Quantum Leap is from John Maus' forthcoming album, We Must Become The Pitiless Censors Of Ourselves, out on June 28th in North America on Ribbon Music and June 27th in the UK / Europe on Upset the Rhythm.

Hear another track, Believer, from the album here: http://soundcloud.com/ribbonmusic/john-maus-believer

JOHN MAUS lives in his birthplace of Austin, Minnesota. Whilst working towards his PhD in Political Science, he also composes music that taps into melancholic fantasy and affirms that we are all truly alive. Questing synthesizers, tensely strung bass lines and chasing drum machines providing the perfect backdrop for John's deeply resonant reverb-drenched vocal. Born in the decade of synth pop and sharing his birthday with George Frideric Handel, John started making music when Nirvana posters went up on every teenager’s wall. It’s this curious conflux of influences that partially helps to describe John’s music. It’s a world where the Germs jam with Jerry Goldsmith, Cabaret Voltaire relocate to Eternia and Josquin des Prez writes a new score for RoboCop. The confrontation of punk, the fleeting poignancy of 80’s movie soundtracks, the insistent pulse of Moroder and the spirituality of Medieval and Baroque music all find salvation in John Maus.

We Must Become The Pitiless Censors Of Ourselves breaks new ground for Maus. The shirt pulling and air punching of his impassioned live performance is finally captured in all its frenzied appeal alongside a tender inner space that wasn’t as apparent on his previous albums. It’s a record where promise takes the lead for the first time, providing a counterpoint to John’s default existential calling.

Signup to stay informed of the latest John Maus news, including a chance to pre-order the new album on CD/limited-edition LP:
http://www.ribbonmusic.com/label/
http://www.upsettherhythm.co.uk/

John will be playing shows across the US this summer including co-headlining shows with LA's Puro Instinct.

05-13 Los Angeles, CA - The Echo
06-18 San Francisco, CA - Brick And Mortar Music Hall *
06-20 Portland, OR - Doug Fir *
06-21 Seattle, WA - Chop Suey *
06-24 Minneapolis, MN - 7th St Entry *
06-25 Chicago, IL - Empty Bottle *
06-26 Detroit, MI - Magic Stick *
06-28 Brooklyn, NY - Glasslands *
06-29 New York, NY - Mercury Lounge *
06-30 Boston, MA - Great Scott *
07-02 Winooski, VT - Monkey House
07-03 Philadelphia, PA - Making Time @ Voyeur *
07-05 Washington, DC - Black Cat Backstage *
07-06 Atlanta, GA - The Earl *
07-07 Birmingham, AL - Bottletree Cafe *
07-08 New Orleans, LA - Wolf Den at Howlin Wolf *
07-09 Austin, TX - Mohawk Inside *
07-12 San Diego CA - Casbah *
07-13 Costa Mesa, CA - Detroit Bar *
07-15 Los Angeles, CA - Echoplex *

* w/ Puro Instinct

We Must Become the Pitiless Censors of Ourselves

Quantum Leap

John Maus - Quantum Leap

John Maus - My Whole Worlds Coming Apart

John Maus - I Want to Live (2003)

'Believer' is taken from John Maus' We Must Become the Pitiless Censors of Ourselves out June 28th on Ribbon Music (North America) and June 27th on Upset the Rhythm (Europe).

View the 'Believer' video directed by Jennifer Juniper Stratford here: http://youtu.be/PMku-GbafEg

Hear another track, Quantum Leap, from the album here: John Maus - Quantum Leap by RibbonMusic

Signup to stay informed of the latest John Maus news, including a chance to pre-order the new album on CD/limited-edition LP:
http://www.ribbonmusic.com/label/
http://www.upsettherhythm.co.uk/

John will be playing shows across the US this summer including co-headlining shows with LA's Puro Instinct.

05-13 Los Angeles, CA - The Echo
06-18 San Francisco, CA -  Brick And Mortar Music Hall *
06-20 Portland, OR - Doug Fir *
06-21 Seattle, WA - Chop Suey *
06-24 Minneapolis, MN - 7th St Entry *
06-25 Chicago, IL - Empty Bottle *
06-26 Detroit, MI - Magic Stick *
06-28 Brooklyn, NY - Glasslands * 
06-29 New York, NY - Mercury Lounge *
06-30 Boston, MA - Great Scott *
07-02 Winooski, VT - Monkey House
07-03 Philadelphia, PA - Making Time @ Voyeur *
07-05 Washington, DC - Black Cat Backstage *
07-06 Atlanta, GA - The Earl *
07-07 Birmingham, AL - Bottletree Cafe *
07-08 New Orleans, LA - Wolf Den at Howlin Wolf *
07-09 Austin, TX - Mohawk Inside * 
07-12 San Diego CA - Casbah *
07-13 Costa Mesa, CA - Detroit Bar * 
07-15 Los Angeles, CA - Echoplex *

* w/ Puro Instinct

Believer

John Maus - Believer

John Maus - Keep Pushing On

Coldwave

DEPARTURE

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

John Maus - No Title (Molly)

Loveline will be featured on Magic Wands third album 
Abrakadabra due out spring 2018.


Loveline (Lyrics by Magic Wands)

My love can play like a record
But it can skip all the time
And leave you

Hangin on the loveline
On the loveline 
Hangin on the loveline 
On the loveline 

Hangin on the loveline
On the loveline
Hangin on the loveline

Our hearts can burn like a fire
You’ve got a love that don’t falter
When I see you 

Hangin on the loveline
On the loveline 
Hangin on the loveline 
On the loveline 

Hangin on the loveline
On the loveline
Hangin on the love line

You’re heart can skip like a record
I might just play it forever
And leave you 

Hangin on the loveline
On the loveline 
Hangin on the loveline 
On the loveline 

Hangin on the loveline
On the loveline
Hangin on the loveline

Loveline
Hanging on the love line

cp MagicWands2017 ASCAP

LOVELINE

John Maus 'No Title (Molly)' is available on a limited edition transparent orange Flexi Disc as part of Smugglers Way, Ribbon Music and Domino's first ever FlexiDisc Zine available exclusively on Record Store Day, April 21st.

Smugglers Way features unreleased songs by Dirty Projectors, Real Estate, Cass McCombs, Villagers and John Maus on FIVE individual, multi-colored Flexi Discs.

The 24pg zine is comprised of contributions by Domino & Ribbon artists including Alison Mosshart (The Kills), Laura Marling, Owen Pallett, Bjorn Copeland (Black Dice), Alex Bleeker (Real Estate), Andrea Estella (Twin Sister), Orange Juice, James Yorkston, Jon Hopkins, Ade Blackburn (Clinic), Jana Hunter (Lower Dens), Conor O'Brien (Villagers), King Creosote & Tom Fleming (Wild Beasts).

Smugglers Way is a limited, one of kind item, conceived and designed exclusively for Record Store Day. We couldn't be more proud of this and we hope you find Smugglers Way as exciting to read and listen to as it was for us to put together.

For more information visit: http://smugglersway.tumblr.com/

John Maus - Keep Pushing On

pollo asado