[PREMIERE] | POLISH TECHNO.LOGY | Francesco Argentieri - Rhythm [OOP007]

Disenchantment EP by Francesco Argentieri
release date: 27.04.2020

 ‘’After six vinyl releases that delighted us with some of the best techno heavyweights at the moment, Out Of Place is starting it's digital series as well. The first installment is heading your way with the young Italian producer at the helm-Francesco Argentieri. He marks his debut as a producer, releasing on a V.A. for the infamous Dutch label-Planet Rhythm” 

TRACKLIST:
Francesco Argentieri – Rhythm
Francesco Argentieri  - Disenchantment
Francesco Argentieri  - Lunacy
Francesco Argentieri  - Consequence
Francesco Argentieri  - Forget

PREORDER:
https://outofplacerecords.bandcamp.com/album/francesco-argentieri-disenchantment 

MORE: 
FB:  www.facebook.com/francescoargentierimusic
SC:  https://soundcloud.com/francescoargentieri

https://outofplacerecords.bandcamp.com
www.facebook.com/outofplacerecords
https://soundcloud.com/out-of-place-records

[PREMIERE] | Francesco Argentieri - Rhythm [OOP007]

𝗥𝘂𝗻 𝗕𝘆:

https://soundcloud.com/staryk_dj
soundcloud.com/skztechno
https://soundcloud.com/benbpoland


Polish Techno.logy was created in 2017 as a podcast series project. Over the years, it has become a respectful platform which hosted sets of many local artists as well as the international ones. 
Among many others we invited artists such as Arnaud Le Texier, Insolate, Joton, Bralle, Anne, Falling Echoes, Antonio de Angelis, Casual Treatment, D/n, Red Rooms, Juri Heidemann, Decka and many more.

As a natural progression we started to promote the music, which correlates with our vision by working with artists, collectives and labels and uploading their tracks as premieres.
So far, we have been trusted by such labels as Planet Rhythm, Newrhytmic Recs, KSR, SK Eleven, VOXNOX Berlin, OECUS, Out Of Place, Prophet Recordings, Immaterial Archives, Devotion Records, METHODICAL and many more.

Recently we have also released our first album as a form of a V/A hosted artists like: Vertical Spectrum, Tremor, SKZ, Internal Explorer, Szmer, Johannes De Leysen, Mislaw, Rethe, Rudeboy.

It's always about the mixing in life. In the few semesters of chemistry I studied, I already learned how to mix molecules and substances. But not only in chemistry it is important to mix different things to get harder, stronger or other variants. Also with us humans it is important to mix, to meet each other and to let something completely different and new emerge. 
We mix different kinds of vegetables and spices to get highly delicate food. We mix different materials to get designer clothes. We mix fruits for smoothies. We mix raw materials to obtain the most advanced technology. We mix colors for the greatest works of art in the world. And we mix different frequencies to create the best music in the world. 
Only by mixing can we create diversity and individuality. Only when we break down the borders between black and white and move in the grey zone it becomes exciting. Only by mixing can we achieve things that have never been there before.

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).

This channel plays :
#NuDisco #IndieDance #EBM #ElectronicMusic #Electro #DarkAmbient #Ambient #DanceMusic #Techno #KPOP #JPOP #THAIPOP #CPOP #FilipinaMusic #Gothic #ColdWave #DarkWave #Industrial #ProgressiveHouse #CinematicSound #SynthWave #SynthPop #Shoegaze #TribalSound #PsyTrance #DarkDisco #HypnoticSound #PostPunk #Punk #AvantGarde #Vocaloid #Minimal #Independent #Indie #SpaceAmbient #Underground #Ethno #DeepTechno #Soundscapes #Idols #Sci-Fi etc.

[PREMIERE] | Francesco Argentieri - Rhythm [OOP007]

POLISH TECHNO.LOGY/PTL