Name: A Rough Patch Disquiet 0488 by pineyb
Duration: 3 min 13 s
Description: First patch incorporating the Serge Homebuilt into the larger Eurorack Modular setup.

More on this 481st weekly Disquiet Junto project — Capsule Time (The Assignment: Record a time capsule for yourself in the future) — at:

https://disquiet.com/0481/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0480-ongsay-aftcray/42680

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Christoph Kummer, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/T4Uvw

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet0481 Sometimes You're The Ghost

For information about this track and challenge see: https://llllllll.co/t/disquiet-junto-project-0483-type-set/

Repetition Legitimizes - disquiet0483

I recorded myself typing on my works computer, transcribing a commentary of what i was doing and thinking at the time. I then fed this into Gleetchlab and routed and mangled the loop as well as running it through the TAMS physical modeller to make the resonant clangs.
On reflection it looks like I'm an angry typist, my keyboard sounds bruised.



More on this 483rd weekly Disquiet Junto project — Type Set (The Assignment: Use a recording of yourself typing something as the underlying rhythmic track for a piece of music) — at:

https://disquiet.com/0483/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0483-type-set/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Chris, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/cEXJJ

https://creativecommons.org/licenses/by-nc-sa/2.0/

Phenotype(disquiet0483)

Selbstgeneriernder Patch mit auto-melodischen Elementen. Inspiriert von Batailles Buch Die Tränen des Eros. Auch ein Soundtrack. 
EMU Morpheus spielt klanglich die tragende Rolle. Zoom ARQ96 liefert die selbstgenerierende Sequenzierung.

More on this 488th weekly Disquiet Junto project — Reverse Delay (Assignment: Do something you’ve been putting off) — at: https://disquiet.com/0488/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0488-reverse-delay/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Conrad Bakker, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/tLfcL

https://creativecommons.org/licenses/by-nc-sa/2.0/

Tränen des Eros

Tränen des Eros - chamber music drone (disquiet 0488)

First patch incorporating the Serge Homebuilt into the larger Eurorack Modular setup.

A Rough Patch Disquiet 0488

({
    var sig = 0;
    var freq= 0;

    freq = LFNoise0.kr(0.2).range(0.1,0.4);
    3.do {
        sig = SinOsc.ar(
            freq,
            LFNoise0.kr(1).range(40,60)  * sig
        );
    };
    3.do {
        sig = SinOsc.ar(
            freq*rand(0.5,1),
            LFNoise0.kr(1).range(40,60) * sig
        );
    };

    sig = HPF.ar( sig, 80 );
    sig=Pan2.ar( LeakDC.ar( sig ), SinOsc.kr(LFNoise0.kr(1).range(0.1,0.4)), 0.2 );
    sig=sig+((1-DetectSilence.ar(sig))*PinkNoise.ar(0.005));
    sig = sig + CombC.ar(sig,0.5,LFNoise0.kr(1).range(0.1,0.3),LFNoise0.kr(0.1).range(2,4),0.2);

    sig = sig*EnvGen.ar(Env.adsr(releaseTime:0.5),Pulse.kr(1));
    sig = FreeVerb2.ar(sig[0],sig[1],0.33,1.0,0.8);
    sig = MoogFF.ar(sig,4000,2.5);
}.play;
)

s.record;
s.stop;

Insect Menagerie - disquiet0494

shifty 35 bpm sep 29 take 1

28 Sept - Separation

idk what to feel

For https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell

Thanks to the lockdown and the lack of proper work on these past 2 months I decided to (finally) open and old box of DAT I got from my storage place in Argentina when I was forced to close it and decide what to keep (bring it home on the plane), what to sell, what to discard.
These DAT (my go-to recording/archival media in the 90s)  included loads of tapes with Jams and impromptu encounters that I recorded there live and never ever listened to.
I realize now how good that attitude was,( just tape everything that happens at home or archival purposes), I did that all the time, stopped later, I promise to do it again in the future.

I discovered many gems, funny and intense moments, I include here one rehearsal for a song I composed in 1985 (one of my first proper composition) . I make a little bass solo that's pretty lame, but my partners live-at-home performance is awesome and I'm glad to make this available for you to listen and criticize.

This happened in Buenos Aires, March 9th 1995 at my home/studio in the Julian Alvarez street of the Palermo Viejo area. Recorded live to DAT (one mic for the guitar, one for the bass, a stereo AT mic for the percussion set.

Gabriel Kirschenbaum: spanish guitar
Ricardo Hambra: percussion (tabla, bombo) @udfmusic1
Daniel Diaz: acoustic bass guitar


Photo: Palermo Viejo, Plaza Cortazar by DD, Circa 2000.

La China (live studio rehearsal) - disquiet0467

A lost child crying
stumbling over the dark fields…
catching fireflies

The haiku of the week is by Yoshida Ryusui (1691-1758). Very little is known about him, except he’s often cited and quoted as a poet who exemplified the key element in haiku of kireji or cutting word.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku
@soundcloud.com/naviar-records

A Rough Patch Disquiet 0488

pineyb

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