Streaming at tratore.com.br/um_cd.php?id=28859

50% of the profits are going to the Yawalapti association ATIX Mulher. Depending on how much is raised, other indigenous ONGS will be included.

Memórias de Oneyda was produced during the RMX residency held by São Paulo's public cultural center CCSP in celebration of the 85 years of the sound library Oneyda Alvarenga. All percussion, beats, harmonic layers used in the EP were extracted from the vast collection of the Discotheque - Most of the vocals were taken from the mission of folkloric research, idealized by Mario de Andrade in the ’30s. The track's sonorities were adapted to the texture and quality from the oldest recording - seeking for an intersection between contemporary sound and a 30’s acetate disc. As if it was an old recording from a parallel reality.

Mestre Jandaraí

Chesney Henry Baker, noto come Chet Baker, nacque il 23 dicembre 1929 a Yale, nello stato dell'Oklahoma, negli Stati Uniti, figlio del chitarrista Chesney Henry Baker, Sr. e della pianista Vera Moser.
Fu un celebre trombettista e cantante jazz, considerato uno dei principali esponenti del cool jazz, un genere caratterizzato da un'energia sottile e raffinata in contrasto con l'esplosività del bebop.
Il suo stile lirico e intimista, unito a una voce seducente, lo rese famoso soprattutto per la sua interpretazione di "My Funny Valentine", brano che contribuì a elevare a capolavoro un classico del jazz.
A 23 anni era già una star, vincitore dei referendum delle principali riviste di jazz americane, e sul punto di iniziare persino una carriera cinematografica grazie al suo look alla James Dean. La sua vita e la sua traiettoria artistica successive sono tuttavia state oscurate dai problemi con la droga e la giustizia, al punto da far parlare gli appassionati spesso più di questi aspetti che del suo incredibile talento.
A Chet, nel mio piccolo, ho pensato di dedicare questo sogno, in cui mi immagino di conoscerlo in un Jazz club situato in una dimensione extra-terrena, e di poter godere per pochi minuti della sua magica musica.


Ciao Chet,
che strana questa notte
ti offro un whiskey,
ti va?

Io sono Steve, piacere,
vengo da un'altra epoca,
ma non importa, don't worry Chet

Lo so che non hai voglia di parlare,
e io lo capisco,
qui fuori niente stelle stanotte
ma le stelle, 
se vuoi, 
puoi accenderle tu,
adesso,
in questo club,
con la tua tromba

Sono qui per ascoltarla,
bastano cinque minuti,
vorrei vedere le stelle
che si accendono in questo jazz club

Ciao Chet,
che strana questa notte

ok, adesso suoni,
che meraviglia, 
io non disturbo, 
mi accomodo tranquillo
su questa nuvola

Ciao Chet,
che strana questa notte,

che strana questa notte,

che strane queste stelle.



© 2025 Stefano Padoan
Tutti i diritti riservati

DUE CHIACCHIERE CON CHET

For this our sixth Botanas single series we have the pleasure to present two stunning original tracks and one beautiful edit from Canadian producer Oonga (who you might have spotted on our Mare Insularum compilation). Oonga is a DJ/producer from Montreal who works with Stonetree Records. 

Opener El Caracol is one of the most personal tracks the artist has ever made. It is based on a poem written by Eli´s (Oonga) dad and dedicated to him. It was written after the two of them had a really deep conversation about hidden pain and then months later his dad showed him the words, and he was extremely moved and so created this beautiful track. 

This inspiration came at the same time as Oonga's exposure to the neo-folkloric slow cumbia tech sound while travelling. He put the two together and this special Botanas was born. His dear friend Ana adapted the words into Spanish and sang the melodies (as well as doing the art). 

Oonga´s music captured our ears right away and these three tracks are the perfect soundtrack to the end of the summer for those of us in the norther hemisphere or to welcome the end of the Winter and brighter times for all those down south! 

More music and info: 
soundcloud.com/ungunga 
www.facebook.com/ungunga 
twitter.com/oongoonga
credits
released August 21, 2017 

Lyrics and vocals on El Caracol: Ana Arias 
Based on an original poem by Zav Levinson 
Produced by Oonga 
Artwork by Ana Arias 

Mastered by Rob Small

Download

BKO Quintet Feat. Piers Faccini - Donsolu (Oonga Espera Edit)

@mommusic

MoM is music...... We once asked him if he ever sleeps..... his answer was NO! :P
Having much more time then anybody else, he creates music to reach places that are far beyond our tangible concepts. With his psychedelic remix he gives us time to escape the prison that we are creating by living in a society where good faith threatens to be lost. Muchas gracias! <3
Release on Bandcamp and Beatport Mai 7. 2018

Bandcamp

Shimon & Oum.k - Olas de San Pedro (MoM psychedelic Remix)

Cavidades

Devenir Maleza was one of those projects that just arrived in our overflowing inboxes one day out of the blue. We opened the link and discovered four finely crafted, beautifully produced and captivating tracks of transformative, percussive music. 

It rare to find music that marries so well recorded percussion, live instrumentation and vocals with deep electronic productions without one dominating on the other. With Devenir Maleza Prisma and Martin Broder, a duo based between Berlin and Buenos Aires, managed to find that sweet spot that we love so much here at Shika Shika: deep, electronic but natural, acoustic and introspective. Or as the duo describes it: “a crackling, soothing, hypnotic lullaby.” 

Devenir Maleza’s was inspired by the concept of “becoming” and of transformation in many aspects. Through their long-distance collaboration the duo’s starting point was to imagine music becoming la maleza or “the undergrowth”, as if it the synths, vocals and instruments were sinking into the humid earth or drawn from the whistling wind or emerging from a rustling forest. 

The duo is joined on the EP by the talented singer and pianist Maria Barone as well as techno-producer / percussionist Merlin Genschel.
credits
released July 25, 2019 

Producido por Prisma & Martin Boder 
Voces: Maria Barone 
Percusion: Merlin Grenschel 

Turbina de amor es originalmente de Rafael "flaco" Ferriaolo 

Mastering: Rob Small
Artwork: JUMU (instagram.com/jumumonster)<3
ShSh 031

Buy on Bandcamp

01. Prisma & Martin Boder - Devenir Maleza

Civilización y barbarie sintetiza la dualidad fundacional de la historia moderna argentina y latinoamericana. La génesis de un ideal patrio, de la construcción de una identidad que para forjarse y emerger necesita símbolos y enemigos. En Argentina, el avance de la civilización procuró el retroceso de una barbarie constituida por indios, negros y personas que se encontraban en lo más bajo de la pirámide de castas. Las palabras de Domingo Faustino Sarmiento en su Facundo y los arrasantes malones de los indios de la Pampa y la Patagonia fundieron el barro donde la historia echó raíces.

Silvio Astier explora el territorio del olvido, de lo sepultado. Se zambulle en el milagro de la trascendencia popular para contemplar la hondura de una Pampa que pareciera mantener en silencio su secreto milenario que alguna vez rascaron payadores y trovadores.

Producción: Silvio Astier
Masterización: Álvaro Ernesto
Diseño: Javiera González
Producción Ejecutiva: Murúa

Silvio Astier - Civilización Y Barbarie (Pol Nada Remix)

Quarantine Micro Selection #3 🏆

A half an hour mixtape full of world gems, weird sounds, b-sides, harsh recordings & more.

I hope you find your pace in it

🏡Stay safe.

Quarantine Micro Selection #3 by Pigmalião

my second homerecording session/track....
cutted lots of samples + bass and some sounds recorded

_Suum

Sai Dessa

In Asimétrico, El Remolón presents its new sounds. Native acoustics in organic electronic spaces, successful collaborations, instrumental passages, meditative trance and invitation to movement.

After several years of introspection and studio silence, El Remolón is back with a premiere album. Searching within, in chance haphazard and error, the unfinished or simply imperfect sounds , El Remolón elaborates another sonic horizon that requires putting aside already rehearsed formulas, highlighted labels, closed categories. In this inquiry, the artist even abandons his own ways and closed shapes in Asimétrico. An album that maintains the contagious force of its danceable rhythms and at times delves into a more introspective universe, linked to contemplation.

With folkloric elements in minimalist mode and careful organic electronics, Asimétrico delivers ten crisp pieces that feature Andrés Oddone's master touch in the mix. Simple uses of guitars, legüeros bass drums and charangos are interspersed in criollos ( southamerican folk) riffs that are reminiscent of Atahualpa and, when combined with electronic textures, they generate a restorative, meditative and techno atmosphere at the same time. Between the experimental native and the global downtempo, the album features several songs that follow one another as emotional passages. This is where Asimétrico is enriched with the collaborations of Luvi Torres / Klik & Frik, Pol Nada, Lauphan, Nuriah and the revelation of the urban coplero Brawlio. Meanwhile, the collaborations with San Ignacio, Leo Silcan and Cuervo Cuervo  go deep into a more electronic and instrumental facet. The cover and photos are made by @ancherama.

El Remolon -  Frágil (ft Cuervo Cuervo)

FOLLOW ME AT:
https://pigmaliao.submithublinks.com/

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