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looking for ways to arrange sounds like no one else...

Musician, Writer, Husband, Dad, Peaceful Warrior, Ascension Facilitator 

At the age of 18 Wally took his obsession with music to the next level and started honing his craft behind the decks. Since then he's been able to share his passion for music with the masses in multiple venues and cities. The last three years has seen his career take off as he has played events and parties for The Philadelphia Experiment/PEX (PA), The Blackbird Squadron (PA), Kostume Kult (NYC), Rat Camp (DC), Disorient (NYC), The Space Pirates (PA), Bangarang (PA), Fleeting Dream (NYC), Bubbles and Bass (NYC), Mischief (DC) and Vitamin B (NYC). Wally has also played in the dust at various camps and art cars at Burning Man in 2011, 2012 and 2013. 

In addition to just playing the sounds of other artists, Wally has also produced multiple tracks and remixed others to create a new sound. His style tends to be classified as Deep House, Tech House and Global Beats but he prefers to cater his set to the audience and dance floor devotees. 

Future Soul Music / Digital Native

Composer/guitarist/rapper/Di.J./producer Gene Pritsker has written over 900 compositions, including chamber operas, orchestral and chamber works, electro-acoustic music and songs for hip-hop and rock ensembles. All of his compositions employ an eclectic spectrum of styles and are influenced by his studies of various musical cultures.
	He is the founder and leader of Sound Liberation; an eclectic hip hop-chamber-jazz-rock-etc. ensemble and co-director of Composers' Concordance. Gene's music has been performed all over the world at various festivals and by many ensembles and performers, including the Absolute Ensemble, Adelaide Symphony, MDR Symphony, The Athens Camarata, China Philharmonic Orchestra, Brooklyn, Shanghai and Berlin Philharmonic, Sinfonietta Riga, Orchester des Pfalztheaters, Yomiuri Nippon Symphony Orchestra, Anhaltische Philharmonie, ensembleKONTRASTE as well as such soloists as Anne Akiko Meyers, Lara St. John, Kathleen Supove, Sarah Chang, Martin Kuuskmann, Tim Fain, Borislav Strulev and Simone Dinnerstein. He has worked closely with Joe Zawinul and has orchestrated major Hollywood movies, Including 'Cloud Atlas', for which he wrote additional music and composed his ''Cloud Atlas Symphony’.
	The New York Times described him as "...audacious...multitalented." Joseph Pehrson, writing in The Music Connoisseur, described Pritsker as "dissolving the artificial boundaries between high brow, low brow, classical, popular musics and elevates the idea that if it's done well it is great music, regardless of the style or genre". Classical Music Sentinel writes:  "His expressive reach is so wide as to encompass everything from ethno/techno, rock/jazz fusion, classical opera and more, and it all seems to be effortlessly integrated within his anima and comes out through different facets of his persona. You could almost see him as a modern day renaissance man.” 
	Raul DaGma writes in his article ‘Gene Pritsker: Varieties Of Musical Experience’: "Gene Pritsker is a modernist at heart. If there is something new to be said to describe an old form or even a formless old thing – as old as yesterday, that is – this extraordinary musician will be among the first to say it…All of his music is of the highest quality, audacious and witty, joyous and elevated, and incomparable to anything written and recorded. In all of this Gene Pritsker has created a singular vocabulary, spoken not only by someone deeply schooled in music, but also in history, theology and philosophy."
	Organizations he is associated with include:  Co-director of Composers Concordance & Composers Concordance Records, co-founder/guitarist of Absolute Ensemble and artist-in residence at the Austrian Outreach Festival. Gene Pritsker's music is published by: Falls House Press, Gold Branch Music, Periferia Sheet Music & Calabrese Brothers music. Recorded on: Col Legno, Enja, Eutrepe, Wergo, Innova , Composers' Concordance Records, SONY Classical, and Capstone record labels.

DJ Carmin Wong is a rising star, known for her unique mix of progressive house and trance. Currently prepping her first album release ‘Cooling,’ she rocks the house every Wednesday night in Los Angeles, serving as house DJ at the exclusive Crocker Club, where Diddy filmed his Dirty Money music video “Looking For Love (featuring Usher),” which was released in June 2011, and directed by Colin Tilley (Chris Brown, Justin Bieber, 50 Cent). With its dance floors, Ghost Room and legendary vault, when people watch and listen to the music emanating from the sexy turntablist behind the decks, they immediately discover “You can’t go wrong with DJ Wong!”

Staying busy with DJ performances, and penning more dates into her heavily booked schedule, Wong says, “DJing allows me to share music with the masses.” Noting her audiences, she says, “In a melting pot like Los Angeles, you are going to have everybody. You are going to play a room with people in it from every ethnic group. You can’t just play one specific genre of progressive house and trance. You have to create a style for who you are. For me, I am really into international. I play music that everyone can relate to, enjoy, dance to, move to and groove to.”

Wong, who has also worked behind the turntables for Universal Studios, says she enjoys performing at a diverse range of events. 

In September 2011, DJ Carmin Wong DJd in front of 200 thousand people and also served as emcee at the famed Cherry Blossom Festival in the Little Tokyo section of Los Angeles. 

Wong lives in Los Angeles, in its world-famous Chinatown. She explains, “The people in Chinatown are very traditional, which makes it hard for me as a Chinese American, who is not only a female DJ in a male dominant scene, but also because I am a lesbian.” 

She adds, “It is ironic to me that other cultures are more accepting of me.”

Born in 7 Mile, Detroit, Michigan, DJ Carmin Wong moved to Los Angeles as a young teen, and became obsessed with the trance scene when she began attending underground parties. She eventually began hanging out with producers whenever she could to learn the tricks of the trade. “I have every music software you can get,” she notes. “I know how to use all of them and how they work. Ableton, Omishpehere, Sonic, FL Studio. The list goes on. I have every single synthesizer every DJ and producer in this town uses in this new age of music. I have spent so much money on software, it’s ridiculous. I can literally compose anything I want. I am always hearing tunes in my head.”

Adds Wong, “I always hear music. Even in my sleep, my dreams.” She is currently remixing the track “OShiete” for the Ajuku Girls, and has recently been asked to remix new unreleased tracks for Right Said Fred of “I’m Too Sexy Fame.” The British pop group has sold over four million records.

Despite her ultra hip demeanor behind the turntables, her parents are old-school Chinese. Wong reveals, “They still won’t speak to me in English.” She lives in Chinatown, a famed destination for tourists and those of all cultures who live in LA, because of its shops, restaurants and galleries. Part of the original alignment of the internationally celebrated Route 66 runs also through it. Wong states, “My grandfather, who was a great philanthropist, donated $20 thousand dollars, just to have his name placed on the gate with the dragons on it at the entrance of Chinatown.”

DJ Carmin Wong points out, “My first name has an ‘I’ in it. My middle name I was given is simply L, the letter ‘L.’ It can mean many things. She is lovely, she’s loud, she’s a lesbian.”

She continues, saying “My last name Wong, is written with a Chinese character that is a very royal Wong. There are two ways to write the Wong character. The way I write it isn’t just three strokes. It is very complicated to write. It’s in all of my branding for my logo.”

DJ Carmin Wong performed this year at the Big Winter Kick Off (BWKO) at Mammouth Mountain, which will also feature DJ Slipmatt, who has been voted in the top 20 in the DJ Magazine poll, received the title of ‘Best Remixer’ from the readers of M8, and an award for Outstanding Contribution to the Industry’ from London radio station KISS 100.

“Music motivated me to be a bigger person,” says Wong, who has chanted in front of the eight foot Buddha inside her parents’ restaurant. “I chant mantras and I believe in karma,” she states. “Whenever I’m stressed out, I go over to the shrine overlooking the ocean and the Hindu temple in Malibu.” She says, “My music is going to give you a mantra feeling, like when you chant.” 

“I hope to inspire people,” she says. “I want people to relate to my music in every respect.” 


Her first single entitled “For Eternity” has been released on Itunes for Purchases. In the meantime, her fans are enraptured just to have a chance to hear her on stage behind the decks.

Pouth is following