Vibe (Jazzbeat)

Barro is the second EP by Manchester based Ecuadorian producer Joaquín Cornejo (joaquincb). It is inspired by the power of soulful improvisation, field recordings, electronic experimentation and the cosy sound of magnetic tape. 

Barro is a deep, textured journey split across four tracks, each highlighting the young producers evolving sound & musical identity: beautifully sculptured textural electronics rooted in the folkloric traditions of his native Latin-America.

Download: https://shikashika.bandcamp.com/album/barro-ep

Download

Joaquín Cornejo - Barro

@ibu-selva 
www.facebook.com/IbuSelva 
-------------------------------------------
✺✺✺ Sobre: 

Bolo’bolo é o nome de um livro que fala sobre uma sociedade anarquista alternativa, onde é explicado com detalhes desde como desmantelar o sistema político e econômico atual até como se daria sua organização, de uma sociedade nova, autogestionada, que permita, como os Zapatistas dizem, “um mundo onde caibam muitos mundos”. 

A capa é uma máscara olhando para o céu, e caindo no chão, onde nuvens e luas guiam seu caminho. Como na escuridão da noite, a lua guia nossos sonhos para se tornarem realidade. 

Nima é a identidade e a bagagem cultural de um Bolo. Podendo existir muitos Nimas dentro de um Bolo. Nima é o direito de todo Ibu pode escolher, praticar e propagandear sua própria maneira de vida, estilo de roupas, linguagem, preferência sexual, religião, filosofia, ideologia, opiniões, etc., onde quiser e como gostar. 

Sila significa hospitalidade para todos. Porque não existe dinheiro ou trabalho, então todo Ibu deve oferecer a mesma hospitalidade para qualquer outro Ibu. Isso torna todo Bolo um hotel, e todo Ibu com direitos para uma certa quantia de comida, entre outras coisas.

✺✺✺ About: 

Bolo’bolo is the name of a book that talks about an alternative anarchist society, explains details of its organization and how to disrupt the actual political and economical system, and create a new, self-governing society, which allows, as the Zapatistas say, “a world where many worlds fit”. 

The cover-art is of a mask looking at the sky, and falling into the ground with clouds and moons guiding its way. As in the darkness, the moon will guide our dreams to reality. 

Bolo’bolo, the first track, in the book’s language means a place where from 300 to 500 Ibus (people in the common language) live together and live upon basic agreements in a direct, personal context to live, produce and die. It will substitute money, all essential services must exist there, and all Ibu’s are free to leave or stay. So bolo’bolo, is a community of Bolos. 

Nima, the second track is the cultural identity of a Bolo and its cultural background. A lot of Nimas could exist inside the same Bolo. Nima is the right of every Ibu to choose, practice and propagate his own life style, clothing, language, sexual preferences, religion, philosophy, ideology, opinions, etc. wherever and however (s)he wants. 

Sila means "hospitality for all”. For there is no money nor job, every Ibu has to offer the same hospitality for every other Ibu. This makes every Bolo a hotel, and every Ibu has a right to a certain amount of food and things in every Bolo. 

[All info is summed up, for more, please read the book.]
-------------------------------------------
Master: Nathan Hall 
Artwork: Ibu Selva (www.instagram.com/ibu.selva)

Support

Ibu Selva - Nima (Original Mix)

"Cuanto más reversible, transformable y mutable pueda ser, los índices de libertad van a ser mayores" . Lucrecia Martel

La Identidad es una Trampa es el segundo álbum del productor argentino San Ignacio @sleepingnacho. De manera oscura y orgánica, explora los ritmos bailables y arraigados en la cultura popular del continente, sin perder la clave electrónica.

BANDCAMP

O bem (ft. Projeto Mujique)

Quarantine Micro Selection #3 🏆

A half an hour mixtape full of world gems, weird sounds, b-sides, harsh recordings & more.

I hope you find your pace in it

🏡Stay safe.

Quarantine Micro Selection #3 by Pigmalião

Lascivio Bohemia: https://facebook.com/lasciviobohemiaec
Edmoon Records 2020, Quito-Ecuador.
https://facebook.com/edmoonrec

Lascivio Bohemia - Foto Mental

Quixosis - Especies Afines [FRE014]

In Especies Afines, Quixosis explores tempo duplicities, combining disparate species of rhythms into synchopated, polyrhytmic doublecounts, that are both slow and fast, that anchor down thick and fluctuating ambiences layered in tape feedback and games of time. With rhtyhmic elements of footwork, dub, ambient, breakbeats and DnB, Especies Afines are an uplifiting and energetic series of tracks, full of detail and bass heavy rhythms, and deeply enveloping ambient cushions that give off an energy that is both hot and calm like an bonfire, transparent and liquid, like a quicksilver prisma.

Listen to https://soundcloud.com/quixosis !

Especies Afines

Buy on Bandcamp!

Quixosis - Azul Liminal

Amsterdam based producer KRAUT (a.k.a. Daniel Zuur) presents Lilium, following up on his 2016 debut release with Shika Shika “Especias”.

On Lilium we see the journey Daniel has made from his first EP, a widening of his horizons and a honing of his unique production style. Each track is at once natural, danceable, warm textured but also electronic and fit for the (virtual) dancefloor.

In his words Lilium, is a sound story about the essence of life without borders. Packed with Daniel’s trademark percussive sound, the EP draws particular inspiration from his love and fascination with Africa’s rich and diverse music tradition.

The stand out track Kalité features the vocals of renowned maloya singer Christine Salem from the island of La Reunion.

soundcloud.com/krautmusica
www.facebook.com/krautmusica

www.facebook.com/christinesalemrun

Lilium EP

Lilium

https://soundcloud.com/elmagomusic
Video to Gígantes feat. Plastelini:  https://youtu.be/jWIyak3s9ks

Singer and producer El Mago debuts on YNFND with a 4 track gatefold LP entitled `Kanénas ́. 
Based half in Thessaloniki and half in Berlin, he ties between two identities as greek and german. 
Transfusing the roots of urban Greek music `Rembetiko ́ with modern electronica, he symbolises his personal journey with the connection of his two cultural identities. 

On entrance we start with `Gígantes ́, a fusion of vibrant humming, synthetic pops, crackles and the poetic voice of Plastelini. From the get-go we witness a vocal story written about the relationship with your demons, and how to live beside them. Interrupted by erratic gun- shots and bass-heavy shuffles, the message provokes a somewhat conflicting reaction. 

Stepping into what seems like a distorted cave, `Thálassa ́ takes us into tripped beats, off-time glitches and synthesised brush strokes. Swaying between looming hums and a pull and release of echo as it comes to it’s end. 

As we flip the record, a dissonant sample leads us into `Filakí ́, with what can be described as ancient bass. Vocal fragments shout but whisper as they are broken up by explosions. 
By the time the song reaches climax, you sense the origin of El Mago’s roots. 

The finale entitled `Potámi ́ boasts delicate guitar strings, followed by laid-back rhythms and El Mago himself on vocals. A bygone tale comes to mind as Potamós embraces Mago’s musical past as a performer in the more traditional sense, an ode to Rembetiko once again. 
You may think that `Potámi ́ marks the end of his musical odyssey, but in truth it is just the start. He is not Kanénas* yet. 

*translated as `Nobody ́ 

The release is accompanied by 4 tarot-themed cards depicting each track with poems written by Lina Rococco, alongside 1 secret track on vinyl only.

Download / Vinyl

El Mago - Gígantes feat. Plastelini

Cosmovisión

Animales De  Costumbres - Sirenas (Feat. Niños Indigo)

https://soundcloud.com/elmagomusic
Singer and producer El Mago debuts on YNFND with a 4 track gatefold LP entitled `Kanénas ́. 
Based half in Thessaloniki and half in Berlin, he ties between two identities as greek and german. 
Transfusing the roots of urban Greek music `Rembetiko ́ with modern electronica, he symbolises his personal journey with the connection of his two cultural identities.

On entrance we start with `Gígantes ́, a fusion of vibrant humming, synthetic pops, crackles and the poetic voice of Plastelini. From the get-go we witness a vocal story written about the relationship with your demons, and how to live beside them. Interrupted by erratic gun- shots and bass-heavy shuffles, the message provokes a somewhat conflicting reaction.

Stepping into what seems like a distorted cave, `Thálassa ́ takes us into tripped beats, off-time glitches and synthesised brush strokes. Swaying between looming hums and a pull and release of echo as it comes to it’s end.

As we flip the record, a dissonant sample leads us into `Filakí ́, with what can be described as ancient bass. Vocal fragments shout but whisper as they are broken up by explosions. 
By the time the song reaches climax, you sense the origin of El Mago’s roots.

The finale entitled `Potámi ́ boasts delicate guitar strings, followed by laid-back rhythms and El Mago himself on vocals. A bygone tale comes to mind as Potamós embraces Mago’s musical past as a performer in the more traditional sense, an ode to Rembetiko once again. 
You may think that `Potámi ́ marks the end of his musical odyssey, but in truth it is just the start. He is not Kanénas* yet.

*translated as `Nobody ́

The release is accompanied by 4 tarot-themed cards depicting each track with poems written by Lina Rococco, alongside 1 secret track on vinyl only.

Vinyl

El Mago - Milkshake (Hidden Track / Vinyl Only)[YNFND019]

FOLLOW ME AT:
https://pigmaliao.submithublinks.com/

||| other projects

www.soundcloud.com/frentebolivarista
www.soundcloud.com/ilostmyponcho


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