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Trip Fantastique

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Galaxy

STREAM/DOWNLOAD THE EP: https://lnk.to/countingcrosses

WRITTEN BY VEIGA SANCHEZ + ROSEANNE LEWIS
PRODUCED BY LOUIS SOUYAVE

+ + LYRICS + +
You fuck me like I love you
You’re lucky I’m still here
Cos it’s only make believe when I’m writhing in these sheets beside you

Don’t mean to be so brutal
Sometimes the pain is kind
Now my heart is growing numb so I guess I should move on without you

You know that we’re not safe inside this grave we’re digging
We keep repeating all the reckless things we do

Cos we’re just counting crosses
Till our time is through
And now we’re counting crosses
One for me one for you

Be careful of the danger
I gave you all the signs
Yeah it’s getting hard to breathe yeah this atmosphere is freezing cold

Is it too late to save it, save it?
When we’re both suffocating?

Cos we’re just counting crosses
Till our time is through
And now we’re counting crosses
One for me one for you
Cos we’re just counting crosses
Till our time is through
And now we’re counting crosses
One for me one for you

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counting crosses

Debut single out now on 'Italians Do it Better' 

https://smarturl.it/clubintl-crush

Written by John Eatherly
Produced by Johnny Jewel, Maxwell Kamins, John Eatherly 
Mixed By Johnny Jewel
Featuring : Madeline Follin
Mastered By Mike Bozzi At Bernie Grundman Mastering
Recorded at : EVRC Studios

More info at:

Instagram:
@ John.Eatherly

Release date:
31 May 2020

Club Intl - Crush

Pop Neue

Mello C - "Smolder Bolder"

For two decades Chad Crouch helmed the HUSH Records label, helping to launch the careers of The Decemberists, Peter Broderick, Loch Lomond, Laura Gibson, and many others. While handling the day-to-day operations of HUSH, Crouch was also churning out his own instrumental music under the pseudonym "Podington Bear". 2017 was a watershed year for Crouch. His father died, he upended his work life, and he finally pulled the plug on the moniker that grew increasingly irrelevant. (“Podington Bear” was a reference to podcasting, the original distribution method for his music.) In many ways 2018 represents a complete restart for Crouch, so getting back to the essence of songwriting seemed both appropriate and essential.