Established in London, 1999.

#HouseMusicAllLifeLong

Sincopat / Incorrect Music / Lapsus Music /Under No Illusion / Natura Viva / Ultra Music

👉 My New Single 'Phantasy' ft. Raphaella - https://goldenpathrecs.lnk.to/phantasy

👉 Latest Releases and Remixes
https://claptone.komi.io

In a now long forgotten world, many generations ago, a bird like shape emerged from wooded darkness, floating and fluttering, drifting and dreaming. Backlit by a bright glow of iridescent light, the undecipherable form wore a dazzling golden mask. Its long beak swooped down like an inverted horn and since then, people have referred to the mythical being simply as Claptone...

www.mixcloud.com/greg-gagen

PM PHiX picked up his first set of turntables and a mixer way back in 1999. Since then he has never looked back. A well versed veteran in the scene now, he has played all over the country. Hailing from Rochester, New York, he has held several residencies over the years. Whether the big time club or the laid back, intimate lounge scene, PM PHiX always has the right music to please.

PM PHiX has opened and closed for the likes of ATB, DJ Dan, Frankie Bones, Derrick Carter, Chad Roy and many other big names. This is a DJ of unreal talent that accelerates leaps and bounds every time he is out. Smooth mixes and heart throbbing track selection, he blows you away and keeps the crowd wanting more. A great DJ to warm up the crowd, headline, or to close out. From progressive to deep house; funky house to banging electro, this guy graciously jacks the floor.

Hot Since 82

Yokshire based DJ & Producer.

@KneeDeepInSound

Management: Jamesd@anglomanagement.co.uk
Bookings: SHogan@wmeentertainment.com
North, Central and South America:
andrew@liaisonartists.com
mariesa@liaisonartists.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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