by Jeff Gburek
https://soundcloud.com/jeff-gburek/feldmonkesque

ottobre 2013

playground # 17 (by Jeff Gburek)

Farahnoise pudiera ser mas conocido como bajista de diferentes agrupaciones underground de la ciudad de Guadalajara desde los 90'.
Se inicia como ruidista alrededor del año 2006.

Farahnoise quiere agradecer a las siguientes agrupaciones en la que ha participado ya que sin su apoyo jamas hubiera sido posible crear ninguno de estos noises.

Voz sin Cuello - Garagexeprimental
Síndrome de Estocolmo - mathcorexperimental post -hardcore
Pandemia - Hardcoremetal
Imopectore - Hardcoremetal
Le Caterpiller - Worldmusicjazzrockfusion
Cerado dl Noise - Experimentalcircuitbending&feedback 
Cerado dl Hibre - Unknown jazz
David Chanson - Bad Nerved jazz freenoiselanders

Estas piezas son el resultado de una extensa búsqueda por plasmar un momento vivo.

My apologies for not being able to return follows.  I think SC has a limit of 2000 follows, for a basic account  :(

HeAD : P.M.  M.M.
InterCelest : P.M  C.C
https://head4.bandcamp.com/follow_me
https://intercelest.bandcamp.com/follow_me

just for fun / let's meet and play together

........

"I'll be right over and I'll bring some hummus and some grass"

.........

music / it is there since I was a kid / it talks to me / and I have never done a lot for it // I have not so much studied it / just what I was interested in / and if i went in some depth, it was spontaneously, without effort or discipline / / yes, I've always loved it and I will always love it, yes / / and maybe I've always understood and surely felt it // music / beautiful

I think a good way to conceive of sacred space is as a playground.

Marco Lucchi, Steve Layton, Davi Santos F, Bruce Hamilton, Gunter Glaser, Chris Silver T, Rosendo Javier, Victor Fuertes, Marco Marongiu, Matthias Boss, Patrick Masson, Paulo Chagas, Michael Parque, Felipe Barbosa, Saravà, Aki Srivastava, Daniele Camarda, Hidekazu Wakabayashi, Jeff Gburek


UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Christian Vasseur had been learning the guitar on his own for some time when he met his first teacher Pascal Boëls. 
Then, he took classes at the Conservatoire de Lille with Jean-Philippe Grüneissen and discovered the Renaissance Lute with Eugène Ferré at the Conservatoire de Toulouse for four years and took classes with renown Lute players such as Paul O'Dette and Yasunori Imamura. Practicing the Lute made him curious of improvisation and oriental music. At this time he began to perform on stage with various bands or solo, playing Early music with the Lute as well as contemporary music with the guitar. 
After several years of Early music repertory, He chose to dedicate himself to stage performance and music writing. At this stage, he started introducing some acting in his performances, mixing acoustic and electronic sounds, improvised and written pieces. 
For 15 years, he has been teaching musical theater and free improvisation classes to various groups of people : 
children and adults teen-agers in custody at the Maison d'Arrêt de Loos ; 
disabled adults and children (Compagnie de l'Oiseau Mouche at Roubaix, Ecole de Pratique Théâtrale at Villeneuve d'Ascq, psychatric hospital of Saint-André ). Meeting with highly vulnerable or helpless people has had a deep influence on the way he works today. 
Christian Vasseur has composed many pieces of music for various instruments and bands. Truly motivated by the possibilities offered by music applied to other disciplines, he works with video artists, dance and theatrical companies.

The Christian Vasseur' music borrows as much from classical tradition as from popular music. It is free of any form of dogma. As a polymorphic musician he every often takes part into interdisciplinary events where music combines itself with other artistic media, such as photography, video, dance and theatre. In theatrical events, his music acts as a counterpoint to the text, creating an extra voice, sometimes melodic, sometimes dissonant or noisy, based on the requirements of the staging, where acoustic and electronic sounds usually intermingle. Christian Vasseur plays lute too and composes new original music for this instrument. On top of solo concerts,he usually plays in a duet with cello player Jean-Christophe Lannoy (N’Gaddi), with guitar player Philippe Lenglet (Soliloques en loque, free improvisation), with belgian guitar player Gilbert Isbin (Bubble Fauna, free improvisation), with electronic music composer Denis Streibig (Les Chromonautes) with Djuwel (trio with singer and lute player Habib Guerroumi and Jean-Christophe Lannoy, two albums on Playa Sound label). He founded the band Mr Agata which plays tinny electro hardbarock opera music (La vie d'un homme on Dog Eared records). With the comedian musician Patrick Sourdeval he founded the duet Chamane/Shamane. He joined the electric guitars quartet OGR in 2010 and create the duet Fire Walk With Us with the eight string guitar player Steve Gibbs in 2018. Two CDs (Alam and Poèmes saturniens) was edited in may 2009 by Humming Conch.
More albums here : https://christianvasseur.bandcamp.com/
A trilogy is published by Thirsty Leaves :
https://thirstyleavesmusic.bandcamp.com/album/cent-millions-dann-es-a-la-limite-du-pr-sent-vol-1-3
https://thirstyleavesmusic.bandcamp.com/album/barreaux-dans-le-ciel-a-la-limite-du-pr-sent-vol-2-3
https://thirstyleavesmusic.bandcamp.com/album/un-amour-infini-a-la-limite-du-pr-sent-vol-3-3

My name is George Christian, I was born in August 10th, 1981, and my homeland is the city of Salvador, capital of Bahia, in Brazil. I'm a self-taught composer and a guitarrist with more than 10 years of experience. Even with not much formal instruction, I opted to be committed with my own discoveries in Art instead of being a musician in the entertainment field. I'm also a writer with five reasonably finished books of poem, however not published, and graduate in National and Foreign Languages (English) at Federal University of Bahia (UFBa). My essential aim in Music is to develop a compositional approach that encompasses not only popular but also the classical fields in an equanimity, and creates a synthesized universe of its own. The songwriting and the improvisations living side-by-side with electroacoustic studies and compositions with a larger structure, and working all the styles with a lyrical universalist philosophy. The musical message wants to restore the faith in humanity outside the chaos and overwhelming situations, even bringing back a sense of adventure, terror and reflection. And it surpasses the subtle autobiographical aspects to seek what is worth to be shared with the cosmos inside our hearts. It's not about any kind of musical devices or styles, but it's a meditation on life, death, ressurrection and eternity through the organization and impact of sounds. (written in February 25th, 2010)

My name is Øystein Q. Jørgensen
Music Producer from Norway

Dark Ambient
Drone 
Noise 
Ambient
Ambient Chillout
And much more...

Check my Bandcamp page 

____________________

Check out our net label  Petroglyph Music
https://petroglyphmusic.bandcamp.com/

Demos or links to your music
can be sent to:
petroglyph.music@gmail.com

____________________

Thans for listening and support

Øystein Q.

playground # 17 (by Jeff Gburek)

P-p-playGround