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GLYPHS : WOOD [QNE.GL.001]

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polygonia

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TechnoTrippin' Premiere 032

Artist: @polygonia
Track Title: Kalypso (Original Mix)
Album Title: Bear in Mind VA
Label: @aardenrecords
City: Gent (BE)
Catalogue Number: AARD021VA03
Masterings at Deflection Mastering by Kevin Erckens
Artwork by Unum (@Brunumo)
Genre: Electronic
Style: Techno
Format: Digital
Release Date: 27th May 2021
Digital Distribution by: NEWS digital Belgium, Bandcamp and Formaviva

Purchase VA: www.aardenrecords-official.bandcamp.com/album/bear-in-mind-aard021va03

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Follow Polygonia & Aarden Records here:

POLYGONIA
@polygonia
www.facebook.com/polygoniamusicandart
www.instagram.com/_polygonia_
www.ra.co/dj/polygonia

AARDEN RECORDS
www.aardenrecords.com
@aardenrecords
www.aardenrecords-official.bandcamp.com
www.facebook.com/aardenrecords
www.instagram.com/aardenrecords
www.formaviva.com/aarden-records

_

PRE_ORDER

Bandcamp: www.aardenrecords-official.bandcamp.com

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Infos, Promos & Premiere requests at >> technotrippin@gmail.com

_____

Bear in Mind

Polygonia - Kalypso [Aarden Records]

Buy track / Album

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄 : Polygonia - Kalypso [Aarden Records]

Taken from Polygonia's EP Children Of Chaos on Secuencias Temporales Records, out August 16.

More: www.orbmag.com/music/

@secuencias_temporales
@polygonia

Listen more

Premiere: Polygonia - Gaia

Polygonia - Tartaros [Secuencias Temporales]
Release name - Children Of Chaos
Catalog - ST034
Release Date - 16/ 08/ 21
Mastering By - Eafhm at Secuencias Temporales Studio
Artwork By - Scencist
Format - Digital

Support & Download - https://secuenciastemporales.bandcamp.com/music

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Label on Facebook - www.facebook.com/secuenciastemporales
Label on Soundcloud - https://soundcloud.com/secuencias_temporales

Artist on Facebook - www.facebook.com/polygoniamusicandart
Artist on Soundcloud - https://soundcloud.com/polygonia

-
www.facebook.com/Hadalresonance
www.instagram.com/hadalresonance/
www.youtube.com/channel/UCLcxxn-vhZDM_hCVOcuFx0Q

Polygonia - Tartaros [Secuencias Temporales]

Opposites coexist in an eternal loom that intertwines it all.
There is a magnetic energy, a sort of attraction between them that allows balance to exist.

We usually tend to see Nature and Machinery as opposites. But are they really?
There's undoubtedly a strong correlation between the evolution of one and the other and we can usually see machines & technology as another layer in Nature's realms.

Art & creations made through machines usually allow us to innerly explore diverse aspects of nature and understand them from another perspective. Many times music created using machines takes us to natural landscapes and helps us find inner connection with nature itself.
Wether they are opposites or not, we are strong believers that there is a potential balance within the coexistance of Nature and Machinery.

This dual compilation is intended to prove it.

Follow the artist: https://soundcloud.com/polygonia

Mastered by: Soma
Ph: Exotherm
Artwork: Ruffo

Buy/Support

Polygonia - Quisanea (Original Mix) [CODX001]

Ariet - Shaman's Heart (Polygonia Remix) 
Medicina EP [Psylocybina01 / Psylocybina]

Produced by Michał Gutkowski aka Ariet
Additional Production by Lindsey Wang aka Polygonia
Mastered by Piotr Figiel
Artwork by Karol Siekierko
Released by Psylocybina from Poznań, Poland
Release Date :  June 03rd. 2022

Our first release comes from project founder Ariet (real name Michał Gutkowski). The idea behind it was to create a soundtrack to a psychedelic trip in the context of underground club music.

The last track comes from an artist on the rise in the global hypnotic techno scene Polygonia. Here in the Shaman’s Heart remix, we can hear her softer side turning the original composition into an Integration song, another vital element of all psychedelic processes. Her remix sounds like a perfect ending track for an outdoor festival evoking a feeling of oneness, love, and compassion towards all beings.

The release will be sold on a donation base model. All the profit will support party-working initiatives that aim to educate about consciousness-altering substances as well as reduce damages caused by abusing them.

Polygonia (Munich, Germany)
https://soundcloud.com/polygonia
https://www.facebook.com/polygoniamusicandart
https://www.instagram.com/_polygonia_

Ariet (Poznań, Poland)
https://soundcloud.com/michalgutkowski
https://www.facebook.com/arietmusic
https://www.instagram.com/michalgutkowski

Psylocybina
https://soundcloud.com/psylocybinapl
https://www.facebook.com/psylocybinapl
https://www.instagram.com/psylocybinapl
https://psylocybina.bandcamp.com

Oslated.
http://www.oslated.com
https://soundcloud.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated

Medicina EP

Shaman's Heart (Polygonia Remix)

Ariet - Shaman's Heart (Polygonia Remix) [Psylocybina]

Sonic dimensions of matter.

We bring you ‘Where Have You Come From?’ by Michal Wolski.

Track Title: Where Have You Come From?
Written and produced by: Michal Wolski 
Release title: VA - Glyphs: Wood 
Label: QEONE (QNE.GL.001) 
Mastering: Niklas Bühler at Klangstellwerk
Artwork: Lindsey Wang aka Polygonia & Tenzia
Format: digital 
Release Date: 07/06/2021

Bandcamp: https://qeone.bandcamp.com/album/glyphs-wood

Concept:
It is our absolute pleasure to announce the first compilation on QEONE.

This wonderful collection of tracks is really unique as all pieces are based on one concept which is completely sound design oriented. The idea behind this release series is to have one material or substance which will then be interpreted by the artists. For this very first compilation we chose the material Wood.

In the end the artists will also reveal some specific techniques which they used for the production of each track to transform this project also into a skill sharing platform for followers to learn from and get inspired. It offers a great opportunity to get insight into various approaches to one topic.

Michał Wolski‘s production ‚Where Have You Come From‘ touches the deepest side of things with his drony impulses and hypnotising vibes. He created all of the sounds using one little sample in which he recorded two wooden kitchen tools. The processing of it turned out so versatile that nobody would suppose that it is only featuring that one source sound. 

Michal Wolski:
https://soundcloud.com/michalwolski
https://www.facebook.com/michalwolskimusic
https://www.instagram.com/michalwolski/

QEONE: 
https://soundcloud.com/qeone
https://www.facebook.com/qeone
https://www.instagram.com/qeone.rec/

Premiere: Michal Wolski - Where Have You Come From? [QEONE]

ᴘʀᴇᴍɪᴇʀᴇ:
Track Name: Ancient Grove
Artist: Mordio
Release name: GLYPHS : WOOD
Catalog Code: [QNE.GL.001]
Mastering: Niklas Bühler at Klangstellwerk
Format: Digital
Release Date: June 07, 2023

Buy Link: https://qeone.bandcamp.com/album/glyphs-wood

Mordio:
▫️ SC: https://soundcloud.com/mordiomusic
▫️ IG: https://www.instagram.com/mordiomusic/

QEONE:
▫️ SC: https://soundcloud.com/qeone
▫️ FB: https://www.facebook.com/qeone/
▫️ IG: https://www.instagram.com/qeone.rec/

Crescent London:
▫️ www.linktr.ee/crescent.london

Full Tracklist:
1. Primal Code - Adansonia
2. Dycide - Tapio
3. Cafe de la Jungle - QMMF
4. Saša Delimar - What if...
5. Polygonia - iunua
6. FTP Doctor - Aaaah Naja
7. Mordio - Ancient Grove
8. Michał Wolski - Where have you come from
9. Kangding Ray - Ebeniste
10. Tenzia - Branches

Press Release:
It is our absolute pleasure to announce the first compilation on QEONE. This wonderful collection of tracks is really unique as all pieces are based on one concept which is completely sound design oriented. The idea behind this release series is to have one material or substance which will then be interpreted by the artists. For this very first compilation we chose the material Wood. In the end the artists will also reveal some specific techniques which they used for the production of each track to transform this project also into a skill sharing platform for followers to learn from and get inspired. It offers a great opportunity to get insight into various approaches to one topic. The artist duo Primal Code created a wonderful sonical piece ‚Adansonia‘ with rich harmonies and the wood as the percussion sounds which appear very watery at the same time. The overall aesthetic has a very glitchy character and catches the listener with its intriguing bassline. Dycide picked up the topic in a very groovy and dry way with his track ‚Tapio‘. The wood feels quite close to the ear and transports a warm feeling. You can clearly recognize the strong bass music influence of the artist, which makes this track really captivating. Cafe de la Jungle produced a minimal influenced dancefloor tool ‚QMMF‘ which has a crystal clear yet organic sound aesthetic. The high wooden textures and tones give this piece an amazing tension which sucks the listener right into it. On the other hand Saša Delimar created a very wooden and also bass influenced track ‚What if...‘. It paints a great picture enriched with lots of wood sounds in the percussion parts and complex textures. Polygonia presents a very dubby side in her production ‚iunua‘ using a captivating groove. Next to that the main element first appears to be one of the many wooden elements but then reveals itself as a synthesizer which modulates between various timbres. FTP Doctor created a wooden percussion texture nightmare called ‚Aaaah Naja‘ with intense vocals and some 808 like basslines which modulate the hell out of this groove. This piece really gets to the brain and makes dancefloors melt because of its fierce power. Mordio created a strong floor tool in his production ‚Ancient Grove‘. The driving character of this one gets even more impact through the two main elements, the wonderfully designed wooden stab and the textural intriguing main synthesizer. Michał Wolski‘s production ‚Where Have You Come From‘ touches the deepest side of things with his drony impulses and hypnotising vibes. He created all of the sounds using one little sample in which he recorded two wooden kitchen tools. The processing of it turned out so versatile that nobody would suppose that it is only featuring that one source sound. Kangding Ray produced a great dancefloor machine called ‚Ebeniste‘ with more than crispy sounding wooden drums and a crazy driving beat. The whole thing gets rounded up by a synth sequence which intensifies the impact on the body. Tenzia‘s track ‚Branches‘ tells a vibrant story with various chapters in its arrangement, highlighting the beautiful textures which wood has to offer.

Bandcamp

PREMIERE: Mordio - Ancient Grove [QNE.GL.001]

As you may have already noticed, the first compilation 'GLYPHS : WOOD' has been released on my label @qeone.rec a few days ago. 
It's a sound design focused series of releases, I always choose one specific material or substance for each of them which the artists shall then translate into the musical language - in this case I chose wood. 🪵🪵
In connection to the concept, I invite the producers to reveal some details about their idea behind the track and also some tricks which they used for their production process. 🎛️

I also produced a track for this occasion, it's name is 'iunua'. I recorded a little video to show you the ableton project of this track. In my eyes, this was the perfect call to finally officially launch my youtube channel. 🎉
Some of you might already know this profile, as I continuously uploaded my whole discography during the past years. 🎵

I am beyond excited to share some knowledge about music production with you. There are many topics which I'd like to talk with you about.
Also feel free to send me suggestions if you have anything specific in mind. ✉️🫧

You can watch the video right here:
https://www.youtube.com/watch?v=9DQchw09naA

Or support the compilation here:
https://qeone.bandcamp.com/album/glyphs-wood

Track Walkthrough

Polygonia - iunua [QEONE]

This is my contribution to the first compilation 'GLYPHS : WOOD' that has been released on the label @qeone.rec
I am very proud and happy to be part of this amazing project. 
This wonderful collection of tracks is really unique as all pieces are based on one concept which is completely sound design oriented. The idea behind this release series is to have one material or substance which will then be interpreted by the artists. For this very first compilation the label chose the material Wood.

Support the compilation here:
qeone.bandcamp.com/album/glyphs-wood

GLYPHS : WOOD

Branches

Tenzia - Branches [QEONE]

@qeone

lyrics:
oooooooo
aaaah jaaaaa
naja naja naja
m hm hm hm mh mh mh
haaaaa ha
aaaaaah

mastering by me @ klangstellwerk
www.klangstellwerk.de

Aaaah Naja

Dream Horizons

Flakes Flying Upwards

Metaphysical Scribbles

Crystal Valley

Soul Reflections

Set Me Free

LIES-100
Terekke-Mix 91
from the upcoming Plant Age lp
to be released Nov 24th 2017

Plant Age

Buy LP direct

Terekke-Mix 91 (LIES-100)

from split tape "Pandit on Vacation" with Misha Sultan on Hair Del.

hairdel.bandcamp.com/album/pandit-on-vacation

Эксцентричный махараджа

Polynesian Télépathes - Gecko One

Iona Fortune - Tao of I Vol. 2

• Spellbinding second exploration of the I Ching hexagram by Iona Fortune
• Follow-up to first volume for Optimo Music - one of 2017’s albums of the year
• Mastered and cut by D&M. Pressed on yellow vinyl
• RIYL Coil, Laraaji, Jon Hassell, David Lynch & Angelo Badalamenti

Iona Fortune crystallises and convects enchanting thoughts on the legendary I Ching in a keenly awaited 2nd volume of ’Tao of I’, following from her resoundingly acclaimed 2017 debut for Optimo Music. Lustrous synthetic subbass meets traditional Chinese strings with sublimely spirited and timeless effect

Issued by Ecstatic as the 2nd of 8 albums by Iona exploring hexagrams of the I Ching, or ‘The Book of Changes’ - a 2500 year old Chinese divination text referenced extensively in religion, art, philosophy, psychoanalysis, science and mathematics - ‘Tao of I Vol. 2’ sees the Glasgow-raised, Zurich-based artist refer to millennia of human experience thru an electro-acoustic prism of Synthi AKS, Guzheng and Gamelan, newly expanded with Erhu, Kim, Yanqin, Zhong and Bawu. The wider scope of her palette allows a greater detail of airy calligraphic expression to her multi-dimensional microcosmos, channelling a wondrous energy in a fluidly melodic narration of mystic ideas made musically tangible.

In eight parts Iona acts as conduit for extraordinary, invisible and arcane forces. Inspired by the I Ching’s fundamental principles, her music resonates with a visceral and cosmic conception of human essence, infusing minimalist frameworks with finely tempered but lush emotive cues that bring to life the I Ching’s conviction that, according to the Wilhelm translation, 1950 of Hex 16 豫 (yù) “music has the power to ease tension within the heart and to loosen the grip of obscure emotions.” Iona’s music most beautifully manifests this idea in concisely exacting forms and to contemplative ends, creating a slow, serene and harmonious music that coolly commands relaxed states of reception, best for mulling over life, and stuff.

At once as light as a fleeting thought but permanent as an organism passing on its code, the music conjures mindsets comparable to Coil at their uncanniest, the post-erotica 4th world sensations generated by Jon Hassell, or the dark energy expressed in David Lynch films and their soundtracks. Most crucially Iona achieves this through a synthesis of self-exploration and instrumental actualisation, employing an unusual composition strategy of inner cultivation and empathic performance to divine and realise a spellbinding, penetrative otherness.

Iona Fortune - Xiǎo chù 小畜 [ELP045]

@acidpauli
facebook.com/therealacidpauli
twitter.com/acidpauli
instagram.com/therealacidpauli
@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music

“Basically my albums have developed into my personal field of experimentation” says Martin Gretschmann, aka Acid Pauli. Known primarily for his psychedelic, leftfield club sounds that weave between slo-mo beats and deep burners, his EPs, remixes and collaborations have generally been more focused on the dancefloor. With his latest album, MOD (his third full-length released on his own Ouie label), Gretschmann goes in a tangential direction, drawing inspiration from modular synthesis and the scene that has flourished around it over the last years. The result is an album produced almost entirely with modular systems, inspired by the possibilities and restrictions of carefully shepherding machines that sing to themselves. 
“I know a lot of people who somehow found themselves and electronic music in a boring dead-end alley, and who have now found completely new worlds through modules”, he explains. Experimental as MOD may be, it certainly isn’t ‘difficult’ or inaccessible - or as someone put it, the nine tracks here are “soft, elegant, fluent, dreamy - the tracks achieve the effect of space-time morphing - magical states”. 
The album is best heard as one continuous piece, allowing it to unfold its delights gently. Most of the tracks were recorded live in one take - often with Gretschmann recording up to 10 different versions before choosing the final piece. 
Propagating Flip Flops starts things off - its glitchy textures and sync-shifting set the scene for the album - the sounds evolving and developing before resolving into a warm, ethereal tone. Intellijel Bell is made up of deep loops of rhythmic sounds, while metallic sounds and a submerged jazzy undertone hint at the classic Acid Pauli sense of fun. Acid On Yusef uses looped up rhythmic pulses and bass tones, joined by modulated beeps and blips. A touch of that iconic liquid acid sound pulls it together and gives the track its name. Sublime Frequencies Of Cairo is another beatless, floating collection of loops that shift and morph - seemingly suspended in space, before an ambient orchestral element resolves the track. 
As the title suggests, Du Brecht, Ich Dub revolves around a bass heavy sound, building up a rhythm of disparate elements that develop into a tense yet somehow weightless groove. Life Polarizer is further evidence that an Acid Pauli album will always somehow drift back towards the groove. The track works the effects pretty hard - sounds pinging between left and right and ebbing and flowing into the mix. Peace Waer Schoen also makes heavy use of delay to create a dubbed-out, wonky feel. The freedom of getting away from computer based production is referenced sardonically in Quantize Hell - its bleepy sounds find a rhythm and progression outside of the grid. Finally, No Kick, No Cry brings the journey to a close - it’s the first and only kick drum of the album and adds a structure to the magical unpredictability of the looped sounds. 
The album’s artwork perfectly reflects these sounds within - created by musician and artist Billy Caso. Each track is also accompanied by a minimalist video, created with a device from this modular world - the "Vidiot". It’s clear that in MOD, Gretschmann has produced a homage to the modular scene that might inspire as many people as it delights.

Acid Pauli - Intellijel Bell

post-genre love ~ diversity in sound.

Label head at @qeone
Label head at @iorecs
Resident at @blitzclub
Part of @lyderlyderlyder
Part of @harmony-rec


Booking & General requests (Management):  laura@onboardmusic.net
Press contact: chanel@dawncreative.agency
Promo Gifts: promo [at] polygonia-creations.com

Polygonia - iunua [QEONE]

ᏢᎾᏞᎽᎶᎾᏁᎥᎪ