Written by: Tiffany Calderbank and Tomás Valenzuela
Produced and mixed by: Tomás Valenzuela and Anthony Cenerini
Engineered by: Anthony Cenerini
Recorded at 12TH ST Sound (www.12thst.ca/)

Supported by Creative BC and the Province of British Columbia

Protected under SOCAN

LYRICS
Uneasy feelings inside her
Coming from outside
Revealing secrets of jokers
Opening eyes wide

Dissolving laughs by the minute
Crossing all the lines
Feeling scared and easy
Taken back in time

Why waste another day in hiding
This game cannot be played
Without kings and queens 
Don’t waste another day
In hiding

It’s difficult to build bridges 
On broken trust
Even more so while cries for
Justice float beneath 
Beneath us
Float beneath
Float beneath us
Float beneath 
Float beneath us

Float beneath
Float beneath us
(no more lies)
Float
(reconcile)
Beneath
(no more lies)
Float beneath us
(reconcile)
(no more lies)
Float
(reconcile)
Beneath
(no more lies)
Float beneath us
(reconcile)

Why waste another day in hiding
This game cannot be played
Without kings and queens 
Don’t waste another day
In hiding

Why waste another day in hiding
This game cannot be played
Without kings and queens 
Don’t waste another day
In hiding

Uneasy

september 2019
https://www.patreon.com/n10as
@n10as

Zen At Ten w/ Big Zen

It all began eight years ago with a copy of R. Murray Schafer’s The Tuning of the World found in a box in a cabin, deep within the Pacific coast rain forest. This catalyst provoked Scott Gailey to draw inspiration from the sublime environment that surrounds his home on the West Coast of British Columbia. This exact landscape had a profound effect years earlier on a group of composers centred around Schafer and Simon Fraser University, including Hildegard Westerkamp and Barry Truax, who banded together as the World Soundscape Project (WSP). Where the WSP was primarily interested in field recording as sound ecology - documenting, preserving, and archiving a changing landscape - Gailey explores the musicality of field recordings through various synthetic approaches, a way to access the ambiguous emotional content latent in the natural world. There is a subjectivity to Gailey’s work, and in that sense it has more in common with the sensual musique concrète of Luc Ferrari, or even the Fluxus tape works of Henning Christiansen, than with the WSP. Despite having roots in this well of thought, Polysensuality is undeniably modern, finding kinship with contemporary works by Sugai Ken, Visible Cloaks, and Meitei, while also dipping a toe in the sound pool created by Haruomi Hosono and Hiroshi Yoshimura. Gailey has previously explored this palette in his duo You’re Me with Yu Su, but here there is more space, more silence, greater extremes, and in this way it is more personal, like a soliloquy rather than a conversation.

Limited edition of 100 LPs & 50 cassettes with risograph paste-on artwork.

Tracklist:
A1 Agafia (4:04)
A2 Pithy Line (4:55)
A3 20180622-18274 (2:46)
A4 Curtain With Wind (5:23)
A5 Jewelled Turtle (1:59)
A6 Errant Moon (8:29)

B1 Grasstune (6:55)
B2 Turtle By Night (5:04)
B3 Sculpture From Earth (1:53)
B4 Wordless Sentence (7:05)
B5 Sorgente Termale in un Cantiere (5:24)

Release Date: Sept 14th

Scott Gailey - The Turtle By Night (Clymyrasynathia Mix)19SC

two green and one blue

holding

drifting

Extended arrangement of loops made for Dougherty Island at www.andrewpekler.com/phantom-islands

Dougherty Island - 120º W, 59º S
Captain Dougherty of the English whaling ship James Stewart, discovers the island in 1841 and describes it as 5–6 miles long with a high bluff to the northeast and a valley in the middle covered in snow. Dougherty's discovery is confirmed by English captains in 1859, and 1891. Sailing through the area during Shackleton's Antarctic expedition of 1908–1909, Captain Davis, Chief Officer of the Nimrod suggests that fog banks or icebergs had deceived Dougherty and his successors. Nonetheless, a license granting “exclusive rights to occupy the island for the purposes of removing guano and other fertilising substances” is issued to the Norwegian whaler HJ Bull by the British Government in 1913. 

First appearance: 
1892 British Admiralty Chart of the South Pacific

Last appearance: 
1910 Royal Geographic Society Chart of the voyage of the Nimrod

Dougherty Island

Tercera edición de Inflorescencias, serie de conciertos de improvisación libre y artes sonoras.

Tebo Enríquez - guitarra eléctrica y electrónica 
Adrián Avendaño - batería y percusión  

+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Third edition of Inflorescencias, series of free improvisation and sound art concerts  Organized and curated by Kevin Salkeld (Lima, Peru).

Tebo Enriquez - electric guitar, electronics
Adrián Avendaño - drums, percussion

Tebo Enríquez - Adrián Avendaño @ Inflorescencias Vol.3

Second single from upcoming EP "Bless You Thank You" ☻

04 Noise For Sleep

Postdrag