Head down, the bass thumping, the crowd writhing and turning with a singular purpose in mind. Images of dimly lit clubs and roars of approval flit through your mind when listening to our premiere for today, Vintage, by Terrain. The song begins with a deep and unwavering bass line, throbbing like a pulse through the air. Its consistency forms the backbone of the composition, rhythmically grounding the listeners. Military-like snares snap through and keep the energy marching forward as the track progresses through a haunting, dubbed melody and disembodied voices echoed throughout. 

Vintage and the rest of Terrain’s Corners EP will be out on the Kosovo based imprint, Vargmal Records on August 25th.


Write up by @huedj

https://soundcloud.com/vargmalrecords
https://vargmalrecords.bandcamp.com
https://www.instagram.com/terrain_music/
https://www.instagram.com/vargmalrecs/

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PREMIERE: Terrain - Vintage [Vargmal Records]

It's a chilly, misty Friday in Amsterdam where we welcome Zorz to the GF series. The Athens-born, Berlin-based selector is one of those key figures in the scene with great energy and taste in music.  He is the co-founder of Untag records together with Kondaktor and a resident of a few crews. These include Prima Materia in Madrid, and the lauded Pi Electronics, a collective and record label hailing from Athens. They release music by artists like 3.14, co-founder of the label, JK Flesh, and others. When not performing at the annual Intergalactic FM Festival on the Dutch West Coast, he is doing the rounds at venues like About Blank, Temple in Athens, La Matriz, and many others. The recording is from a DJ set live at the Autonoma Industriale event in Berlin back in June 2023. His selection tells you all you need to know. Lock in!

@zorz

Dj Set from A.I. for Galatctic Funk

Galactic Funk Podcast 137 - Zorz

Club music culture necessarily shifted gears in many ways during and after the course of the pandemic. Older participants found their way into other interests and younger participants took new reigns to orient spaces they felt good inside of. The agenda for the music, and the cultural industry surrounding it at large, took a more frivolous and “fun” turn. Clubs needed to recoup lost money, people needed more refreshing catharsis for their nightlife escape, and in some pockets scattered around the globe a newer and younger cadre of producers/promoters/DJ’s pulled optical cues from a scattering of “darker” influences to give an alternate aesthetic to the aforementioned “vibes” culture. In the midst of this, a large polarization of conceptual energy shifted within the compositional and utilitarian machinations of the club music culture leaving behind the brooding and cerebral placeholders for a different kind of enjoyable hedonism. Terrestrial Paradise’ “Artificial Hell” harkens to another prescient time before that shift occurred. “Artificial Hell’ might just be an illustration of what all of this fun escapism encapsulates.

Terrestrial Paradise is the latest moniker from Montreal come Los Angeles based producer Jaclyn Kendal. Having developed and cemented her sonic positionality with releases on North American labels like Ascetic House and Summer isle over the years, as well as a series of monolithic live sets, Bank is pleased to announce Kendal’s Terrestrial Paradise first full length album “Artificial Hell”. Over the course of nine recordings, “Artificial Hell” gives a master class in pressurized industrial techno of the slower variety. Fitting with the legacy of Bank’s output since it’s inception, Terrestrial Paradise’s aesthetic sensibilities sit within the canon of a certain tinge of club music imbued with a sense of natural grit, sans pretense.

“Artificial Hell” nods to artists like Scorn, Regis, and 400 PPM while maintaining it’s own territory in the landscape of cerebral and brooding rhythmic techno. Ominous, mechanistic drones sit above succinctly exacted percussion composition and sound design. Throughout “Artificial Hell”, Kendal shows her proficiency with the push and pull of building and releasing tension. On tracks like “Salvation” and “Relativity” she melds her synth wash wallscapes with driving percussion, serving as both a hint and counterpoint to the the entirety of the latter part of the album taking on spartan ambient compositions as a way to keep the listener in a subdued stasis. This album is a statement piece from a long time participant in the North American underground music sectors. It reminds the listener through perilous, considered rhythms and darker drone impositions to cement themselves back into a place where not everything is always a good time.

Terrestrial Paradise - Western Ave (BNK-042)

Lost In Ether | P R E M I E R E |  Fonzo - Marbling Voices [Qilla]

artist name: Fonzo
label name: Qilla Records
release name & cut number: Chakravyūh - QR100
release date: 20th May 2024
pre-sale: 22nd April 2024
shops links: fanlink.tv/QR100

Explore more:
https://qilla.bandcamp.com/
https://soundcloud.com/qilla
https://www.instagram.com/qillarecords/
https://linktr.ee/qillarecordslinks
https://soundcloud.com/fonzo-5
https://www.instagram.com/fonzo.pt/
https://linktr.ee/fonzo.pt

Lost In Ether | P R E M I E R E |  Fonzo - Marbling Voices [Qilla]

@baitlabel
@gillielove

Out of Step looks into industrial, mechanical sounds, some of which almost don’t qualify as “dance” music anymore. ex.sses, lloydfears, Ōtone, VCR and gillielove take you on a march where you feel like you keep tripping up.

The sound of glitchy, distorted things, being chopped up or smashed into pieces, this is what unites these 5 tracks in a various almost out of step with withthe rest of Bait’s releases.

pre-order link: https://baitdubstep.bandcamp.com/album/out-of-step-vep

pi premiere: gillielove - procession in dante's square (Bait)

Festival recordings ‘24 - Surrealita b2b Makropulos


      Played & Recorded at Burnout-Regula by mateo hurtado
      
      ┈┈┈┈․° ☣ °․┈┈┈┈
      
      freeminded non-commercial music diffusion
      www.radio-bollwerk.ch
      

mateo hurtado - Radio Bollwerk - 19.04.2025

We continue live from Berlin studio: next up is Triana! 

Triana [23.04.25]

All tracks written and produced by Sasha Zakrevska in between 2013 and 2024
Mastering: @benpest
AV Collaboration @SophiaBulgakova
PR: @fomopr
Distribution: www.musicdeli.nl

(c) Lightronics 2025

Bandcamp

12. Poly Chain - Get Home Before Curfew

Groove orange -  Unknown QTY Broken Acid mix

Crossfade Sounds revisits Closing Cycles by Belgian duo Madloch & Subnode, inviting three distinctive artists to reimagine the track for a new EP. Originally featured in March 2025 as part of the label's first-ever physical release, the Tape From The Dub cassette compilation, the original stood out for its atmospheric depth and subtle melodic movement, reflecting the duo's inventive approach to electronic storytelling.

Now the piece returns in three unique reinterpretations from an international cast. Rheinkalk from Germany takes the track into deep experimental electronica, exploring texture and space in an abstract yet spellbinding way. Avid Sequence from Malta offers a fresh drum & bass perspective, injecting rhythm and fluid energy while keeping the emotional core intact. Closing the package, Deepdrome from South Korea crafts a finely tuned dub techno version, balancing hypnotic groove with warm, immersive sonics.

With these new remixes, Closing Cycles expands beyond its original form, bringing fresh dimensions to a work that has already become a special part of the Crossfade Sounds catalogue.

Stream/Download here: https://go.protonradio.com/r/rla3WfAgf1MxU

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• https://crossfadesounds.bandcamp.com/album/deeper-underground-8
• https://crossfadesounds.bandcamp.com/album/tales-from-the-dub-free-download

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• Back Catalog: https://bit.ly/spotifycrossfadesounds
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Madloch, Subnode - Closing Cyles (Avid Sequence Remix) [Crossfade Sounds]

Beautiful music and visuals from Kyiv, UA

💌 bookings, cooperation and love letters: send.demos.to.me@gmail.com

12. Poly Chain - Get Home Before Curfew

Poly Chain/Lightronics

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