The animals know.
"Heart-burstingly lovely..." -The Guardian

"Angelicola emotes over a bed of cinema-worthy synths like Grimes on downers." -Under The Radar

Press:
Kip Kouri
Tell All Your Friends PR
e: kip@tellallyourfriendspr.com

Since its inception in 2009, Chiara Angelicola’s most well-known project Bird Call has lured fans and perked ears from music critics like Under the Radar, who described Bird Call as "dangerous and romantic, emoting over a bed of cinema-worthy synths like Grimes on downers."  Because of the artist’s known propensity towards a mercurial presence and sound, she is always evolving, yet rooted in a foundation of vulnerable lyrics and a voice that WNYC describes as “direct and impassioned”. Since her 2011 International Songwriting Competition win for “Best Performer”  beside pop artist, Kimbra, Angelicola has gone on to share the stage with artists such as Angel Olsen, Empress Of, Kyp Malone’s Rain Machine, Ice Balloons, Donna Lewis and Reptar. In the last decade, Angelicola has released five EPs and two LPs. Bird Call’s music has been licensed for widespread use and heard on several television networks including Hulu, Netflix, Amazon, Fox, and Lifetime.
Bird Call's forthcoming LP, Year of the Dogfish, set to be released in 2019, is Angelicola's first full-length release since her Will We Get to Mars LP (Zap Records, 2013), which was produced by Bryan Senti (Feist, Mark Ronson, Rufus Wainwright), and which The Guardian stamped as “heart-burstingly lovely”. Since then, Chiara additionally released two EP’s with her second project, Motel Pools, Volume I (2015) and Volume II (2016), with the former produced by Kyp Malone of TV on the Radio.

/ / / New Single 'This Hunt' out NOW / / /

VANDANA is an artist who thrives in contradiction - shapeshifting between the seductive and the sinister, the intimate and the maximalist, she has built a world where beauty and menace intertwine.

Her single “This Hunt” (Oct 17, 2025) is less a song than a ceremony. Born of industrial pulse and velvet ruin, it circles the listener like prey, unraveling themes of pride, appetite, and a Faustian bargain. The lyrics bend the body into ritual, where blossoms bloom with both allure and danger.

Born and raised in India, she moved to London before settling in Brooklyn, a path that mirrors the paradoxes in her music: ancient and futuristic, rooted and exiled, silenced and unafraid. Drawing on a culture steeped in mysticism yet fractured by modern complexity, she calls her vision ancient futurism - an ouroboros of blossoms and brutality, vulnerability and dominance.

Critics at Brooklyn Vegan and The Line of Best Fit have called her a “mystic, intelligent anti-Venus,” placing her within a lineage of art-pop disruptors - Björk, Fever Ray, Thom Yorke, Arca and FKA twigs. Yet her ethos is her own: a maximalist emotional world, ceremonial and cinematic in tone and uncompromising in vision.

All we are is dust in the wind - Ted Theodore Logan.

Contact,
fathersculptor@gmail.com

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Beautiful Buzzz is a new music blog and event production company based out of San Francisco, CA.  Our goal is to expose up-and-coming artists who we believe are on the cutting edge of electronic music, future bass, bass, trap, indie dance, nu-disco, house, and electro pop & soul.  We believe the world needs to know about the little guys – and we love to support independent musicians from around the globe!

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