1/2 of Slum Village
1/2 of BR Gunna
Producer of Slum Village, Dirty Slums, J Dilla, 50 Cent, Young Buck, Lloyd Banks, De La Soul, Dwele and more

https://linktr.ee/wearedelasoul

De La Soul is back—but did they ever really leave? After delivering their seminal debut 3 Feet High and Rising in 1989 with the production genius of Prince Paul, the New York City-bred trio of Posdnuos (Pos), Dave and Maseo went on to further impact Hip Hop culture with five more groundbreaking albums: De La Soul Is Dead (1991), Buhloone Mindstate (1993), Stakes Is High (1996), Art Official Intelligence: Mosaic Thump (2000) and AOI: Bionix (2001). But once the digital age exploded in the late ‘90s, De La Soul’s celebrated catalog was unavailable to stream. As the decades passed, the tight-knit group forged ahead anyway—touring the world, connecting with their adoring fanbase and making music on their own terms. Following 2004’s The Grind Date, De La Soul took a hiatus from making albums, but joined The Gorillaz on the track “Feel Good Inc” which won them a Grammy for Best Pop Vocal Collaboration.  In 2015, the group raised over $600,000 on Kickstarter from fans to independently release their album and the Anonymous Nobody, which was their first #1 on the Rap Albums chart, and was also nominated for a Best Rap Album Grammy.   

However, the demand for unreleased De La Soul music was palpable and the cry for access to the first six albums grew louder. Unfortunately, De La Soul was stuck riding a roller coaster of stalled negotiations, dashed hopes and dead-end conversations with their old label, and the group nearly gave up. 

"We have lived without the music up for long, these six albums haven’t been up—ever,” Pos says. “We got used to knowing they weren’t up.” In June of 2021, Tommy Boy Music was acquired by Reservoir, giving De La Soul’s catalog a new home.  In March of 2023, the six missing albums were finally available to stream.  But sadly, right before the catalog release, Dave, the beloved member of De La Soul, passed away. Though bittersweet, De La Soul preserves his legacy and the ongoing impact of their music. 

As iconic songs such as “The Magic Number”, found new life in the film Spiderman: No Way Home in 2021, De La Soul continues to resonate with a diverse population of people. 

As Pos notes, “We’ve noticed over the past several years of tour like, ‘Wow, there’s a father here with his child who also is here with their child. ‘We’re generational. To me, there’s nothing more gratifying than that. That means something. That’s telling about a group. What we were doing wasn’t just stuck to that time.”

“We really naturally been that group for everyone,” Pos says. “It was never about we’re just here for this community, that community, this set of people or these certain fans of Hip Hop culture. We see music as music. We’ve been very resilient, even being a group that didn’t have our music up [on streaming platforms]. We still had these beautiful opportunities through young people finding out about us through a commercial or Spider-Man. Now that it can all be there for people to gravitate to, I’m really happy about that.” 

De La Soul's impact on the musical landscape is immeasurable, with 3 Feet High and Rising widely regarded as one of the most influential albums of its era. Pioneering inventive sampling, playful lyrics, and eclectic beats, the album broke new ground and set a standard for creativity in the genre. Recognizing its cultural significance, the album was inducted into the National Recording Registry by the Library of Congress.

From humble origins in Detroit, raised on a healthy diet of Motown, Jazz and early Hip Hop – Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the current hip hop beats scene. Through a steady stream of productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson (who included him on one of his Brownswood Bubblers albums), Lefto, Anthony Valadez, Jazzy Jeff, Questlove and countless others. With the tangible beginnings of worldwide recognition, Tall Black Guy has established himself to be one of the most influential producers working today.

2011-2020 has seen TBG's first vinyl releases with bstrd boots, First Word Records, Ubiquity Records and his own imprint Tall Black Guy Productions (TBGP). Plus projects with artists like: 80s Babies, The Primeridian, Malice & Mario Sweet, Maylee Todd, Temika Moore, Teri Tobin, Skyzoo, The Colman Brothers, Little Dragon, The Foreign Exchange, Sola Rosa, Rainy Milo, Georgia Anne Muldrow, The Black Opera, Reel People, Phonte, Zo!, Miles Bonny

***Disclaimer: NONE of my beats are free to use. If you wish to buy a beat etc. please contact : infotallblackguy@gmail.com

Hailed as a “music guru” by Rolling Stone and cited among the “world’s Top DJ’s” by The New York Times, J.PERIOD is a master of his craft: a musical storyteller whose work bridges cultures, generations and styles.

As a DJ & Producer, J.PERIOD's resume boasts collaborations with GRAMMY® winners Nas, Kanye West, Common, John Legend, The Roots, Q-Tip, Lauryn Hill, Mary J. Blige and Pulitzer Prize-winning Playwright Lin-Manuel Miranda on the Billboard #1 album, The Hamilton Mixtape.

His extensive roster of collaborators, combined with a visionary approach to musical storytelling, have earned comparisons to both DJ Khaled and Ken Burns and most recently, a prestigious post as a founding member of The Kennedy Center's Hip Hop Culture Council. “Make no mistake,” says DJ Booth, “as to the power of J.PERIOD’s impact and influence on hip hop culture.”  Music icon Questlove (The Roots, The Tonight Show with Jimmy Fallon) calls J.PERIOD “the most creative mixtape producer of all-time.”

J.PERIOD’s work has also been featured in film and TV (American Gangster, NBA Inside Stuff, The Doctor), earning an EMMY®.  His groundbreaking work as Music Supervisor for the Brooklyn Nets’ debut Barclays Center was lauded as “the new standard” for music in the NBA arena.

For more: http://JPERIOD.com

Collecting and spinning records since 1992... Producing music since 1997. Worked with many legendary artists such as Average White Band, Hip-Hop legends Masta Ace, Edo G, Guru from Gangstarr, Large Professor and others. Semi-pro bass player, performed in various bands.

Vinyl and digital releases on BBE Music, Street Edits, Editorial, Ghetto Disco, Fat Beats and other labels.

Currently a resident DJ at The Quin House (exclusive private club in Boston) last 4 years. Dj'ed and played music at countless clubs, music venues and private events locally and across USA for the past 30+ years. Performed at various festivals / clubs / events overseas (UK / Europe). 

DJ bookings: sergegamesbourg@gmail.com

Mostly dance material on this page: Disco, Boogie, Funk, Soul, House & Hip-Hop reworks, edits & mixes. You can also check out some of my hip-hop productions from back in the day on my old page www.soundcloud.com/djsupremeone 


BANDCAMP:  https://sergegamesbourg1.bandcamp.com/


MY COMPILATION ALBUM "BOSTON GOES DISCO" OUT ON BBE MUSIC

- 3x Vinyl w a bonus 7”
- 2x Cd (contains a bonus track + dj mix)
- Digital (all original versions + edits)

Plug Won is following