Synthetik Suede

Here’s a Cwejman PH-8 wave-shaping four VCO-6s. The VCO-6s are tuned in fifths. The Triangle outputs of the PH-8 trigger the VCO-6s via FM2, the pulse/saw outputs of the PH-8 (45 degrees shifted) are routed to the PWM inputs of the VCO-6s.

A RG-6 creates the pulse, its Gate output is triggering a D-LFO, which is modulating the Offset level of the PH-8. I wiggle the waveform of the D-LFO, this reduces or increases the attack of the pulse. The Random SAW output of the RG-6 is modulating the PWM of the PH-8. The High output of the RG-6 is triggering the Sync input of the PH-8. 
The Sine Output of one of the VCO-6s is routed to the External Input of the RG-6. Sampling signal level is at about 50%.

The four PWM Saw outputs of the VCO-6s are routed to a MX-4S. A PH-4 is modulating the panning. The gate output of the RG-6 is modulating the Rate of the PH-4.

I wiggle the frequency and pulse-width of the PH-8. And I sometimes change the octave of the fifths. 

Recorded straight into ProTools via a RND 5059 summing mixer and Prism ADA-8XR. No overdubbing. Bit of Reverb (Adaptiverb) and limiting (Ozone 7) added.

Fifth twister

Percussive patch featuring a Cwejman RG-6 as the rhythmical brain. A trio of Cwejman FSH-1, RM-2S and MMF-1S are used as sound sources, modulating each other, and shifting between skin-type sounds and glassy or metallic tones. The FSH-1 is wiggled between ring-mod and freq-shift modes. The MMF-1 is in dual slope mode and its spacing and resonance are modulated by the RG-6. The RG-6 also modulates the rate and lag of a Cwejman NS-1. The S&H output of the NS-1 is routed to one of the audio inputs of the FSH-1. The gate output of the RG-6 triggers a CV-CTG that feeds a percussive pulse to the other input of the FSH-1. A Turing machine is synced to the RG-6 and locked into patterns, its Seq output modulating the pitch of the MMF-1S.

Recorded straight into ProTools via a RND 5059 summing mixer and Prism ADA-8XR. No overdubbing. Bit of Reverb (Adaptiverb) and limiting (Ozone 7) added.

Shards

Patch featuring two Cwejman PH-8’s. There are two layers:

Melodic layer: two PH-8s acting as VCOs and modulating each other. The Pulse outputs of PH-8 no.1 are routed to the audio inputs of a VCA-4MX, the Triangle outputs PH-8 no.2 are routed into the CV inputs of the VCA-4MX. The 0 degrees Sine output of PH-8 no.1 is routed to the PWM input of PH-8 no.2  Both PH-8s also modulated each others offset inputs. A Turing Machine is locked into a pattern and modulating pitch of both PH-8s through their CV2 inputs. Both PH-8s are synced to different pulse outputs of the Turing Machine. The four individual outputs of the VCA-4X are routed to a MX-4S mixer and the voices are panned by a PH-4.

Rhythmical layer: The bass drum and woodblock type sound are done with a MMF-1S pinged by one of the pulse outputs of the Turing Machine. The output of the MMF-1S is compressed by a DP-2. The hihat / snare type sounds are done with CTG-VC shaping the envelope of noise from a NS-4. This is modulated by a FSH-1 and panned in stereo to the MX-4S mixer. The rhythm is triggered by another pulse output of the Turing Machine. 

This was a jam of about an hour recorded straight into ProTools via a RND 5059 summing mixer and Prism ADA-8X. Then cut up to this bite-size snack. Bit of Reverb (Adaptiverb) and limiting (Ozone 8) added.

Miah's Place

Here’s a patch with at it’s heart the Cwejman MBC-3, it is used for compression, colouring and sound design. 

There are two layers:

1. The rhythmical source is a RG-6 clocking a PH-8. The 0 and 270 degrees Saw/Square outputs of the PH-8 are routed to two FSH-1’s. The outputs of the FSH-1’s are routed to a MX-4S which is panned by a PH-4. The RG-6 modulates the two FSH-1’s via the CV1 inputs, and also modulates the PWM input and FM1 input of the PH-8. 

2. The gate output of the RG-6 triggers a CTG-VC, which pings a MMF-1S. This creates the percussive layer and bell-type sounds. The VCA/Mix output of the MMF-1S is routed to the MBC-3. Two of its compressor bands are routed to the audio inputs (no2) of the FSH-1s and are mixed with layer 1. The third (upper) band of the MBC-3 is used to FM the PH-8 via FM input2. The RG-6 also triggers a Turing Machine that is locked into loops. The Seq output of the Turing Machine modulates the frequency of both the MMF-1 and PH-8. This creates the repeating motives.

I wiggle the two frequency knobs of the FSH-1s and the frequency knob of the PH-8. The PH-8 is used in audio rate as well as LFO mode. The latter creates the clicky percussion sounds. 

Recorded in one long take into ProTools via a RND 5059 and Prism AD. Then cut up to make it slightly less boring. Bit of reverb and limiting added on the master fader.

Spil - Plunge

A Cwejman RG-6 triggers two FSH-1's and a CTG-VC.

Two layers, recorded in ProTools via a RND 5059 and Prism AD. Then cut up to make it slightly less boring. Bit of reverb and limiting added on the master fader.

C73a's Clock

An Argentinian based in Barcelona, @Gabriel-Ferreira is no newcomer to the world where techno, minimal and disco merge. His latest EP “Perisphere” which will be released by @sideupworks is a testament to this experimentation.

We are happy to premiere the lead track of this EP “Perisphere” re-interpreted by Marc Pinol. The original carries the drum programming based on rhythmic technostructure while the melody and bassline carry the heart of dark disco while the minimal hi-hat takes you on a ride and @MarcPinol transforms this into a minimal atmospheric acid journey.

PREMIERE – Gabriel Ferreira – Perisphere (Marc Pinol Remix) (Side UP Works)

@user-829614153's track "Velvetini" will be released through @epm-music on December 13th.
More Info: http://bit.ly/cvogelmistyquay

Veröffentlicht von:
EPMmusic

Erscheinungsdatum :
13. Dezember 2019

The Misty Quay

Cristian Vogel - Velvetini

Gabriel Ferreira - Azimut

Azimut (Persona Remix)

PREMIERE: Gabriel Ferreira - Azimut (Persona Remix) [United Colors Of Rhythm]

www.instagram.com/captain.cosmotic/

Original Tracks:
Sigha-HF029 B1
www.discogs.com/de/Sigha-HF029/release/2932247
&
Sog-Sog 1.2
www.discogs.com/de/Sog-Speicher-49/release/954576

Sog & Sigha-Speicher HF029(Captain Cosmotic's Sog 1.2 Edit)// Free DL

INFO: https://www.clubbingspain.com/mp3/2020/premiere-jori-hulkkonen-auto-accidents.html

Shadow Play EP

Auto Accidents

PREMIERE: Jori Hulkkonen - Auto Accidents [My Favorite Robot]

Emotions & feelings are conducive to creativity that's why this first version was recorded live in one take,  during spring 2002, Bourgoin-Jallieu, with a Roland Groovebox MC505 & a Korg Synth MS2000.

Everyday Of Your Life (2002 First Version)

Fresh n juicy healthcare mix under lockdown. Cheers!

Darias Album

Aperol for breakfast

Estamos de aniversario, ya llevamos dos años compartiendo música desde El Rastro de Madrid".

Para la ocasión hemos preparado un recopilatorio con algunos de los artistas mas interesantes de la ciudad.

Rams & Ivan De La Rouch - Element Crashed

Palm Paradise is a monthly radio show on rbl.media with various influences from different genres of electronic music. Get ready for a vibeful journey from house to disco beats or let yourself drift away in the waves of breakbeat and trance vibes every now and then

Palm Paradise | 002 @RBL Berlin, 20th Dec 2020

Stepping up and presenting us with a slow-rolling hour of electronic goodness is Beryll, with plenty of dark twisting acid, EBM & techno.

"Born and raised in NRW, but her heart has always beaten for Berlin. Musically, Beryll has found her own style between a little genre-spanning mixing where House, Dub and modern and dark Techno approaches are combined."

@beryllberlin

𝑮𝑶𝑩𝑪𝑨𝑺𝑻003 - 𝑩𝑬𝑹𝒀𝑳𝑳 - 𝑻𝑾𝑰𝑺𝑻𝑬𝑫 𝑨𝑻 𝑯𝑶𝑴𝑬

XP, NOiSE, Improvised Music, Modular synth, since 1998 /

C73a's Clock

poly_mod

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