Sadler’s Wells, and appearing on various UK and European television programmes. He also featured on high-profile remixes with producer Danny D, including Salt-N-Pepa’s Shoop.

Introduced by Juliet Roberts, he joined M-People on tour, performing with Heather Small, Lynieve Austin, and Sarah Brown over a successful four-year period. Johnson also acted as a production coordinator, providing top-tier session singers for the UK and international markets.

With producer/DJ Roger Drakes (aka Dodge) and IG Culture, Johnson scored the underground club hit If We Lose Our Way. His track Better Than This was remixed by the late house music legend Frankie Knuckles, followed by a run of releases on Area Boy Music with Daz-I-Kue of Bugz In The Attic — bridging his gospel roots with polished UK soul and club culture. Though an album project with Dodge was never fully released, unreleased demos including Gotta Move On (featuring jazz trumpeter Byron Wallen) have found a second life online.

One of his proudest achievements was managing and signing soul vocalist Shaun Escoffery through his production company, to Oyster records, helping to launch a career now marked by standout tracks like Days Like These and Space Rider.

While Johnson has since stepped back from full-time performance, he reflects proudly on a dynamic and genre-spanning career: “All of my experiences in the music industry have made me who I am today.”

Maï-Linh 
@ctw-podcasts 

Macadam, NTS Radio resident
ctw.podcasts@gmail.com

playlists maker
micro house animal
teshno dinosaurus
coffee & croissants radio show every weekend

WAM is an intimate space with some of the best audiophile equipment, meaning all the details in the music can be heard, allowing artists to play the music they love without boundaries.

WAM is all about quality: music, sound, drinks, food, atmosphere.

(EN)
Growing up diet of pop, folk, jazz, rock and electronica provided by their parents’ record collection, Pietro is hard to pin down musically inspired by their family’s love of music.
Pietro discovered late night techno parties and the groove ryhtms of deep house, minimal.

2012 looks to be a busy year for Pietro as the begin their first stage at Heretic Club (bordeaux) and at Zic Zinc (Limoge) and continues to work on making more mixetape.

Look for Pietro coming to a town near you soon!

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(FR)
A grand régime de pop, folk, jazz, rock et musique electronique distillé par la collection musicale de ses parents, Pietro a découvert plus tard la musique techno, les soirées electro ainsi que la deep house et la minimale.

2012 s'annonce comme une année faste pour Pietro comme ses débuts à l' Heretic (Bordeaux) ,au Zic Zinc (Limoges) et à l' I boat (Bordeaux).

_Pietro_ is following