Marina Herlop - shaolin mantis
Label: PAN
Cat.No. PAN 128S2
Format: DL
Release Date: 28 March 2022
Purchase: https://pan.lnk.to/shaolinmantis

Second single from the upcoming debut album by Marina Herlop on PAN. Composed, produced and recorded by Marina Herlop. 

Ukulele and ending synth: Adri González
Mix: James Ginzburg, Marina Herlop
Master: Joker

Prypiat

Marina Herlop - shaolin mantis (PAN 128S2)

A teaser selection of snippets from MAL007 by @samson_A_K 'Tape 1'

https://samsonak.bandcamp.com/album/tape-1-2

Boomkat review:
London’s Jon K & Elle Andrews grip Samson A.K. for the first MAL mixtape - a cut ’n paste hour of screwed downbeats, grotty jazz, and ruder club thrust, mostly built from his own productions interspersed with skits, on a tip somewhere between classic Disengage x Blue Jam.

Samson A.K. has long worked behind the curtain of London club music. On ‘Tape 1’ MAL spotlight the breadth of his mutant steez, giving him carte blanche for a collaged self-portrait stitched together with samples and cruddy, free-handed edits that suite the tape format well.

Side A runs from dancehall and deconstructed grime into pockets of bong-huff jazz and MJB-like deep house, then backward thru the bush of ghosts, into worm-charming industrial techno tremors. The B-side follows thru with a slew of distended offbeats and lopsided rhythmic programming to run rings around latinate techno, blown-out grunge, and radioactive brownian slosh, before bringing it back to root in mutant dancehall - a key fascination (obsession?) he shares with MAL.
Mastering by Miles / Design by Jon K

Samson A.K 'Tape 1' snippets

Just under a hour of sub filled & dub heavy tracks from Warsaw's Hermeneia, thx Karolina! <3

AM Podcast #82 - Hermeneia

@sophomet Anthems
1 @so-r-u
2 @444jet
3 @444jet
4 @444jet
5 @444jet
6 @prodiv
7 @444jet
8 @you-got-it-mag
9 @you-got-it-mag
10 @richestofearth
11 @444jet
12 @richestofearth
13 @reklus1ve
14 @richestofearth & @yumenikki
15 @votekk
16 @mimicsgate
17 @chainheld
18 @richestofearth
19 @g0bln
20 @you-got-it-mag
21 @4evrgone
22 @you-got-it-mag

sophitia ss2024 friends clips w 444jet cranes iv mag orihime rek chainheld 4evr mimics gate++

"I started in the clubs, and that's where my heart is." The British singer-songwriter and RA's newest cover star talks about her new album, BRAT, live from AVA London.

This week's Exchange is with Resident Advisor's latest cover star: Charli xcx. The British singer-songwriter has garnered a reputation as one of the most unpredictable and boundary-pushing pop artists of her generation, collaborating with contemporaries like A. G. Cook, Yaeji and the late SOPHIE. And she's now on the heels of her most recent album, BRAT, which came out in June and has already been lauded as one of the best albums of the year.

In this conversation recorded live at AVA London with journalist Chal Ravens, Charli xcx dives into the making of the album. She calls it a club record—that, she says, is "where her heart is." After posting songs on MySpace around 2008, she was asked to DJ at warehouse parties when she was still in her teens. She felt alive in that space, she remembers, doing crazy, embarrassing things.

Now in a different chapter of her life and career, she contemplates her desire to make challenging music that still appeals to a broad audience. It's a pendulum that swings radically in both ways, and she finds herself reinventing herself within the pop space and navigating that tension again and again. Listen to the episode in full.

EX.721 Charli XCX

Zapis audio koncertu Patryka Cannon z klubu Ignorantka w Łodzi.

Oto mój w połowie improwizowany koncert zagrany w Ignorantce w Łodzi 19 września 2024.
Darek Pietraszewski zarejestrował całość na Tascamie. Podbiłem to ile mogłem w abletonie i myślę, że wyszło z tego niezłe "słuchowisko".
Bardzo się cieszę z tego nagrania. W sumie to miałem nagrać nową tak zwaną płytę ale ten live jest na tyle spoko, że puszczam to w takiej formie.
Jeśli ktoś chciałby wesprzeć mnie w tym co robię to można rzucić hajsem i kupić track na BC ale jeśli są rzeczy ważniejsze to możecie słuchać go dowoli na moim soundcloudzie.
Dzieki!
piona!
Pat

Patryk Cannon Noise & Honey live in Ignorantka. Łódź 19 X 2024

3. Gary Gwadera - Trzeciak's Head (Gary Gwadera - Nowa Tradycja Warszawa 18.05.2024)

Piano & Voice, mixed on 4 track cassette tape recorder 
Copenhagen 2025 

Uranik

Mastered by AMIR SHOAT
Lyrics - AGA BEAUPRÉ
Children’s choir - ŁUCJA KASTORY, HELENKA STEVNERT
Voice - ANTONINA NOWACKA
Backing chants - YANA ANDROSOVA
Baroque Oboe - WIT APOSTOLAKIS-GLUZIŃSKI
Electronic oboe & additional electronics - JAN PIASECKI
Additional harp - JUSTIN TRIPP



2568 (with ANTONINA NOWACKA and CHILDREN’S CHOIR)

FOQL, aka Justyna Banaszczyk, returns to Pointless Geometry with a new album after 10 years. It was her record that opened the label’s catalog, and now, symbolically, we close a decade and open a new one with her release. Bug Poems leans towards sound poetry, exploring the voice, touching on strange emotions—the fear of the alien-insect, but also the fascination with it. It is an attempt to capture a feeling.

The new album by FOQL is the result of months of research exploring poetry, pop culture, philosophy, and entomology in search of a new sonic and poetic language. Bug Poems moves between sound art and spoken word, weaving together strange emotions, fear of the unknown, and intimate reflection.

It’s an audial poetry, where the voice becomes both instrument and narrative, and where insects turn into metaphors for our inner worlds.

pa pa biedroneczko (from "Bug Poems" LP)

POINT#65 FOQL "Bug Poems" 

Justyna Banaszczyk aka FOQL works across many fields — as a composer of theatre music and radio plays, but also as a solo artist, turntablist, and cassette DJ under the alias Głupiec. Unable to find a clear place for herself, she identifies with art brut, though she sometimes speaks of working-class experimental music. She is interested in the independent music scene as a form of social glue. For her, artistic practice is a vehicle for survival.

She used to play the violin, but music school quickly clipped her wings, and it took her a long time to find her own language. She started out in noise projects, went through the rite of passage of the club scene, and is currently drawn to the radio play as a genre. 

FOQL - Owady świecące (feat. Xenon & Natan Kryszk) POINT#65

https://www.thewire.co.uk/audio/tracks/unlimited-editions-pointless-geometry

https://www.dwutygodnik.com/artykul/11779-rozszczelnianie-kultury.html