nausea

0221 [snippet]

Owl - Parallel Universe [Owl (Self-release)]

Produced by Pierre Nesi aka Owl
Mastered by ODP
Artwork by Outrenoir
Released by Owl from Charleroi, Belgium
Release Date : March 11th. 2022

Owl (Belgium)
https://soundcloud.com/owlfromdeepspace
https://www.facebook.com/owlfromdeepspace
https://www.instagram.com/pete_owl
https://owlfromdeepspace.bandcamp.com

Oslated.
http://www.oslated.com
https://soundcloud.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated

Parallel Universe

Support & Buy

Owl - Parallel Universe [Owl]

The Vision Reels - Memory Layer featuring DB1
Collective Vision [re:35 / re:st]

Produced by Adam O'Hara aka The Vision Reels  and Dylan Brownsworsand aka DB1
Mastered by Noel Demello
Artwork by Lcp
Label Sticker by Efentwell
Released by re:st from Berne, Switzerland
Release Date : April 13th. 2022
Format - Vinyl and Digital

The Vision Reels (UK)
https://soundcloud.com/thereelvison
https://www.facebook.com/Thereelvision
https://www.inst agram.com/thevisionreels

DB1 (London, UK)
https://soundcloud.com/dee-bee-one

re:st
https://soundcloud.com/relationreset
https://www.facebook.com/relationreset
https://www.instagram.com/relationreset
https://relationreset.bandcamp.com

Oslated.
http://www.oslated.com
https://soundcloud.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated

Collective Vision

Memory Layer

The Vision Reels - Memory Layer featuring DB1 [re:st]

Live performed sonic backdrop for the live nude drawing event "Drink'n'Draw", held at the botanical gardens in Berne, Switzerland. 
Unedited, recorded stereo from the mixing desk to a Zoom device.

Ambient Live Set 220706

Bleach At Home - June '22

An unfolding of anticipation, planning the roads ahead for a world fraying at its seams. 

'Unsung' is the title track of Samuel Savenberg’s upcoming LP, which is due on the 7th of April, on Präsens Editionen. Produced in collaboration with Hannes Rief on trumpet and french horn, Max Rieger on variophone and Dominik Bienz on percussion the short piece is a subtle interplay between triumph and restraint. While Savenberg’s meticulous focus on composition gives the piece body and structure a sense of fragility still remains.

Written, arranged, recorded and mixed between 2020-2023: Samuel Savenberg
Additional Trumpets & Frenchhorn: Hannes Rief, recorded by Max Rieger
Additional Percussion: Dominik Bienz
Mastering: Alexander Von Hoersten
Layout: Nicola Tirabasso
Art Direction: Harun Gradascevic, Marc Schwegler

With support by Selektive Kulturfoerderung Kanton Luzern,
FUKA-Fonds Stadt Luzern

https://soundcloud.com/gewissheit
https://soundcloud.com/zweikommasieben

Premiere: Samuel Savenberg - UNSUNG [Präsens Editionen]

Midnight Buffet

Boomtime

Live set from our show at Dachstock Reitschule Berne October 22nd 2023.
Recorded stereo from the mixing desk to a Zoom device, mastered by PLESS. 

Setlist: 
Intro 
Ante Finem
Miserati
I Puritani
Azure
Bullet Ballet
Pelham Blue
Solid Air
La Cienaga
Grosser Jam 
Setting Orange

Liveset 231022

MASTER MARGHERITA | Border 50
We all dreamt or wished to explore imaginary & far away grounds, between no man’s lands and intangible panoramas. Border 50 is a hymn to this laid-off concept, when frontiers and delineations dissipate to a wilder breadth, where, as Baudelaire would say, "Everything is beauty, luxury, calm and intense pleasure ».

Swiss-born artist Moreno Antognini aka Master Margherita treats us to a mystical and meditative album driven by low-end quiet pulses, swaddling guitar basslines, dense granular pads, giving a powerful homage to a certain definition of Doom Jazz, Stoner Rock and Nordic Ambient with influences from Pink Floyd, Miles Davis, Bill Laswell or Biosphere’s works.

Carefully crafted over the course of two years, this « Border 50 » album stands apart, a return to the source for the artist, hallmark of Master Margherita’s irrefutable multi-instrumentist and storyteller talent.

All tracks written & produced by Master Margherita
Except Border 50 written by Master Margherita & The Positronics
Geophilous recorded live in collaboration with Awakening Sessions
Mastered by Vincent Villuis & Vladislav Isaev at Ultimae Studios
Artwork by Arnaud Galoppe & Vincent Villuis
Photo credits : Melanie Lemahieu

Border 50

Border 50 | Full album mix

Ultimae record Shop

MASTER MARGHERITA | Border 50 (Full Mix)

ROLAND BUCHER, Viaje, LP

Release date - Nov. 8th 2019 
Catalogue nr. - HG1905
Format - Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
A1)Acamar (10:26)
A2)Curinanco (09:23)
B1) Ircan (08:21)
B2)Praecipua (04:55)
B3)Cau-Cau (03:54)
 
Credits:
All music composed, recorded and mixed by Roland Bucher
Mastering by Rob Viso
Cover Photo by Doug Fogelson
Cover Design by Sabina Oehninger 

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records and a-Musik
Released by Hallow Ground

///
»VIAJE« is the debut album by Swiss musician Roland Bucher and was produced with an instrument developed and built by the artist himself, the noise table. »VIAJE« presents the culmination of almost a decade of exploring the possibilities that the curious device offers. Combining the physicality of the improvisational praxis with a classical approach to composition, these five songs highlight the emotional, narrative and atmospheric potentials of granular noise. »VIAJE« was not only produced with an unheard-of instrument, it also comprises music that no-one ever has heard quite like that before. 

Combining the reacTIVision software with Max/MSP programming, the noise table is both a controller and a granular synthesis sampler. This makes it possible for Bucher, a seasoned drummer in bands like Blind Butcher or Kion, to improvise freely in front of an audience. Small musical instruments and everyday objects provide the input for the samples. Those samples are then connected to objects that Bucher moves around on a glass window inserted into the table which is being filmed from below, thus controlling the output. Starting from improvisations much like in his live sets, »VIAJE« slowly took form during Bucher’s 2018 visits to Chile and Brazil as part of a scholarship programme which also saw him perform several times to South American audiences. 

The quiet moments on these five tracks are all part of a greater dynamic, one that is thoroughly composed by still marked by the physicality of how the sounds were achieved. The juxtaposition of the abstract and tangible is mirrored by reality effects that create moments of irritation. After »Acamar« opens the record with a crescendo of harsh electronic sounds, »Curinanco« seems to draw on natural sounds and even birdsong. Can this be… real? And if so, what about the raging jazz drumming of »Ircan« - is all of that played by hand, or just something that Bucher triggered by moving around some objects on a piece of glass? Also »Praecipua« and »Cau-Cau« surely do not answer these questions. Both under five minutes long, they however brilliantly prove that a complex entity like Bucher’s noise table can yield very different, direct emotional responses. After the blistering first three tracks, they serve as a melancholic coda to an album like none other.
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ROLAND BUCHER - Acamar (HG1905)

Gourmands of heavy tone and brittle sounds. Oscillating between beat driven tech and cinematic soundscapes.

Liveset 231022

PLESS

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