Collings i35lc
Fuchs ODS bassman mod (sl/rf)

Dumblefunk

Music samples for my Napa Valley jazz band are available at evangalbraith.com

https://www.instagram.com/drnfourtwenty/ ( NEW )
KÏ-LOW aka DRN
Listening In, Lighting up an Playing Out

Cheers My Vibers
DRN:
https://www.deviantart.com/drnarc/gallery/
https://www.behance.net/drn420/

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.
Guitarrista, teclista y compositor (Guitarist, Keyboardist, Songwriter).

Mi pasión por la música comenzó en una época en la que rebobinábamos las cintas de casete con un boli. Aquellos días estaban llenos de descubrimientos sonoros, de grabaciones caseras, de canciones que se escuchaban una y otra vez hasta desgastar la cinta. Fue ahí, entre ruidos de estática y carátulas escritas a mano, donde empezó a gestarse mi vínculo profundo con la música.

Cuando tenía 15 años apareció una guitarra española por casa —gracias a mi padre— y desde entonces no he parado. Empecé a tocar por curiosidad, sin clases ni manuales, solo con ganas y oído. Aquella guitarra, más que un instrumento, fue una puerta abierta a un universo sonoro que decidí explorar por mi cuenta. Sin maestros ni academias, solo con pasión, intuición y constancia.

Durante los años siguientes, mi camino se fue moldeando entre locales de ensayo. Pasé por varios grupos malagueños, donde tuve la suerte de compartir música con personas increíbles y absorber una amplia variedad de estilos: desde el pop más melódico hasta el rock más crudo, pasando por la riqueza armónica del jazz fusión. Cada proyecto fue una escuela viva, donde aprendí a escuchar, a adaptarme y a entender que la música es un lenguaje que se transforma según con quién lo hablas.

Aquella etapa me enseñó el valor del trabajo colectivo, la importancia de la improvisación y la magia que ocurre cuando varias energías se alinean en una misma dirección. Aprendí a componer, a tocar para el grupo, a dejar espacio y también a ocuparlo cuando la música lo pedía.

Ya con 30 me picó el gusanillo de las teclas y me lancé al mundo del piano y los sintetizadores. También por mi cuenta, como siempre: ensayo, error y muchas horas de exploración. El teclado se convirtió en una nueva forma de complementar lo que la guitarra ya no podía expresar por sí sola. Descubrí nuevas texturas, nuevas formas de construir atmósferas, y empecé a componer desde otra perspectiva, más profunda, más amplia.

La llegada de los sintetizadores abrió un nuevo capítulo: el de la producción musical. Me interesé por la grabación, la mezcla, el diseño sonoro. Empecé a experimentar con capas, con efectos, con ritmos programados y armonías flotantes. La tecnología se convirtió en aliada, pero siempre al servicio de la emoción.

Soy compositor autodidacta, y mi música es justo eso: una mezcla de intuición, pasión y aprendizaje a mi ritmo. No sigo reglas, sigo el sonido. Cada acorde, cada progresión, cada melodía ha nacido del deseo profundo de crear. Mi música es el reflejo de esa evolución: sincera, libre y en constante búsqueda.

Hoy sigo explorando, combinando lo orgánico con lo digital, lo clásico con lo experimental. Me interesa tanto la emoción como la estructura, tanto el ritmo como el silencio. Compongo para contar historias, para provocar sensaciones, para conectar. Y aunque el camino ha sido solitario en muchos momentos, también ha sido profundamente revelador.

Mi objetivo no es encajar en un estilo, sino construir uno propio. Uno que hable de mí, de mis influencias, de mis vivencias. Uno que respire Málaga, que suene a calle, a mar, a noche, a introspección. Uno que invite a cerrar los ojos y dejarse llevar.

In English:

My passion for music started at a time when we used to rewind cassette tapes with a pen. Those days were full of sound discoveries, home recordings, songs heard over and over again until the tape was worn out. It was there, between static noises and handwritten covers, that my deep connection with music began to develop.

When I was 15 years old he appeared a spanish guitar in the house -thanks to my father- and since then I have not stopped. I started playing out of curiosity, without lessons or manuals, just with heart and ear. That guitar, more than an instrument, was an open door to a sound universe that I decided to explore on my own. Without teachers or academies, only with passion, intuition and constancy.

During the following years, my path was shaped between rehearsal rooms. I went through several groups in Malaga, where I was lucky enough to share music with amazing people and absorb a wide variety of styles: from the most melodic pop to the most raw rock, passing by the harmonic richness of jazz fusion. Each project was a living school, where I learned to listen, adapt and understand that music is a language that changes depending on who you talk to.

That stage taught me the value of collective work, the importance of improvisation and the magic that occurs when several energies align in the same direction. I learned to compose, to play for the group, to leave space and also to occupy it when the music asked.

Already at 30 I was itching for the keys and I launched into the world of piano and synthesizers. Also on my own, as always: trial and error and many hours of exploration. The keyboard became a new way to complement what the guitar could no longer express on its own. I discovered new textures, new ways of building atmospheres, and started composing from another perspective, deeper, broader.

The arrival of synthesizers opened a new chapter: music production. I became interested in recording, mixing, sound design. I started experimenting with layers, effects, programmed rhythms and floating harmonies. Technology became an ally, but always at the service of emotion.

I’m a self-taught composer, and my music is just that: a mix of intuition, passion and learning at my own pace. I don’t follow rules, I follow sound. Every chord, every progression, every melody has been born from the deep desire to create. My music is the reflection of that evolution: sincere, free and in constant search.

Today I continue to explore, combining the organic with the digital, the classic with the experimental. I am interested in both emotion and structure, rhythm and silence. I compose to tell stories, to provoke sensations, to connect. And although the path has been lonely at many times, it has also been deeply revealing.

My goal is not to fit into a style, but to build one of my own. One that speaks about me, my influences, my experiences. One that breathes Malaga, that sounds like street, sea, night, introspection. One that invites you to close your eyes and let yourself go.

Hello, I'm JJ and freelance as bassist & lately focusing also on composing, arranging & finally producing own instrumental tunes in various Funk-Latin-Jazz-World Beat inspired styles & flavors.
It's a "One-Man-Band" project so far and all music is done by myself at home. 
I hope you like what you hear and appreciate your visit, any comment or support!🙏❤️

ISSA Official 2024 Nominee * International Male • Songwriter & Sound Engineer Of The Year * (Atlanta, USA)
WSA Finalist 2021/2022/2023 * Best Jazz Song * (Sydney, Australia)

Ps: I'm interested in connecting with various instrumentalists for recording my tunes...and as a bassist I'm available for sessions (offline/remote) or eventual collabbing.

For booking/collab/session inquiries: jjoherl@gmail.com
Become a Repost Partner at: repostexchange.com/hi?r=UPPXT

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Guitarist for Opus Soul.
https://opussoulband.com/
Hi, my name is Stephan Lipinski, or other wise known as "Pinner". I am a jazz/rock/fusion guitarist from New Jersey. I began playing back in the sixth grade and was fortunate to study with Jazz Great Vic Juris while in high school (http://vicjurisjazz.com/). My biggest and most direct influences include Robben Ford (www.robbenford.com/) Vic Juris (http://vicjurisjazz.com) Scott Lerner (http://www.scottlernermusic.com/) and Chuck D'Aloia (http://chuckdaloiamusic.com/) I have played in everyting from jazz to rock bands, and latest project was an acoustic duo called Kosmik Kow. Even though I am not in formal group now, I can been found at local jam sessions and sitting in with some friend's bands. My current gear includes a Collings i35lc, Collings City Limits, SVL 61 Reserve, Suhr S1 and a Mark Jenny Reliced Telecaster into a Fuchs Overdrive Supreme Bassman Mod (with some additional mods by Scott Lerner) into a Glaswerks 2x12 with Celestion G12-65's.I am a big fan of Dumble style amplifiers lol. I use Curt Mangan strings on all my guitars.

I love making music that soothes, inspires, and rejuvenates. Downtempo, chilled Lo-fi, non-AI music set to hip hop, pop, and jazz beats. Lover of Boom Bap.

My creative journey began as a visual artist, and now I'm concentrating my energy into creating music that can instantly impact minds and moods for the better. 

Almost all of my music is chill @ -100 bpm to hopefully stimulate calm and feelings of well-being in listeners as it does for me. 💙

I don’t use AI or samples. My music is original, digital, and composed using a MIDI keyboard and DAW. I also record live LoFi audio of ambient sounds such as birdsongs or rainstorms using an iPhone or a microphone connected to laptop.

A helpful tool to evaluate whether music is AI or human: www.submithub.com/ai-song-checker

I’ve been called Rebecca of Sunnybrook like the children’s book because of my birth name but call me Beck like my friends do. I chose Sunnybeck to use as my nickname as I’m an eternal optimist and love the sun.

sunnybeckmusic @ gmail.com

CUENTA LLENA (MI CUENTA ACTUAL ESTÁ EN MIS ENLACES)
"Sólo para loc#s"
Sólo un intérprete desconocido haciendo música pa' los coras
poeta con piel de psicólogo 
Viejo Gato Azul|Negro 
miembro de IDeClan

HELP!!! Chris and Shael are stuck on this Island in the Pacific Northwest, nuthin' but a baguette, a 1/2 bottle of Tequila, and a recording studio. Just a few more followers, we'll buy a xylophone, and topple the music industry!!!!  
All songs written by Shael Wrinch and Chris Herbsen. Recorded and produced by Shael Wrinch at Stone Hill studio on Bowen Island B.C.

Kinda Jazzy. Edinburgh🏴󠁧󠁢󠁳󠁣󠁴󠁿
New EP 'Dark Glass // Rose Tint' Out 17.11.23.
Contact: graceandtheflatboys@gmail.com
Management: kyle@flowstatemusic.co.uk