https://soundcloud.com/nillocr
@sleepingnacho
.
"𝘛𝘰𝘥𝘰 𝘭𝘰 𝘲𝘶𝘦 𝘰𝘧𝘳𝘦𝘤𝘦 𝘶𝘯𝘢 𝘦𝘹𝘵𝘳𝘦𝘮𝘢 𝘳𝘦𝘴𝘪𝘴𝘵𝘦𝘯𝘤𝘪𝘢 𝘢𝘭 𝘮𝘰𝘷𝘪𝘮𝘪𝘦𝘯𝘵𝘰 𝘱𝘦𝘳𝘦𝘤𝘦"
𝘓𝘶𝘤𝘳𝘦𝘤𝘪𝘢 𝘔𝘢𝘳𝘵𝘦𝘭
.
arte x Tatiana Cuoco
mastering x Sebastian Cordoves
foto original x Daniela Perez Mitolo
producción general x Mai Aimé / Andrés Schteingart

Bandcamp

San Ignacio - Ay Pobre De Mí (Nillo Remix)

El Camino de Leda Remixes Vol.2 (Folcore 134)
Various Artists 
A collab between Folcore Records (Barcelona) + Fértil Discos (Buenos Aires)

WAV: https://folcore-records.bandcamp.com/album/el-camino-de-leda-vol-1
WAV: https://folcore-records.bandcamp.com/album/el-camino-de-leda-remixes-vol-2
Folcore Records website: https://folcore.org
Folcore Records Bandcamp: https://folcore-records.bandcamp.com
Fertil Discos Website: https://fertildiscos.com


---

El Camino de Leda Remixes Vol.1 y Vol.2
The new collaborative release between Folcore Records (Barcelona) and Fértil Discos (Buenos Aires)

A double album made up of remixes of the vinyl released in 2019 "El Camino de Leda" that featured the participation of Chancha Via Circuito, La Charo, Uji, Shaman Herrera, Tremor, Barda, El Remolón, Soema Montenegro, Dat García, King Coya , Pol Nada and more representatives, both of the organic electronic sound of Buenos Aires and singers of contemporary Argentine folk and urban music.

This time, artists from different latitudes remix the tracks of the original ones to create new sounds in song format, to make them suitable for the dance floor in slow mode and also to listening them on any occasion. It has the participation of Klik & Frik, Rodrigo Gallardo, Guazú, Derrok, Tribilin Sound, Carla Valenti, Qechuaboi, Lucas Lead, Mente Orgánica, Nixtamal just to mention some of the collaborations.

El Camino de Leda Remixes Vol.1 and Vol.2 is a new tribute to Leda Valladares, two volumes that include 10 songs each. Available on all streaming platforms.

--

El nuevo lanzamiento colaborativo entre los sellos Folcore Records (Barcelona) y Fértil Discos (Buenos Aires) Un disco doble compuesto por remixes del disco editado en 2019 El Camino de Leda que contó con la participación de Chancha Via Circuito, La Charo, Uji, Shaman Herrera, Tremor, Barda, El Remolón, Dat García, Soema Montenegro, King Coya, Pol Nada y más representantes, tanto del sonido electrónico orgánico de Buenos Aires como cantantes de la música folklorica y urbana  contemporánea argentina.

En esta ocasión, artistas de diferentes latitudes remezclan las pistas de los tracks originales para crear nuevas sonoridades en formato de canciones, tan aptas para la pista de baile en modo slow como para su escucha en cualquier ocasión. Cuenta con las participaciones de Klik & Frik, Rodrigo Gallardo, Guazú, Derrok, Tribilin Sound, Carla Valenti, Qechuaboi, Lucas Lead, Mente Organica, Nixtamal sólo por mencionar algunas de las colaboraciones.

---
Idea & conceptualization: Germán de Souza & Andrés Schteingart
Artistic & executive production: Germán de Souza & Andrés Schteingart
Production assistance: Ignacio Sorá & Mai Aimé
Guest musician: Leo Silcan
(charangos and quenas track 1
Mastering: Juan Esteban Herrera aka Ruidoselecto - Medellín, Colombia
Artwork: Germán de Souza _ Coreographix (https://coreographix.com) - remix of original art by Fran Spertino

© La Charo appears by courtesy of Espantapájaros

All the songs have been compiled by Leda Valladares traveling through the valleys and ravines of the Argentine Republic along the second half of the 20th century.

Thanks to all the people who have made this project become real, the producers and artists participating, and those who sent us economic and spiritual support.

A Folcore Records & Fértil Discos production

---

Remixers - Vol. 2

Lucas Lead (Argentine)
soundcloud.com/lucaslead

Thub (Colombia)
soundcloud.com/thubcolombia

Damia (Argentine)
soundcloud.com/damiasound

Galo Vermelho (Argentine)
soundcloud.com/galovermelho

Guazú (Argentine)
soundcloud.com/lucasmojimoji

Nixtamal (France)
soundcloud.com/nixtamal

Qechuaboi (Peru)
soundcloud.com/qechuaboi

Yabiru (Brazil)
soundcloud.com/yabiru

Chelo Scotti (Argentine/Germany)
soundcloud.com/chelo-scotti

Carla Valenti (Chile)
soundcloud.com/carlavalenti

El camino de Leda Remixes Vol.2

FREE DOWNLOAD

Si quieres que te quiera - Lucas Lead Remix

A quiet key turns. Code Of Remembrance – Intro opens with the voice of Eyerus Wake — slow, spacious, and encoded with presence. Her delivery feels both ceremonial and intimate, like reading scripture to the self. No beat, no embellishment — just pure transmission in a field of silence and subtle resonance.

The sound is minimal: soft pads and distant textures that breathe more than move. The space isn’t empty — it’s intentional. Every word lands like a spark in the dark, opening a portal of memory deeper than thought. This is not an introduction in the traditional sense — it’s a threshold. A tone-setting invocation for everything that follows.

You’re not stepping into music. You’re stepping into remembrance.

Purchase Hear!!

1. Code Of Remembrance - Intro. Feat Eyerus Wake

FÉKUTAI means "morning star" in the native language of Tanna, one of the Islands of Vanuatu, a lost archipelago suspended in the Pacific Ocean...

The Random Collective shares their soft electronic version of traditional sounds from Vanuatu. This EP is inspired by the memories of our member @maracuyacita who used to live there, and is based on field recordings from the 60's by Raymond Clausen as well as on the Vanuatu Women's Water Music recording from Wantok Music.

Music by: 
MARACUYÁ @maracuyacita
NATHAN HALL @nathanhallmusic
FUNKA @funka
NILLO @nillocr

Bonus track by New Caledonian born, Sydney based artist/producer GOHS @gohs-music

All songs mastered by Haunted Water @haunted_water
Cover picture by Vanuatu Ecotours / artwork by Mostros

Donate / Download

Nemrau - Nathan Hall

Ditti - Hi

@nicolacruz

Caminho à Sintropia I

Emerging from mountains of fragments
the little gathering of the scatterlings,
a long and winding road,
on the way to Syntropy
travelling through a myriad of possibilities
dispersed matter accumulates into stars
towards an ever unveiling sonic system

artwork : Markus X Fiedler & Vo La

⬇ Download

Nicola Cruz - Elephant

Support // Download: https://shikashika.bandcamp.com/album/ermitan-o-ep

‘Ermitaño’ germinated during the two months Michael Alfred Wagner AKA Biomigrant spent at the Fundación Tumac, a community school in Tumaco founded to recover and teach traditional music and dance in the Colombian south pacific. Set to the rhythms of Bunde and Currulao, the EP follows the iconic sound of the Chonta Marimba as it disembarks from its native coasts to navigate new currents, carried along by deep electronic pulses, gusts of wind instruments, and dreamscapes of water and concrete. 

‘La Utopía’ was inspired by a story of the Uruguayan author Eduardo Galeano, questioning what role ideals play in our imperfect and complex world. 

‘Ciudad de Agua’ (City of Water) takes flight through the marimba of Jhon ‘Pitufo’ Cortés (from the band Plu con Pla), guided by the words of the legendary musician Gualajo, who describes the origin of the instrument in the sounds of the ocean and jungle, and imagines how the music would change within an urban context. 

‘Ermitaño’ (Hermit) reimagines a traditional ‘bunde’ as a deep, trap-influenced encounter between the voices of Barbacoa-born singer Cristina Cortés and Mike (Biomigrant), contemplating a long, solitary path and rejuvenating moments of collective celebration, culminating in a dubby flute line.
credits
released January 21, 2019 

Musicians: 
Jhon ‘Pitufo’ Cortes - Marimba in ‘Ciudad de Agua’ and ‘Ermitaño’ 
Cristina Cortés - Voice in ‘La Utopía’ y ‘Ermitaño’ 
Kevin Leandro Cortés Garcia - Bombo, Cununu, and Guasa in ‘La Utopía’, ‘Ciudad de Agua’, and ‘Ermitaño’ 
Juan Camilo Ramirez Salazar - Trumpet in ‘La Utopía’ 
Diana Cacais - Voice in ‘La Utopía’ 
José Antonio ‘Gualajo’ Torres - Voice in ‘Ciudad de Agua’ (from an interview conducted in 2016) 

Michael Alfred Wagner - Recording, production, mixing, and all other instruments/voices. 

Artwork by Stella Ismene (stellaismene.com) 

Mastering: Rob Small
license

Download

Biomigrant - Ermitaño Feat. Ibeth Cristina Cortés

@ibu-selva 
www.facebook.com/IbuSelva 
-------------------------------------------
✺✺✺ Sobre: 

Bolo’bolo é o nome de um livro que fala sobre uma sociedade anarquista alternativa, onde é explicado com detalhes desde como desmantelar o sistema político e econômico atual até como se daria sua organização, de uma sociedade nova, autogestionada, que permita, como os Zapatistas dizem, “um mundo onde caibam muitos mundos”. 

A capa é uma máscara olhando para o céu, e caindo no chão, onde nuvens e luas guiam seu caminho. Como na escuridão da noite, a lua guia nossos sonhos para se tornarem realidade. 

Nima é a identidade e a bagagem cultural de um Bolo. Podendo existir muitos Nimas dentro de um Bolo. Nima é o direito de todo Ibu pode escolher, praticar e propagandear sua própria maneira de vida, estilo de roupas, linguagem, preferência sexual, religião, filosofia, ideologia, opiniões, etc., onde quiser e como gostar. 

Sila significa hospitalidade para todos. Porque não existe dinheiro ou trabalho, então todo Ibu deve oferecer a mesma hospitalidade para qualquer outro Ibu. Isso torna todo Bolo um hotel, e todo Ibu com direitos para uma certa quantia de comida, entre outras coisas.

✺✺✺ About: 

Bolo’bolo is the name of a book that talks about an alternative anarchist society, explains details of its organization and how to disrupt the actual political and economical system, and create a new, self-governing society, which allows, as the Zapatistas say, “a world where many worlds fit”. 

The cover-art is of a mask looking at the sky, and falling into the ground with clouds and moons guiding its way. As in the darkness, the moon will guide our dreams to reality. 

Bolo’bolo, the first track, in the book’s language means a place where from 300 to 500 Ibus (people in the common language) live together and live upon basic agreements in a direct, personal context to live, produce and die. It will substitute money, all essential services must exist there, and all Ibu’s are free to leave or stay. So bolo’bolo, is a community of Bolos. 

Nima, the second track is the cultural identity of a Bolo and its cultural background. A lot of Nimas could exist inside the same Bolo. Nima is the right of every Ibu to choose, practice and propagate his own life style, clothing, language, sexual preferences, religion, philosophy, ideology, opinions, etc. wherever and however (s)he wants. 

Sila means "hospitality for all”. For there is no money nor job, every Ibu has to offer the same hospitality for every other Ibu. This makes every Bolo a hotel, and every Ibu has a right to a certain amount of food and things in every Bolo. 

[All info is summed up, for more, please read the book.]
-------------------------------------------
Master: Nathan Hall 
Artwork: Ibu Selva (www.instagram.com/ibu.selva)

Support

Ibu Selva - Nima (Original Mix)

soundcloud.com/lamarmota
https://lamarmota.bandcamp.com/track/mit-mutti-in-der-pr-rie-la-marmota
[ːːː download ? contact the artist ːːː]
cover by soundcloud.com/dj-rotte

Mit Mutti In Der Prärie # 7 - la marmota

Quarantine Micro Selection #3 🏆

A half an hour mixtape full of world gems, weird sounds, b-sides, harsh recordings & more.

I hope you find your pace in it

🏡Stay safe.

Quarantine Micro Selection #3 by Pigmalião

https://soundcloud.com/elmagomusic
Video to Gígantes feat. Plastelini:  https://youtu.be/jWIyak3s9ks

Singer and producer El Mago debuts on YNFND with a 4 track gatefold LP entitled `Kanénas ́. 
Based half in Thessaloniki and half in Berlin, he ties between two identities as greek and german. 
Transfusing the roots of urban Greek music `Rembetiko ́ with modern electronica, he symbolises his personal journey with the connection of his two cultural identities. 

On entrance we start with `Gígantes ́, a fusion of vibrant humming, synthetic pops, crackles and the poetic voice of Plastelini. From the get-go we witness a vocal story written about the relationship with your demons, and how to live beside them. Interrupted by erratic gun- shots and bass-heavy shuffles, the message provokes a somewhat conflicting reaction. 

Stepping into what seems like a distorted cave, `Thálassa ́ takes us into tripped beats, off-time glitches and synthesised brush strokes. Swaying between looming hums and a pull and release of echo as it comes to it’s end. 

As we flip the record, a dissonant sample leads us into `Filakí ́, with what can be described as ancient bass. Vocal fragments shout but whisper as they are broken up by explosions. 
By the time the song reaches climax, you sense the origin of El Mago’s roots. 

The finale entitled `Potámi ́ boasts delicate guitar strings, followed by laid-back rhythms and El Mago himself on vocals. A bygone tale comes to mind as Potamós embraces Mago’s musical past as a performer in the more traditional sense, an ode to Rembetiko once again. 
You may think that `Potámi ́ marks the end of his musical odyssey, but in truth it is just the start. He is not Kanénas* yet. 

*translated as `Nobody ́ 

The release is accompanied by 4 tarot-themed cards depicting each track with poems written by Lina Rococco, alongside 1 secret track on vinyl only.

Download / Vinyl

El Mago - Gígantes feat. Plastelini

FOLLOW ME AT:
https://pigmaliao.submithublinks.com/

||| other projects

www.soundcloud.com/frentebolivarista
www.soundcloud.com/ilostmyponcho


bookings: info@frentebolivarista.com