Pushing musical boundaries where quality takes the form of creativity and artistic ingenuity. 

DSKOTEK is proving to be the people's choice! Winners of Insomniac's first ever Discovery Project, landing them a performance at the Electric Daisy Carnival in Las Vegas and Nocturnal Wonderland. Performing for thousands at a time, however, is no unfamiliarity for DSKOTEK. They've rocked crowds across North America, sharing the stage with many of EDM's top producers/Djs. Just like their performance, their music captivates audiences around the world, utilizing a unique multi-genre style you can't find anywhere else. Their music continues to push musical genre boundaries. Their ability to blend multi-genre influences with heavy bass lines and melodic riffs, puts their production, musically, on a higher level where quality takes the form of creativity and artistic ingenuity. 

Release after release, their production has continually landed them spots on Beatport's Top 100 Charts. Dskotek's fan base grows daily with support from more artists & Dj's constantly playing their music all over the world. Taking the EDM scene by storm, this bass-influenced duo isn't coming to a halt any time soon!

Support from:
Fedde Le grand
Thomas Gold
Tommie Sunshine
Disco Fries
Deorro
Showtek
Etc Etc
Figure
Borgore
Joel Fletcher
Downlink
Calvertron
12th Planet
Adventure club
Richard Vission

Industrial heavy weights. 
Owner: Coeter, Caves
Contact: fruchtlabel@icloud.om

Roberto (real name: Rob Kirkaldy) is a London based Techno producer, DJ and Remixer. Considered to be one of the most exciting new UK Techno artists in recent years, he combines influences from Detroit and Amsterdam to create his own sound unique to the UK.

As a DJ, he brings a special energy to the dance floor that is the product of many years of dedication to the craft. Never one to let an audience get bored, his sets explore many angles of techno, which has seen him play at some of the most well respected clubs around the world, including fabric in London and both Tresor and Berghain in Berlin. His DJ skills have also made him a popular choice for podcasters, having been called upon to deliver mixes for esteemed shows like the CLR Podcast, Slam Radio and Electric Deluxe.

With an already impressive discography, Roberto has built his production credits with EPs on the likes of Rekids, Fachwerk, ARTS, Solar Phenomena and Obscura, as well as a host of remixes for artists like Jamie Anderson, Roberto Clementi, DJ Rolando and Shinedoe. His own tracks have been remixed by artists such as Steve Rachmad (Sterac), Mike Dehnert, Trevino and Peverelist.

At the beginning of 2015, Roberto launched his own Fossil Archive label. Predominantly a vinyl label (though releases are also available digitally), the ethos of the imprint is that it must not compromise on the sound.

As Roberto said in a recent interview with Data Transmission: “I love the fact that you can hold a piece of music in your hands. They are art pieces in their own right. Music is the product of many years of development; much like a fossil that can be buried deep underground for millions of years, until it is discovered. I wanted to ensure the music is of the highest quality, which means not rushing things.”

We’re also booking Fossil Archive label showcases!

Southern fried 
HOODRICH x BRICKSQUAD DJ
BOOKINGS: Max.Freeman@UnitedTalent.com
Follow my label: @weareskrong
All beats #ProdByMayhem @ProdByMayhem

2Beeps (Matt Verzola) established himself in the electronic music scene with releases for Steve Aoki’s Dim Mak Records and Atrak’s Fool’s Gold Records. What followed was the creation of 2Beeps Records, debuting with a tribute to 90’s breaks music and Miami Bass, the “Shake That Ass EP” followed by the dreamy and downtempo “Little Lights EP”, a release that’s more personal than the dance floor music of his past. Creative production and nostalgia are hallmarks of the 2Beeps style—a style often veering experimental, whimsical and folksy. 

2Beeps is frequently a collaborator and composer, with music featured on national ad campaigns and TV shows.

Artists from San Jose, CA and Guam, USA. 
                           #MoveMob

        www.facebook.com/TheMoveMob
         www.twitter.com/TheMoveMob
       www.Instagram.com/TheMoveMob

I'm not a fame chaser. I'm a working bass player. I prefer to be a member not a leader. I'd rather have my career in the hands of others and focus on my craft. My favorite words are appropriate, accurate, artistic, contextual, emotional and work (in the proper context).

Hey, what up brothers.

I'm a working man. I take sessions almost any time I can get one. I do stand in gigs usually in Blues, and Country but I'm not afraid to comp any style. I do "Join" bands on occasion but it has to be a 'creative' endeavor or a 'reliable' source of income.

BIO: I moved to Oregon to be a Bass Player. That was the plan. We founded "Morpheus" (Some regional renown, limited national exposure, a big project) when I moved to Portland OR. We played live till we bled. We recorded "God of Dreams" Morpheus, 1992 at "CastleRockenStien" in Portland, OR. It was during The "Morpheus" sessions, early 90's, that i started to record tracks as a session player. At the same time, in between runs, I spent two years training in theory and composition. I was also lucky enough to learn from, and study, Gary Fountaine from "Nu Shoozs". An excellent and versatile, funk, R&B artist. (Lost everything) In Eugene I founded "The Idiot Savants" a talented, satirically minded funk\Punk Project (limited interest, mostly in Europe). At this time I was doing random bits for "Three Rivers" (small studio in Eugene). In the end we decided to record "Mel" The Idiot Savants, 2001, at "blind Pirate" studios outside of Eugene OR. (Lost everything) I moved to Klamath Falls Oregon for a good paying gig with a touring blues Band "The Craig Allen Blues Band". A good band. Regional. Good money for a working bass player. Did that for four years. Lots of big shows. Good crowds. While with Craig I was afforded the opportunity to record some excellent live tracks. "Live @ The Iron horse" The Craig Allen Blues Band, 2010. It was recorded Live at at the Iron Horse Rodeo in Lake Selmac, OR. and formalized in "Wing an a prayer" studio in Medford, OR. (Lost everything). I'm moving to Vancouver WA. I have my hands and interest invested in more then a few new projects and I even picked up a little new studio time. So that's me to date with a ton of bands, people, and memories missing. Let the tracks speak for themselves. After all, how much do you really need to know to hire a quality bass player. "Peace".

Currently:

Studio: 
I'm anticipating the release of an awesome, brand new set of recordings, by Jon Jone's, featuring Sebastian "Brother Mason" Jaross (me) on the bass. Its some of the most delicate work I've done to date. I'm very proud of it and can't wait to share.

Live: 
I'm only taking occasional stand in shows right now. 
Also: 
I've been doing some live work with "Dee Dee & The Bandits". An eclectic Country band with some good players. It features William Creswell, lead, "The Cowboy", rhythm, Jandy Irion on drums, Sebastian "Brother Mason" Jaross (me) on the bass, and of coarse Dee Dee on Keys and lead vocal. 
Also: 
I will finish forming "YT" very soon. The best band that only happened a few times. I still want J.j. Hannum on lead. Hes good. I'd love to put Kyre on the drums but I lost him (E-mail a brotha). Still looking for that magic vocal. I'm going to post some lives from the "YT" experiments on another site.

Writing: 
I have two new Solo projects I'm looking to develop with the right group of artistic individuals: 
#1 "Dreamer" (Alternative: funk, R&B, Singer Song Writer) in need of production. 
#2 "Still F'in'" Crazy" (Alternative: Metal, Rock, Singer Song writer) In development phase (Still writing). 
I like to create in a pubic forum so I can benefit from a wide array of input from many sources so both are posted and updated regularly on https://new.myspace.com/sebastian.jaross

Finally: 
I just want to thank the people featured on these recordings:

First: A big thank you to Craig Allen for graciously granting me permission to use these tracks for display purposes.

"The Craig Allen Blues Band" 
Craig Allen (Lead Vocal, The CABB "Live @ The Iron Horse") 
http://www.myspace.com/oregonbluesman (Not Updated) 
http://www.youtube.com/watch?v=USE_f9BrbXg (Current)

Ron (The blues Doctor) Wetzel (Lead Guitar, The CABB "Live @ The Iron Horse")

Tom Wallenburn (Rhythm guitar, The CABB "Live @ The Iron Horse")

Tommy Sims (Drums, The CABB "Live @ The Iron Horse")

And Sebastian D. Jaross (Me) on Bass

"Morpheus": 
Eliot Burke (The finest drummer I have ever known. Morpheus "God of Dreams")

Josh Tyree (bitchin' hot, passionate, lead vocal on the Morpheus "God of Dreams") 
mercuryrisingqueentribute.com (Curent) 
http://www.myspace.com/yhshvh10 (AKA. Jese Ray Tohu) (2009) 
http://www.myspace.com/scrotobagginsband (2007)

Kevin Evansen (lead guitar. 'Screaming hot leads', Morpheus "God of Dreams") 
http://www.cdbaby.com/Artist/KevinEvansen (2012) 
http://kevinevansenmusic.com/ (current) 
http://www.myspace.com/yhshvh10 (2009) 
http://www.myspace.com/scrotobagginsband#! (2007)

and Sebastian D. Jaross (Me) On Bass.

"The Idiot Savants", 
"Dragonfly Genocide", now. 
http://www.reverbnation.com/dragonflygenocyde 
https://www.facebook.com/pages/Dragonfly-Genocyde/118563621552946?sk=app_2405167945

"Cuzin' Pat" Young (lead vocal, lead crazy, The Idiot Savant "Mel")

Rustle "Baloo" Ruddy (An empathetic and dynamic lead on The Idiot Savant "Mel")

Anna "Fred" Smith (Drums, The Idiot Savant "Mel")

and Sebastian D. Jaross (Me) On Bass.

"Manic Weekend Session" 
William Creswell (lyrics and guitar work, The 80's inspired "Vitamin C" and "Pisces 4" 
and Sebastian D. Jaross (Me) On Bass.

Other then that all: 
Bass, Guitar, Vocal (male, female parts), Keyboard, drum, etc. work is my own. 
................................................................................................. 
I'm always up for a new band, a good jam, collaboration, a stand in gig, or studio work of any kind, any style

pmago is following