Tracks That Have Videos or Installations Attached to Them (collaboration)

// 02:25 excerpt from 28:54

Advertising for an installation of the "失踪人口袋 Missing Persons" series of RFID-blocking tote bags made by 女子天團 NZTT Sewing Co-op in collaboration with 展銷場 Display Distribute 

// exhibited as part of 《無用之用 Uselessness as Usage》, curated by 侯瀚如 HOU Hanru for the 廣東時代美術館 Guangdong Times Museum，廣州 Guangzhou，2021年

無用之用 Uselessness as Usage

失踪人口袋 Missing Persons Bag 广告 advertising jingle

2-channel crunch from 4-channel installation version of ℛadiℴ Slumbℯr, overheard at 𝑊ℎ𝑒𝑛 𝑇ℎ𝑖𝑛𝑔𝑠 𝑎𝑟𝑒 𝐵𝑒𝑖𝑛𝑔𝑠, Stedelijk Museum Amsterdam, 26 November 2022 - 10 April 2023

Coven initiations by // 何穎雅 Elaine W. HO and 吴索 Amy Suo WU, Arnhem 2020
Audio Mastering by // Jacco PRANTL

   Featuring the voices and additional recordings by //
안예라 Yela AN、정현주 Hyunju CHUNG (Read-in)、何穎雅 Elaine W. Ho 、王漢麗 Regina W. HO、李子杰 June LEE、雷静霖 Virginia LUI (Mai Ling)、Lara van MEETEREN、苗母 Miao Mothers Temple、郭圓瑩 Ying QUE (Read-in)、吴索  Amy Suo WU、张涵璐 ZHANG Hanlu、张子木 Zimu ZHANG

Additional sounds from https://freesound.org recorded by //
221097、deleted_user_112280、harrietniamh、InspectorJ、MBARI_MARS、the_very_Real_Horst、TiesWijnen、Vanalosswen

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https://radioslumber.net

radio SLUMBER

ℛadiℴ Slumbℯr installation séance versie

digital video, 4'54"
in collaboration with Lucio CASTRO
2016

《The Viewing Party》 considers various perspectives of 'viewing' as precipices of action. Between observation, the experience of mediated reality and the reverberations of relation, what is to be done? As one of the first texts by Lenin, "What is To Be Done?" turned out to be less of a call for collective mobilization, more of a threshold between misunderstanding and the laying bare of insecurities. There is a flux of things amidst our attendance to the viewing party, and sometimes, things just happen.

Featuring the voices of 李思怡 LI Siyi、李心路 Lulu LI、瀋賓 Biin SHEN、譚争劼 TAN Zhengjie、顏峻 YAN Jun、and 小鄭 Little ZHENG.

___
screened as part of 
「Debatable Screenings」, curated by Renan LARU-AN at Art Center College of Design (2016, Pasadena)
and
「Violent Opaque」, curated by 陳睿達 Ray TAT and screened at Chronus Art Centre (2016, Shanghai), Kochi-Muziris Biennial (2016, Kochi) and Female Cut - New Waves #4 (2017, Rome) ——>  http://violentopaque.space/

The Viewing Party

digital video, 3'44"
in collaboration with 陳睿達 Ray TAT
2017

In this instance, we are virtually strangers to one another, somehow cast into another configuration, unsure of our roles as either marginal tools of a herd or fair players of a game known as “44 Theatre” (44劇場). This game has been organised by the collective 實踐論 On Practice, and in December 2016, we participated in a series of strategically planned public readings and dialogues along routes and amidst non-places of Guangzhou. The assigned text was a two-part fictionalised account of the late 19th-early 20th century warlord Baron Roman von UNGERN-STERNBERG written by writer 王煒 WANG Wei. Our doubt and illiteracy led to sidelined conversations and this piece.

声音選錄包括：两幕詩劇《羅曼·馮·恩琴》的朗讀、紀錄片《公民抵抗：初探》的選錄以及王菲“只愛陌生人”的KTV錄音。

Featuring readings from the play《Roman Von Ungern》, excerpts from《Civil Resistance: A First Look》and a karaoke rendition of Faye WONG's “Only Love Strangers”

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本視頻参加實踐論的44劇場項目，在蔡影茜策划的時代美術館展覽《从不扔東西的人》，2017年1月8日至3月26日之際。

Shown as part of 44 Theatre's contribution to the exhibition “The Man Who Never Threw Anything Away”, Guangdong Times Museum (8 January - 26 March 2017, Guangzhou)

——> http://player.youku.com/embed/XMjY2NzM3NjY2NA==

陌生人 Strangers

This inadvertent collaboration began with a conversation about the worlds around us — and our own motions within it — leading to feelings of futility, sometimes maybe the inability to do anything at all. He was fiddling around with a guitar at the time because he couldn't make work; I wrote something down because i was still in shock and didn't know how to help. I was thinking of him and thinking of her, and then decided one night when Anh was asleep in the other room to record it for them, sitting in darkness in a hallway with metal walls. She couldn't understand the English and he offered to translate it for her, he stumbled and listened to it over and over again, then he wrote something down, too, thinking of a different her. She put us together, just before her baby was born, and that became the introduction of the piece. I cried the first time i saw it.

by 何穎雅 Elaine W. Ho, Jojo of the Ultra Clan (超家族的Jojo), 賴宇通 Lai Yu Tong (Cosmologists)＋ 苗母 Mother Miao 的無意合作.


其它能看和聽的版本 other versions of this work may be seen and heard here //
— https://holesinsmoke.hotglue.me/theultraclanweddingcollection/ (點，吳索 Amy Suo Wu)
— https://cosmologists.bandcamp.com/album/problems
— https://soundcloud.com/portableho/problems-in-the-world-mix-2019-09-20

超家族婚禮合集 The Ultra Clan Wedding Collection（片段 excerpt）

2-channel version of originally mastered 5.1 surround sound installation as part of the Mamitua Saber project of the 2019 Singapore Biennale

包括的讀者 featuring the voices of // 何穎雅 Elaine W. Ho、苗子 Mother MIAO、TỐNG Thị Xuân、黃荻  Tiv WONG、VŨ Hồng Nhật Linh、XEN Nhà

mastering // 楊我華 Anthony YEUNG（a ASTERISK music）

made by 點點宣傳部 • • PROPAGANDA DEPARTMENT in conjunction with the third issue of 《ETC., ETC., Catalogue》 (2019年) —> www.oo.shenzhensecession.net

等等目录 ETC., ETC., No. 3：即將、 而然 About to, Thereafter（讀者 Readers）

但願為您描述得更好。
iwishicoulddescribeittoyoubetter.

The Viewing Party

portable.who