Sound Recording_Sea_Xiao Liuqiu, Pingtung (小琉球)_20210502

I’m Shih-Lin Hung, a composer and sound artist from Taiwan. I explore memory, space, and disappearance through acousmatic and electroacoustic sound.

Open to interdisciplinary, cross-border, and remote collaborations — especially in film and experimental sound work.
Contact: alfredpierrot@gmail.com

If you enjoy my sonic landscapes, you can support my practice here: buymeacoffee.com/shihlinhung
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我是洪世霖，來自台灣的作曲家與聲音藝術創作者。透過 acousmatic 與電聲創作探索記憶、空間與消逝。

歡迎跨領域、跨國與遠端合作，特別是在影像與實驗聲音創作中。
聯絡信箱：alfredpierrot@gmail.com

如果你喜歡我的聲音風景，歡迎透過 Buy Me a Coffee 支持我持續創作：buymeacoffee.com/shihlinhung

kontakt@ulrich-langenbach.de / Siegen, Germany,

Ulrich Langenbach is a German artist and composer, improviser, artist and sound researcher / e-cello, viola, guitar

Ulrich Langenbach is a visual artist and improvisational musician whose work is characterised by a continuous investigation of unintentional aesthetics and interdisciplinary approaches. His artistic practice includes installations, texts and performances, which invite the viewer into an immediate and impartial confrontation with space, material and sound.

At the centre of his visual art are extensive installations that challenge your perception with minimalist forms, materials and structures.

His text works combine literary precision with visual openness and often pose questions around the meaning and function of language.

As an improvisational musician, Langenbach is devoted to non-idiomatic music, a way of playing that moves beyond established styles and focuses on the moment of sound occurring. His performances emerge in the space between intention-free experimentation and intuitive expression, and lead to unique soundscapes that deliberately leave behind traditional genre boundaries.

His multi-award-winning work, which has been shown in numerous international galleries and museums, throws new light on the disciplines of art and music and offers pioneering impulses. It stands for the power of having no intention and for liberation from conventional expectations. It invites you to experience space, sound and text in a new dimension.




collaborations with: marc schaffroth // markus reineke // kersten ginsberg // martin hoggeboom // trampelfäd // aoki satoru // paul mimlitsch // darren bourne  // michael banabila // woodwo // lijel // michael göring // barbara weiss // stefan strasser // Conradusz

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
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In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Sound Recording_Sea_Xiao Liuqiu, Pingtung (小琉球)_20210502

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