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The Nest was established in 2011. Comprising of Christoph Clöser ("Bohren & der Club of Gore"), Tycho Schottelius ("Desmond Denker"), Thomas Mahmoud and Gerald Mandl (both "Tannhäuser Sterben & das Tod"), they have created their own blend of electro-acoustic, jazz and noise. Their debut album "Music for Drivers" (Denovali) has been described as: "Highly minimal and with due attention to space and atmosphere, 'Music For Drivers' is poised with a sharp tension between contrasting organic and mechanical sound sources; field recordings lend an unpredictability and sense of atmospheric breadth while their patiently attuned playing paints the space between with ethereal, otherworldly strokes of synthesizer, saxophone and electronics, constantly morphing between moods which are never quite just dark and light, maybe best described in terms of psychedelic, hallucinatory light shows." (Boomkat)
With the idea to transform this material even further, the band has self-released a remix-cassette album ("Music from Co-Drivers"), featuring a carefully selected bunch of experienced collaborators, musically ranging from Breakcore, Dubstep, to New Wave and Experimental Music.
Whilst their debut album was driven by the clarification of areas and fields, „Sayweenjoy“ (Album Label/Random Noize Musick) focusses on the more melodic and rhytmical structures of The Nest's very own musical language.

The Bim Prongs is a (mostly) solo experimental music project by veteran Canadian musician and multi-disciplinary artist W.A.Davison, known for his numerous solo projects (Songs of the New Erotics, Th  W rbl r, Panic Engines, M.Stactor), his involvement in significant Canadian underground/experimental groups (Phycus, Six Heads, Gastric Female Reflex) and collaborations with prominent artists and groups in the international experimental music scene (Nihilist Spasm Band, CCMC, AMM, MSBR, irr.app.(ext.), Nurse With Wound, Monty Cantsin Amen, etc.). After a break with many of his past projects at the end of 2014, Davison established The Bim Prongs as a kind of "everything, including the kitchen sink" catch-all experimental  audio project incorporating a wide variety of strategies and techniques (not to mention a vast archive of recorded material) developed over 30+ years of recording and performance experiments. W.A.Davison received an Acker Award in 2018.

abnormal stuff / content / loops

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W.A.Davison is a multidisciplinary artist who has been producing various forms of experimental art and music for over 35 years. As a composer and improvisor, Davison has performed solo (as The Bim Prongs, M.Stactor, Songs of the New Erotics, Th W rbl r, Panic Engines, etc.), in his own ensembles (Urban Refuse Group, Six Heads), and in various collaborations (with members of CCMC, Nihilist Spasm Band, AMM, MSBR, irr.app.(ext.), Nurse With Wound, and many others). His work has been presented at festivals such as TodaysArt (Den Hague, NL), Art Basel (Basel, Switzerland), Electric Eclectics (Meaford, ON), Spleencoffin (Baltimore, USA), Dictaphonia Fest (Gainesville, USA), Colour Out Of Space (Brighton, UK), and The Whitney Biennial (New York City, USA), as well as at various events in Toronto, Montreal, Halifax, Quebec City, London (Can.), London (UK), Paris, Berlin, New York, San Francisco, Tokyo, Buenos Aires, Stockholm, and Sydney. Davison's recorded work has been distributed on small labels, through informal networks around the world.

Material on this page is an odd collection of bits and bobs, mostly uploaded when I was contributing to the Nine Day Antler Society (http://sevengallery.blogspot.ca/).

To change one's life; Start immediately. Do it flamboyantly. No exceptions. - William James,

Based in Toronto, Canada and formed by multidisciplinary artist W.A.Davison in 2000 from the ashes of the former junk instrument project Urban Refuse Group, Six Heads is an ensemble of six instrument-builders and sound experimenters dedicated to exploring the rarely trodden territory of surrealist sound collage - aware of the trails previously blazed by other audio surrealists but charting their own path by means of free improvisation, homemade instruments, and live mixing as opposed to studio manipulation/composition.
Six Heads has appeared at 7a*11d International Performance Art Festival (2000), Bummer In The Summer Festival (2006), and Electric Eclectics Festival (2010). In addition, members of Six Heads have performed at the 2008 Whitney Biennial (NYC), Festival International de Musique Actuelle de Victoriaville (Quebec), Y2K8 International Live Looping Festival (San Jose, California), Liz Was and Miekal And's Festival of the Swamps (Madison, Wisconsin), on Wire magazine's Resonance FM radio station (London, UK), and at legendary tape networker Hal McGee's Dictaphonia Fest (Gainesville, Florida) as well as having collaborated with members of numerous other noise, experimental, and improvised music projects such as Nurse With Wound, Nihilist Spasm Band, CCMC, AMM, and Govt. Alpha.
Recent Six Heads releases have included tapes on american labels Black Horizons ("The Popeye Scat", 2009) and Psychform ("Ether", 2007) and a full-length vinyl LP on Wintage Records. Six Heads is William A. Davison, Sherri Lyn Higgins, Colin Hinz, James Bailey, Pete Mosher, and Linda Feesey.

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