I thought I was over D&G, but after listening to hours of whytheory, I have a lot better understanding of Lacan, which has actually brought me back around to Guattari. For me, the problem is that I'm a musician who prefers instrumental music, and I think that instrumental music is essentially psychotic from the Lacanian perspective. But to me, musicians like W A Mozart, Claude Debussy, John Coltrane, or Ornette Coleman actually teach us something about emancipation. But music is conspicuously absent from the discourse of Freud and Lacanian, I think it represents a limit in the discourse of psychoanalysis.

I would argue that professionals who work themselves to death, are not driven by attachment to ideology, but by the necessity of competition in order to survive in the social darwinian necro-political environment of hypercapitalism, and by the investment of libido into people, places, and things.

I re-listened to this episode after having listened (for the first time ) to Why Theory's tryptich on Deleuze and Guattari/Deleuze Before Guattari/Deleuze After Guattari and it was a nice complement; probably no accident I think the episodes were recorded close together in time.

Oh boy. Even with the callback to Ryan's car-registration story, here, talking about foreclosure there's a "Name-of-the-Father' joke _right there_ and all four of you left it on the table!  SMH.

Todd McGowan & Ryan Engley of the Why Theory podcast joined us for a discussion of the complicated personal and theoretical relationships between Jacques Lacan and Felix Guattari.  There is the backdrop of the broad implications of theories of the unconscious and capitalism.

Why Theory Links:

https://soundcloud.com/whytheory

https://podcasts.apple.com/us/podcast/why-theory/id1299863834

https://www.amazon.com/Capitalism-Desire-Psychic-Cost-Markets/dp/0231178727

https://www.pomona.edu/directory/people/ryan-engley

https://www.uvm.edu/cas/english/profiles/todd-mcgowan

Support us on Patreon:

https://www.patreon.com/muhh

Twitter: @unconscioushh

Todd McGowan & Ryan Engley - Guattari Avec Lacan

TR190 - Patrick Ward - 'Retroflexion'

Some tunes i played on the Souk Records Night in Recyclart..

ft. Cassetteboy, Demdike Stare, Mutamassik, Filastine, Lil Peep, Muslimgauze, Schemaposse, Ghislain Poirier, Dhirty6Cru, Dj Opferille, Bob Vylan, Luke Vibert, Team Shadetek, Ghislain Poirier, Mono/Poly, Patric Catani, Chingo Bling, N8NoFace, Zackey Force Funk, Gucci Mane, Slayer, Spectre, Lil Xan & 2Chainz, clipping., Mestizo, Crazy Titch, Lethal Bizzle, Zeus! ft. Mike Patton. 

http://www.recyclart.be/nl/agenda/souk-records-night

Souk Memories

Bright sin of the ether
Blurry in the ambit, like a red shield
With a ray, opens up to the eye
Divided sky in two
Eastern, despicable poison
Gathered in an instant

There are fields ready yet unrecognized sky
Like a felon in broad daylight
Bitterness, hurries down - burns behind the marshes
This fleeing distance of the corners - It throws a weak beam.

Over all these years, going through the motions in busy streets, courts and ballrooms, marching along with the parade, one will see an endless gallery of facades, masks, faux costumes, and contrived personas. Only a sensitive hand can tear down this adhered wallpaper of imitation. Standing under this gleaming sunrise is not an act of defiance, anger, or detachment; it is invitation, albeit a futile one, to see what lies beneath.

Copenhagen-based visual and musical artist øjeRum presents 'Lav Sol', an album of symbolistic landscapes seen through intuition. In his music, Paw Grabowski effortlessly combines traditional, classical themes and motives into contemporary poetic forms. The three long-take recordings of Lav Sol inspire to look for the truth under the surface.

Lav Sol

øjeRum - Fyret Der Lyser Over Skyerne

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-215/

FFFoxy Podcast #215

FLORILEGIO’S MIXTAPE #11
A tapestry of contemporary experimental and underground tracks from Florilegio’s worldwide network of female musicians.
www.florilegio.org
https://www.freeformfreakout.com/florilegio-mixtape-11/

TRACKLIST:
Villaelvin “Ghott Zillah” Headroof (Hakuna Kulala) 00:07-04:07
Muramuke “Just One More” Muramuke (Self-released) 04:04-07:09
Margenrot “Signal” Obkhod (KlammKlang) 07:04-09:35
Lagno “While It Lasts” Natural Language (Das Andere Selbst) 09:20-15.28
박지하 Park Jiha “Light Way” The Gleam (Glitterbeat) 15:02-20:34
Nina Dante & Bethany Younge “When the frogs wake” Lizard Tongue (Tak Editions) 20:40-23:46
Ladr Ache “Laika bégaye” (Fougère Musique) 23:32-31:18
Theoreme “Les Artisans” Les Artisans (Maple Death Records) 31:12-34:25
Andra Ljos “Cloves” Spice Routes (MUSIKIÍ) 34:14-39:05
Sabiwa “打獵前奏 – Prelude Of Hunting Season” 5 (Chinabot) 38:50-44:01
Maggie Tra “Tra Family” Kingdom of Her (Sys Sister Sounds) 43:44-48:49
Mala Herba “Niedola/Woe” Niedola/Woe (Arfa Arcana) 48:47-53:29
Arigto “Persona with Yifeat Ziv” Persona (Self-released) 52:56-59:48

FLORILEGIO MIXTAPE #11

Youth Looks so Good on You

1000 Mirrors

Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

Jako Maron - 02 - Maloya Valsé Chok 1

Opening tracks from my debut album 'Waking, She Heard The Fluttering', released April 5 2019 on Room40 https://alexandraspence.bandcamp.com/album/waking-she-heard-the-fluttering

***
"Her sense of field is broader. it is as if she is trying to capture a whole landscape of sound entire... Sound is sound. It is sometimes exciting, often enigmatic, rarely open to verbalisation. ...we ought to spend more time with Alexandra Spence, with our ears simply and honestly open."
- Brian Morton, The Wire

"Throughout, there’s a real flow to the otherwise disparate sounds, sending any objective significance (such as traffic, a news reader or church bells) into purely subjective, introspective realms. It is topped off perfectly by the closing piece, ‘Sky And Sea Were Indistinguishable’, whose cautious tones are left free to roam beyond ‘the field’. They arc beautifully across the listening space and ultimately fade so slowly that their end is indistinguishable, sealing the communion between artist and listener."
- The Quietus

Waking, She Heard The Fluttering

Begin / Bodies In Place

J'amène la foudre à moi
l'eau de Cologne coule
sous les bras
Karl mets mon nez dans le trou du mur
son visage pur


brasser le chat
dos de pelles
truies et dentelles
s'associent


pluie pâtes
metal câpre
pi rare
cave graal
mie rouille


c'est nous c'est nous c'est nous
je suis grand dans le fond du nous
c'est nous c'est moi c'est nous
on est grands dans le fond du nous
c'est moi c'est nous
je suis grand dans le fond du nous
c'est clair c'est moi c'est nous
on est beaux dans le ventre du nous
c'est nous nous
on est tous dans le fond du nous

l'internet a cassé
karl répare mal

"à table!"
fais le chien
dans la verrière
sous la guirlande de Saint-Tulle


car tout le monde le sait
qu'on sauve les nids
au centre commercial

commercial 
drap housse
pince crabe drap housse
ha la bobotte à Karl
elle s'essuie sur les draps housse
ha la bobotte à karl
elle aime distribuer des coups
ha la bobotte à karl
elle s'essuie sur les draps housses
ha la bobotte à karl
distribuer des coups
S'asseoir sur les draps housses

***

Percussions - Johan Mazé

Todd McGowan & Ryan Engley - Guattari Avec Lacan

Machinic Unconscious Happy Hour

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